Nicholas Strogers Video
compositore
- Inghilterra
Ultimo aggiornamento
2024-05-09
Aggiorna
Live Stream „I am true: then trie mee:-“, 7. February 2021, Heiliggeistkirche Bern, Barockzentrum Ensemble Musicke&Mirth Grace Newcombe - Voice, Solmisation Irene Klein – Treble viol Elizabeth Rumsey – Tenor viol Leonardo Bortolotto – Tenor viol, Streaming Jane Achtman – Bass viol, Speaker Caroline Ritchie – Bass viol www.musicke-mirth.ch I am true: then trie mee:- „I am true: then trie mee:- But singe true: or shame mee“ Baldwin Commonplace Book, fol. 111 Musicians and COVID – a story of Proportions, Metronomes und Computers A closer look at English manuscripts from the turn of the 17th century yields an unusual repertoire of puzzling pieces. These pieces play with complex rhythms, and are accompanied by cryptic or humorous poems, daring musicians to rise to the challenge. The repertoire requires intense and indepth rehearsals to reach a concert standard, and is rarely performed today. One of the side-effects of COVID-Lockdown has been the rise of digital home office for all lines of work. In the last six months the ensemble Musicke&Mirth has developed digital rehearsal techniques and has recorded this complex English repertoire online. The ensemble now meets for the first time after six months of „home office“ to present this astonishing repertoire to the public in a streaming concert. In the course of the evening we will provide you with more information about the music and its historical context, and tell you more about the unusual, difficult and sometimes hilarous situtions encountered during online rehearsal. Please join us for an evening of good music, lively rhythms and entertaining stories about musicians‘ lives during lockdown. Sources: • John Baldwin‘s "Commonplace Book" (London, British Library, MS RM 24 d. 2) • „In Nomines and other Solfainge Songs" (London, British Library, Add. MS 31390) • Oxford, Bodleian Library, MSS. Mus. d. 212-216 • „A plaine and easie introduction to practicall musicke“ by Thomas Morley, 1597 Master of the King's Musicke Philip Van Wilder (c.1500-1553) Amour me va tout au rebours 12:56 Solfaing Robert Parsons (c.1535-1571/2) The song called trumpets 18:18 Thomas Woodson (died after 1605) Ut re mi fa 20:40 Nicholas Strogers (fl. 1560-75) In nomine I 23:25 Computers and metronomes John Baldwin O lux 30:03 Nathaniel Giles (~1558-1634) Salvator Mundi 33:24 John Baldwin (before 1560-1615) Upon the plainsong 38:00 Choirboys John Sheppard (c.1515-1558) Our Father 44:04 Thomas Morley (1557/58-1602) Christes Cross 47:13 In Nomines ... William Mundy (c.1528-c.1591) In nomine II 56:57 Mr. Picforth (fl. 1580's) In nomine 1:00:30 Christopher Tye (~1505-1573) Trust (In nomine) 1:02:36 ... and other Solfainge Songs Philip Van Wilder O ducks regard 1:13:42 Philip Van Wilder Je file quand Dieu 1:16:46 Clement Woodcock (c.1540-1590) Browning my dear 1:22:22 Puzzles John Taverner (~1490-1545) In women is rest 1:26:50 Anonymus Salva nos I 1:29:50 Anonymus Salva nos II 1:31:45 Epilogue Anonymus In nomine 1:35:35 Amour me va tout au rebours Amour me va tout au rebours, Ja ne fault que de cela mente; J'ay reffus en lieu de secours. M'amye rid et je lamente; C'est la cause pourquoy je chante: Qu'amours me va tout au rebours, Tout au rebours me va d'amours, tout au rebours me va d'amours. Our Father Our Father, which art in heaven, Hallowed be thy Name. Thy kingdom come. Thy will be done, in earth is in heaven. Give us this day our daily bread. And forgive us our trespasses as we forgive them that trespass against us. And let us not be led into temptation. But deliver us from evil. For thine is the kingdom and the power to thee be all honour and glory for evermore. Always so be it. Christ's Crosse Christes Crosse be my speede, in all vertue to proceed, A, b, c, d, e, f, g, h, i, k, l, m, n, o, p, q, r, s, &t, double w, v, x, with y, ezod & per se, con per se, title, title, est Amen, when you have done begin again, begin again. Je file quand Dieu Je file quand Dieu me donne de quoy, Je file ma quenouille auvoy. En un jardin m'en entray, Je file quand Dieu me donne de quo y Trois fleurs d'amour j'y trouva., Je vay, je vien, je tourne, je vire, Je ferre, je file, je tons, je raiz, Je danse, je saute, je ris, je chante, Je chauffe mon four; Je garde mes ouailles du loup. Je file ma quenouille auvoy. Je file quand Dieu me donne de quo y Je file ma quenouille auvoy. In women is rest In women is rest & pacience; no season for soothe out of charitie they be; both by night & by day they have confidence alway; of treason out of blame they be; no tyme as men say mutabilitie, they have without way, but steadfastnes in them ye never fynde I gesse crueltie; such conditions they have both more or lesse.s;,,
Giles Farnaby John Bull John Munday Munday Orlando Gibbons Thomas Tomkins William Byrd Giusti Peter Philips Francis Tregian Martin Peerson Galliard Giovanni Picchi Greene Thomas Morley Nicholas Strogers Edward Johnson Liszt Bach Satie Tchaikovsky Beethoven Chopin Haydn Ravel Debussy Verdi Vivaldi Handel Brahms Schubert Mendelssohn Rachmaninoff 1608 1619 1995 1999 2003 2007
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) Also available for licensing: (http•••) More Information: (http•••) All volumes of the Virginal Book: (http•••) Composer: Giles Farnaby, John Bull, John Munday, Orlando Gibbons, Thomas Tomkins, William Byrd Artists: Pieter-Jan Belder (harpsichord) Harpsichords: by Cornelis Bom, Flemish after Ruckers 1999 Italian after Giusti 2003 Italian virginal 1995 by Martin Skowroneck, after Ruckers 2007 by Martin Skowroneck, Flemish after Ruckers 2007, kindly loaned by Pieter-Jan Belder’s student Gerhard Boogaard This remarkable collection of works for the virginal, or small harpsichord, is found in the Fitzwilliam Museum in Cambridge. It is the largest collection of Elizabethan and Jacobean keyboard music, all handwritten and totalling nearly 300 compositions, all of which predate the first keyboard music published in England by about 50 years. The identity of the copyist of these works is uncertain, although a fascinating riddle. The manuscript is a role call of the leading composers of the era – John Bull, Giles Farnaby, William Byrd, Peter Philips, Orlando Gibbons, Thomas Tomkins and a number of unknown composers all feature. The copyist was, therefore, immersed in the world of keyboard music, with connections to the great composers of the day. Research seems to point to one Francis Tregian from Cornwall, who may have copied the music whilst in Fleet prison from 1608 until his death in 1619. He certainly had time on his hands, but how he obtained the materials and original music is far from clear. His connection to Cornwall is important – William Cornyshe (whose surname probably indicated his birthplace) was a significant composer during the reign of Henry VII and Henry VIII, while Farnaby and Tomkins also came from Cornwall. Social media: Brilliant Classics Facebook: (http•••) Brilliant Classics Instagram: (http•••) Tracklist: 0:00:00 Walsingham (John Bull) 0:15:51 Fantasia (Giles Farnaby) 0:21:01 Piper’s Paven (Martin Peerson) 0:26:16 Piper’s Galliard (John Bull) 0:28:31 Pavana Ph.Tr. (William Byrd) 0:34:12 Galliarda (William Byrd) 0:36:12 Pavana Pagget (Peter Philips) 0:43:25 Galiarda (Peter Philips) 0:45:55 Praeludium (John Bull) 0:47:33 Gloria tibi trinitas (In Nomine) (John Bull) 0:50:32 Toccata (Giovanni Picchi) 0:54:32 Pawles Wharfe (Giles Farnaby) 0:56:50 (Fantastic) Pavana (John Bull) 1:03:36 (Fantastic) Galiarda (John Bull) 1:06:10 A Grounde (Thomas Tomkins) 1:13:15 Pavana (Orlando Gibbons) 1:16:16 The Leaves bee greene (William Inglot) 1:19:46 The Bells (William Byrd) 1:26:38 Goe from my window (John Munday/Thomas Morley) 1:32:04 Fantasia (William Byrd) 1:37:12 Coranto (William Byrd) 1:38:12 Amarilli di Julio Romano (Peter Philips) 1:41:42 The old Spagnoletta (Giles Farnaby) 1:42:42 Pavana (Giles Farnaby) 1:49:35 Nowel’s Galliard (Anon.) 1:51:14 Barafostus’ Dreame (Anon.) 1:53:54 The K(ing’s) Hunt (Giles Farnaby) 1:56:19 Muscadin (Giles Farnaby) 1:57:43 Fantasia (Nicholas Strogers) 2:00:38 Barafostus’ Dreame (Thomas Tomkins) 2:06:44 In Nomine (Doctor Bull) 2:10:03 The King’s Hunt (John Bull) 2:14:04 Johnson’s Medley (Edward Johnson) 2:18:03 In Nomine (John Bull) 2:24:21 The Fall of the Leafe (Martin Peerson) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: (http•••) And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
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