Nicholas Lanier Video
cantore, liutista e compositore inglese
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2024-05-10
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Michael Brown Gabriel Fauré Tippet Lanier Shepard 2017
Gabriel Fauré: Nocturne No. 3 in A-flat Major, Op. 33 Performed by Michael Brown Tippet Rise Art Center, The Olivier Music Barn, September 16, 2017 Film Director: Kathy Kasic Cinematographers: Sarah Lanier, Dandan Liu, Emily Rund Lighting Designer: Zach Hamersley Editor: Claude DeMoss Assistant Editor: Evangeline Koonce Music Consultant: Devanney Haruta Sound Recording: Monica Bolles, Monte Nickles Piano Tuner: Mike Toia Sound Editor: Joe Shepard Sound Mastering: Monte Nickles
Henry Lawes Lawes Ayres Johannette Zomer Jacobs Lanier Leander Monteverdi Henry Purcell Parry 1596 1603 1653 1662 1700 2014 2018
Buy the PDF score here: (http•••) Ariadne deserted by Theseus. Composed by Henry Lawes (c.1596-1662). From Ayres and Dialogues, Book I, 1653. Johannette Zomer, soprano Fred Jacobs “Lanier's Hero and Leander, composed ‘in recitative musick’, gives us an idea of the Englished form of recitative. At least two composers did follow in Lanier's footsteps—the brothers William and Henry Lawes. A recitative scene composed by Henry Lawes, Ariadne's Lament, became almost as renowned as Lanier's. Like Hero’s Complaint to Leander, it is a solo lament sung by a woman and it was obviously composed in imitation of Monteverdi’s Lamento d'Arianna”. - Ellen T. Harris, Henry Purcell's Dido and Aeneas, 2018 “Lawes' Ariadne is a fine example of a lament using this manner of musical declamation that Lawes believed was a revival of the ancient Greek mode of half-sung enunciation, in which words and rhythms had priority over the musical line.” - Graham Parry, The Seventeenth Century: The Intellectual and Cultural Context of English Literature, 1603-1700, 2014
Robert Johnson William Lawes Martin Peerson Nicholas Lanier Matthew Locke John Banister Robert Ramsey Shepherd John Hilton John Blow Henry Purcell Sébastien Daucé Ayres Lucile Richardot Desmarest Davy Perret Cottet Roussel Mauillon Ensemble Correspondances Boston Early Music Festival 1570 1571 1583 1588 1599 1600 1602 1621 1624 1626 1633 1644 1645 1649 1651 1657 1659 1666 1677 1679 1688 1695 1708 2009 2017 2020 2021 2023
Subtitles in english, french, and catalan (working in progress) 00:00 BEMF - Perpetual Night 00:14 Care-charming sleep - Robert Johnson (ca. 1583–1633) 06:35 Go, happy man - John Coprario (ca. 1570/80–ca. 1626) 08:38 Whiles I this standing lake - William Lawes (1602–1645) 11:56 O precious time - Martin Peerson (1571/73–1651) 14:25 Music, the master of thy art is dead - Lawes 17:04 No more shall meads - Nicholas Lanier (1588–1666) 20:38 Suite No. 2 in C major - Pavan - Matthew Locke (1621/23–1677) 23:55 Give me my lute - John Banister (1624/25–1679) 27:11 Howl not, you ghosts and furies - Robert Ramsey (d. 1644) 31:51 Britanocles the great and good appears - Lawes 34:57 Suite No. 1, Consort of 4 parts - Ayre & Courante - Locke 39:13 Powerful Morpheus, let thy charms - William Webb (ca. 1600–1657) 44:00 Rise, princely shepherd - John Hilton (1599–1657) 50:52 Amintas, that true hearted swain - Banister 55:20 Poor Celadon, he sighs in vain (Loving above himself) - John Blow (1649–1708) 01:01:13 When Orpheus sang - Henry Purcell (1659–1695) 01:05:45 Phillis, oh! turn that face - John Jackson (d. 1688) 01:08:00 Epilogue: Sing, sing, Ye Muses - Blow Kathleen Fay words (BEMF Executive Director): "Dear Friends, This evening we are delighted to welcome the outstanding singers and instrumentalists of Ensemble Correspondances, under the direction of Sébastien Daucé, for their second performance on the annual BEMF concert series, following their critically acclaimed North American début at the June 2017 Festival. Since their founding in 2009, this much-lauded ensemble has built a formidable reputation around the world for their masterful and moving interpretations of seventeenth-century French music. For this evening’s program, “Perpetual Night: 17th-century Ayres and Songs,” filmed and recorded for BEMF, they collaborate with the glorious French mezzo-soprano Lucile Richardot, who will star in the title role of the 2023 Boston Early Music Festival’s centerpiece opera, Desmarest’s Circé. Their program is a fascinating exploration of the evolution of English song during the tempestuous seventeenth century, with French influences before the English Civil War and temporary overthrow of the monarchy and again in Restoration England following the return of Charles II from exile in France. With tonight’s concert, our 2020–2021 virtual concert season is brought to a satisfying and uplifting close. We are excited to announce that the all-virtual 2021 Boston Early Music Festival—Music of Solace & Joy—will take place in six weeks, running June 6 to 13, 2021. We look forward to the opportunity to invite music lovers and viewers from around the globe to enjoy an extensive lineup of exclusive performances and free events, including a wide array of concert offerings, opera, masterclasses, and the World-Famous Exhibition—all from the comfort of home. For more information, please visit BEMF.org. Thank you for “attending” tonight’s performance by Ensemble Correspondances, and most especially for your continued support of and enthusiasm for the Boston Early Music Festival". ARTISTS Ensemble Correspondances Lucile Richardot, mezzo-soprano Caroline Weynants & Deborah Cachet, soprano Davy Cornillot, tenor Nicolas Brooymans, bass Lucile Perret, recorders Béatrice Linon & Josèphe Cottet, violin Mathilde Vialle, Étienne Floutier & Mathias Ferré, viola da gamba Thibaut Roussel & Diego Salamanca, theorbo & lute Angélique Mauillon, harp Arnaud de Pasquale, virginal Sébastien Daucé, organ, virginal & conductor
Yevgeny Sudbin Frédéric Chopin Tippet Lanier Zach Shepard 2017
Frédéric Chopin: “Minute Waltz” in D-flat Major, Op. 64, No. 1 Arranged and performed by Yevgeny Sudbin Tippet Rise Art Center, The Olivier Music Barn, July 7, 2017 Film Director: Kathy Kasic Cinematographers: Sarah Lanier, Dandan Liu, Emily Rund Lighting Designer: Zach Hamersley Editor: Claude DeMoss Assistant Editor: Evangeline Koonce Music Consultant: Devanney Haruta Sound Recording: Monica Bolles, Monte Nickles Piano Tuner: Mike Toia Sound Editor: Joe Shepard Sound Mastering: Dominick Maita
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