Maria Antonia Marchesini Video
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George Frideric Handel Lorraine Hunt Lieberson Gaetano Majorano Maria Antonia Marchesini Antonia Maria Merighi Duparc Antonio Montagnana Harry Bicket Giovanni Bononcini Francesco Cavalli Cara 1654 1694 1737 1738 2003
"Ombra mai fu" from Serse/Xerxes, HWV40 by George Frideric Handel Libretto: ?; After Silvio Stampiglia, 1694, from Niccolo Minato, 1654 Composed: 26 December 1737 - 14 February 1738 (http•••) (http•••) Score (without the recitative): (http•••) Premiere: 15 April 1738: London, King's Theatre, Haymarket (5 performances to 2 May) Premiere Cast: (Conductor: - ) Serse (soprano castrato): Gaetano Majorano (Caffarelli) Arsamene (alto): Maria Antonia Marchesini (La Lucchesina) Amastre (contralto): Antonia Maria Merighi Romilda (soprano): Elisabeth Duparc (La Francesina) Atalanta (soprano): Margherita Chimenti (La Droghierina) Ariodate (bass): Antonio Montagnana Elviro (bass): Antonio Lottini In this recording: Lorraine Hunt-Lieberson Orchestra Of The Age Of Enlightenment Conductor: Harry Bicket Label: AVIE Records Recorded: 24, 26 August 2003, Blackheath Concert Halls, London (Theodora and Serse) A review on this recording: (http•••) From Wikipedia, the free encyclopedia) Serse (Xerxes, HWV40) is an opera seria by George Frideric Handel. The libretto is adapted by an unknown hand from that by Silvio Stampiglia for an earlier opera of the same name by Giovanni Bononcini. Stampiglia's libretto was itself based on one by Nicolò Minato that was set by Francesco Cavalli in 1654. Serse is considered Handel's most Mozartian opera, and one of his finest. Passion is mixed with farce and satire; the folly of human nature is exposed but never ridiculed. The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia, though there is little in either the libretto or music that is relevant to that setting. Xerxes is a pants role; that is, it is a male role played by a mezzo-soprano.The opening aria, "Ombra mai fu", sung by Xerxes to a tree (Platanus orientalis), is set to one of Handel's best-known melodies, and is often played in an orchestral arrangement, known as Handel's "largo" (despite being marked "larghetto" in the score). The opera was a commercial failure, lasting only five performances in London after its premiere. In the 19th century, however, the aria was rediscovered and became one of Handel's best-known pieces. It has often been arranged for other instruments, including solo organ, solo piano, violin and piano, and groups of strings, often with the full title "Largo from Xerxes." Handel adapted the aria from the setting by Bononcini who, in turn, adapted it from the setting by Francesco Cavalli. All three composers had produced settings of the same opera libretto by Niccolò Minato. Original text: Ombra mai fu di vegetabile, cara ed amabile, soave più. Translation: Never was there made a shade of a plant dear and loving, or more gentle.
Andreas Scholl Georg Friedrich Haendel Amato Cara Tedesco Senesino Caruso Gaetano Majorano Maria Antonia Marchesini Antonia Maria Merighi Duparc Antonio Montagnana Giovanni Bononcini Francesco Cavalli Anna Caterina Antonacci Bach Wolkenstein Fleming Vivaldi Philippe Jaroussky Henry Purcell Pluhar Cazzati Alfred Deller Christophe Dumaux Marilyn Horne Maureen Forrester Lorraine Hunt Lieberson Mozart Cecilia Bartoli 1654 1694 1737 1738 1967 1999 2011
Subscribe: (http•••) - #Bonazeta Handel Xerxes HWV 40 Andreas Scholl - Ombra mai fu - Handel countertenor voice - Arias from Giulio Cesare, Admeto, Radamisto, Rodelinda, Serse, Alcina ~ George Frideric Handel Ombra mai Fu Frondi tenere e belle del mio platano amato, per voi risplenda il fato. Tuoni, lampi, e procelle non v'oltraggino mai la cara pace, né giunga a profanarvi austro rapace. Ombra mai fu di vegetabile, cara ed amabile, soave più. Handel largo Xerxes HWV #AndreasScholl controtenore #countertenor Georg Friedrich Händel Ombra mai Fu Andreas Scholl Akademie Alte Musik Berlin, 9 april 1999 Largo di Handel Andreas Scholl (nato il 10 Novembre del 1967) è un controtenore tedesco, ossia un cantante lirico classico capace di cantare nella tessitura per soprano. E' specializzato nel repertorio musicale barocco. La sua estensione vocale è la stessa del Senesino, celebre castrato del XVIII secolo, per il quale Georg Friedrich Haendel scrisse alcune delle sue più belle arie. "Oggi ci sono tantissimi controtenori che si esibiscono davanti al pubblico, quanto mai era avvenuto prima d'ora, ma uno si distacca da tutti gli altri, come Caruso si distingueva tra i tenori del secolo passato: Andreas Scholl". Fanfare magazine "Ombra mai fu" da Serse / Xerxes, HWV40 da George Frideric Handel Libretto:; Dopo Silvio Stampiglia, 1694, da Niccolò Minato, 1654? Composto: 26 dicembre 1737 - 14 Febbraio (Senza il recitativo Premiere: 15 aprile 1738: Londra, King Theatre, Haymarket (5 spettacoli al 2 maggio) Premiere Cast : (Direttore: -) Serse (soprano castrato): Gaetano Majorano (Caffarelli) Arsamene (contralto): Maria Antonia Marchesini (La Lucchesina) Amastre (contralto): Antonia Maria Merighi Romilda (soprano): Elisabeth Duparc (La Francesina) Atalanta ( soprano): Margherita Chimenti (La Droghierina) Ariodate (basso): Antonio Montagnana Elviro (basso): Antonio Lottini Serse (Xerxes , HWV40) è una seria opera di George Frideric Handel. Il libretto è adattato da una mano ignota che, da Silvio Stampiglia per un'opera prima con lo stesso nome di Giovanni Bononcini. Libretto di Stampiglia si era basata su uno per Nicolò Minato che è stato impostato da Francesco Cavalli nel 1654. Farinelli Il Castrato Castrati del 700 George Frideric Handel [Georg Friedrich Händel] Ombra Mai Fu from Xerxes Andreas Scholl Akademie für Alte Musik Berlin - Ombra Mai Fu Xerxes CONTROTENORI Scholl- Akademie Alte Musik Berlin- 1999 Haendel: 5 Giulio Cesare in Egitto HWV 17 (Andreas Scholl) Haendel: 3 Rodelinda, Regina de'Langobardi HWV 19 (Andreas Scholl) Andreas Scholl canta "Flow my tears" Andreas Scholl, Anna Caterina Antonacci - Handel - Rodelinda - Io T'abbraccio AndreasScholl - Bach - Vergnügte Ruh, beliebte Seelenlust Andreas Scholl talks about Oswald von Wolkenstein Handel - Rodelinda "Io t'abbraccio" R. Fleming & A. SchollAndreas Scholl performs Handel's Parteno Baroque Arias & Cantatas Andreas Scholl "Dolc'e pur d'amor l'affano" Handel Andreas Scholl "Va tacito e nascosto" Giulio Cesare Handel Andreas Scholl - Rodelinda - Aria - Vivi Tiranno Vivaldi: Stabat Mater, RV 621 - VIII. Fac ut ardeat, IX. Amen - Scholl JSBach: Mass in B minor "Agnus Dei" - Andreas Scholl Vivaldi: Stabat Mater, RV 621 - III. O quam tristis - Scholl PLAYLIST Philippe Jaroussky, alto controtenore contralto - Henry Purcell: "Now the Night" (Andreas Scholl & Philippe Jaroussky) IdS (1) - Ninna Nanna - Jaroussky (Pluhar) IdS (2) - Cazzati: Ciaccona - Pluhar . Blipossibles (Jan 17, 2011) #2 XII. Purcell: Music for a while / Andreas Scholl XI. Purcell: O solitude, my sweetest choice/ Andreas Scholl XVI. Purcell: Man is for the woman made / Andreas Scholl PLAYLIST Andreas Scholl - Mass in b minor - Agnus Dei - Bach Andreas Scholl canta "Flow my tears" J.S. Bach : Agnus Dei - Jaroussky PLAYLIST Va tacito e nascosto (Händel) Handel Giulio Cesare Va Tacito A. Scholl G.F HAENDEL - VA TACITO - Christophe Dumaux Serse - HWV 40 Handel - Serse, HWV 40 "Ombra mai fu" Marilyn Horne Handel - Serse "Ombra mai fu" Maureen Forrester Handel - Serse "Ombra mai fu" - Lorraine Hunt-Lieberson Philippe Jaroussky - Handel - Lascia ch'io pianga Nisi Dominus - Cum Dederit Antonio Vivaldi. Andreas Scholl - Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer (Andante) Cecilia Bartoli - Ombra Mai Fu (FULL) Andreas Scholl - Bach - Erbarme dich Haendel largo Xerxes HWV Andreas Scholl controtenore Andreas Scholl: Largo di Haendel : Ombra mai fu : Aria da Xerxes HWV 40 - Bonazeta YT andreas scholl ombra mai fu Andreas Scholl Ombra mai fu Xerxes HWV 40 Handel: Ombra mai fu Serse #countertenor HD Handel Largo Ombra mai fu Xerxes HWV 40 Music Classical Händel Serse aria Ombra mai fù, Handel's opera Serse. HD video countertenorvoice countertenor arias countertenorarias George Frideric Handel (Author) bonazeta youtube.com/bonazeta , #bonazeta YT youtube #bonazetayoutube
George Frideric Handel Maureen Forrester Gaetano Majorano Maria Antonia Marchesini Antonia Maria Merighi Duparc Antonio Montagnana Giovanni Bononcini Francesco Cavalli Amato Cara Vienna Radio Symphony Orchestra 1654 1738
George Frideric Handel Serse/Xerxes, HWV40 "Ombra mai fu" Libretto by Niccolò Minato (http•••) Score (without the recitative): (http•••) Premiere: London Haymarket Theatre on April 15, 1738 Premiere Cast: (Conductor: - ) Serse (soprano castrato): Gaetano Majorano (Caffarelli) Arsamene (alto): Maria Antonia Marchesini (La Lucchesina) Amastre (contralto): Antonia Maria Merighi Romilda (soprano): Elisabeth Duparc (La Francesina) Atalanta (soprano): Margherita Chimenti (La Droghierina) Ariodate (bass): Antonio Montagnana Elviro (bass): Antonio Lottini In this recording: Maureen Forrester (Alto) Vienna Radio Symphony Orchestra Conductor: Brian Priestman In part from Wikipedia, the free encyclopedia): Serse (Xerxes, HWV40) is an opera seria by George Frideric Handel. The libretto is adapted by an unknown hand from that by Silvio Stampiglia for an earlier opera of the same name by Giovanni Bononcini. Stampiglia's libretto was itself based on one by Nicolò Minato that was set by Francesco Cavalli in 1654. Serse is considered Handel's most Mozartian opera, and one of his finest. Passion is mixed with farce and satire; the folly of human nature is exposed but never ridiculed. The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia, though there is little in either the libretto or music that is relevant to that setting. Xerxes is a pants role; that is, it is a male role played by a mezzo-soprano.The opening aria, "Ombra mai fu", sung by Xerxes to a tree (Platanus orientalis), is set to one of Handel's best-known melodies, and is often played in an orchestral arrangement, known as Handel's "largo" (despite being marked "larghetto" in the score). The opera was a commercial failure, lasting only five performances in London after its premiere. In the 19th century, however, the aria was rediscovered and became one of Handel's best-known pieces. It has often been arranged for other instruments, including solo organ, solo piano, violin and piano, and groups of strings, often with the full title "Largo from Xerxes." Handel adapted the aria from the setting by Bononcini who, in turn, adapted it from the setting by Francesco Cavalli. All three composers had produced settings of the same opera libretto by Niccolò Minato. Original text: Frondi tenere e belle del mio platano amato, per voi risplenda il fato. Tuoni, lampi, e procelle non v'oltraggino mai la cara pace, né giunga a profanarvi austro rapace. Ombra mai fu di vegetabile, cara ed amabile, soave più. Translation: Kind and lovely branches of my beloved plane-tree, Fate smiles for you. May thunder, lightning and tempest never shock your dear peace, nor the rapacious south wind come to violate you! Never was there made a shade of a plant dear and loving, or more gentle.
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