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Emma Kirkby Georg Friedrich Händel Christopher Hogwood Margherita Durastanti Giusti Elin Manahan Thomas Manahan Academy Ancient Music 1706 1707 1984
Tu fedel? tu costante? HWV 171 Italian cantata for soprano with strings (2 violins) and basso continuo Text: - Music: Georg Friedrich Händel Composed: Venice, 1706? Rome, Spring 1707? Copied for marquis Ruspoli on 16 May 1707 / Video part 1 - Sonata - Recitativo: Tu fedel? tu costante? - Aria: Cento belle ami, Fileno Video part 2 - Recitativo: L'occhio nero vivace - Arietta: Se Licori, Filli ed io - Recitativo: Ma, se non hai più - Aria: Se non ti piace amarmi - Recitativo: Ma il tuo genio incostante - Arietta: Sì, crudel, ti lascierò / In this video: Emma Kirkby, soprano The Academy of Ancient Music, conducted by Christopher Hogwood Recorded in December 1984 / "The parts and score of Tu fedel? tu costante? HWV 171 were copied in May 1707 for Marchese Ruspoli, Handel's most important patron in Rome; they are the first items in the Ruspoli archive to mention Handel's name. The singer was almost certainly Margherita Durastanti, a soprano with whom Handel was to have a long and profitable professional relationship. She sang in a number of his operas in London. The anonymous text tells of a woman rejecting a fickle lover; a refreshing change from the usual expressions of confused or hopeless love to be found in such works." - Robert Hugill "Unusually, the cantata opens with a delightfully garrulous instrumental introduction - possibly intended to express the 'brio' which Fileno says he admires so much in the woman. The work also ends with a novel touch - a miniature aria with a butter-wouldn't-melt-in-my-mouth sort of tune in which the singer finally and unsentimentally dismisses the philandering Fileno with a flea in his ear." - Simon Heighes / Recitativo Tu fedel? tu costante? Ah! non è vero. Tu usurpi ingiustamente titoli così belli, empio Fileno! Tu fedel, cui scintillano nel seno sempre nove faville? Tu costante, ch'il cuore vanti diviso in mille parti e in mille? Incostante, infedele, traditore! Questi, Fileno, questi giusti titoli sono e pregi tuoi, onde superbo ir puoi spergiuro, menzognero! Tu fedel? tu costante? Ah! non è vero. Aria Cento belle ami, Fileno, e poi vanti aver in seno un costante e fido cor! Stolta è ben colei che crede ch'in te sia costanza e fede, empio, infido, mentitor! / Translation (by Elin Manahan Thomas, slightly edited): Recitativo You, faithful? You, constant? Ah, that is not true. You claim such noble titles unjustly, evil Philenus! You, faithful, in whose breast there is always a new fire burning? You, constant, who boast that your heart can be divided into a thousand pieces and more? Inconstant, unfaithful, traitor! These, Philenus, these are the correct and true titles for you, and yet you walk around proudly as a perjurer, a liar. You, faithful? You, constant? Ah, that is not true! Aria You love a hundred beauties, Philenus, and then boast that you have a constant and faithful heart! Foolish is she, who believes that in you resides a constant and loyal love, O wicked lover! / Eser.
Faustina Bordoni Hasse Hasse Moro Giusti Emma Kirkby William Christie Hofoper Cappella Coloniensis Artaserse Zwinger 1697 1699 1724 1725 1730 1731 1735 1781 1783
JOHANN ADOLPF HASSE (*1699 ~1783) 'CLEOFIDE', Dramma per musica in Tre Atti, 1731 Libretto: Michelangelo Boccardi (fl.1724-1735), doppo, Pietro Metastasio da Rappr.: nel anno 1731 a Dresda nel Reggio Teatro di Corte (Hofoper (Opernhaus am Zwinger)] Atto Secondo, Scèna XV La Signora Faustina Bordoni (prima donna), nel Ruolo di 'CLEOFIDE' (Regina dell'India, amante fedèle di Poro: Rè d'un altra parte dell'Indie, amante geloso di Cleofide) ARIA: "Son qual misera Colomba" Son qual misera colomba, Che se piomba in lei l'artiglio, Certo vede il suo periglio, Ne più spera libertà. Ahi! D'amor destin tiranno! Disperata in van m'affano; Son senz'alma, e vivo ancora, Voglio morte, e moro ogn'ora Giusti Dei! qualche pietà! (Da Capo) Emma Kirkby, Soprano Cappella Coloniensis & William Christie "Le livret de Metastasio, 'Artaserse' est, pour ainsi dire, le jumeau de son" Alessandro nel'Indie ", qui a presque autant de succès, qui a servi de modèle à" Cleofide ". Vinci avait également mis Alessandro nel'Indie en musique, lors du carnaval de 1730, saison." Dipinto: Ritratto della cantante Faustina Bordoni (Hasse) [*1697 ~1781], con uno spartito, della pittora, Rosalba Carriera (c.1724/1725). -
Antonio Vivaldi Maillard Bastian Schick Giusti Il Complesso Barocco 2006
Provided to YouTube by Universal Music Group Vivaldi: Motezuma, RV 723 / Act 3 - Aria "Nella stagion ardente" · Marijana Mijanovic · Il Complesso Barocco · Alan Curtis Vivaldi: Motezuma, RV 723 ℗ 2006 Deutsche Grammophon GmbH, Berlin Released on: 2006-01-01 Producer, Executive Producer: Marita Prohmann Producer, Recording Producer: Rainer Maillard Studio Personnel, Balance Engineer, Recording Engineer: Bastian Schick Composer: Antonio Vivaldi Author: Girolamo Giusti Auto-generated by YouTube.
Antonio Vivaldi Maillard Bastian Schick Giusti Il Complesso Barocco 2006
Provided to YouTube by Universal Music Group Vivaldi: Motezuma, RV 723 / Act 3 - Aria "Dov'è la figlia" · Vito Priante · Il Complesso Barocco · Alan Curtis Vivaldi: Motezuma, RV 723 ℗ 2006 Deutsche Grammophon GmbH, Berlin Released on: 2006-01-01 Producer, Executive Producer: Marita Prohmann Producer, Recording Producer: Rainer Maillard Studio Personnel, Balance Engineer, Recording Engineer: Bastian Schick Composer: Antonio Vivaldi Author: Girolamo Giusti Auto-generated by YouTube.
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- cronologia: Cantanti lirici.
- Indici (per ordine alfabetico): G...