Marco Marazzoli Video
compositore, cantore e musicista italiano
- arpa, voce
- opera, musica liturgica, oratorio
- Italia
- compositore, arpista, cantante
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Ultimo aggiornamento
2024-04-28
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Girolamo Frescobaldi Giovanni Antonio Leoni Leoni Michelangelo Rossi Rosse Virgilio Mazzocchi Marco Marazzoli Marenzio Merulo Dowland Lasso Bardi Caccini Monteverdi Lelio Mazarin 1583 1597 1601 1602 1607 1614 1625 1626 1629 1630 1634 1636 1639 1643 1646 1651 1652 1654 1656 1662
Palazzo Barberini: The Musical Soundscape of Barberini Patronage Holly Roberts, baroque violin Ednaldo Borba, harpsichord Emma Lynn, soprano Alison Kaufman, soprano Canzona Quarta by Girolamo Frescobaldi +••.••(...)) Sonata Primo by Giovanni Antonio Leoni (d. circa 1651) Settima Toccata by Michelangelo Rossi +••.••(...)) Excerpts from Erminia sul Giordano by Michelangelo Rossi +••.••(...)) “Ecco cinta di rosse” Aria, Erminia “Se la magica” Aria, Armida Chi soffre speri by Virgilio Mazzocchi +••.••(...)) & Marco Marazzoli +••.••(...)) Act I Scene IV, Eurilla Act I Scene V, Eurillia e Silvia Act I Scene VII, Lucinda Girolamo Frescobaldi +••.••(...)) was born in Ferrara at the court of Duke Alfonso II d’Este where he was immediately submerged in a vibrant and flourishing musical culture. Little is known about Frescobaldi’s musical training, except that he was widely renowned as an exceptional organist, and that he worked with and around other well-known musicians such as Marenzio, Merulo, Dowland, Wert, Lasso, Bardi, Corsi, Caccini, and Monteverdi. Documentation of Frescobaldi in Rome appears for the first time in 1607. In 1634, Frescobaldi found himself under the patronage of the Barberini and even journeyed to Rome with Francesco Barberini and his family. During his time with the Barberini family, Frescobaldi gave lessons, published music at their request, and performed at the many academy meetings that took place at the Palazzo Barberini. Giovanni Antonio Leoni (d. circa 1651) was a Roman composer about whom little is known. What we do know about Leoni is that, in his own time, he was regarded as one of the finest violinists and teachers in Italy. Manuscripts of Leoni’s sonatas and sinfonias were circulated widely, often with unauthentic ornamentations and arrangements, which prompted Leoni to publish his Sonate di violino a voce sol libro 1 op.3, 1652. Leoni’s publication was not the first to include works specifically designated for solo violin. It is, however, the first to be entirely dedicated to that instrumentation. Michelangelo Rossi +••.••(...)), also known as Michel Angelo del Violino, was most likely born in Genoa and where he held a position as assistant organist and received his musical education from his uncle Lelio. Rossi’s life in Rome is divided into three periods, the second of which +••.••(...)) was spent under the patronage of Taddeo Barberini, Cardinal Francesco Barberini’s brother. It was during this time that Rossi composed the opera Erminia sul Giordano. In 1634, Rossi left Rome for Paris with the household of the soon to be Cardinal Mazarin, but stopped along the way at the court of Francesco I d’Este, where he remained. Virgilio Mazzocchi +••.••(...)) was born in Civita Castellana where he eventually took lower orders. In 1614, he moved to Rome where he studied music with his brother Domenico. Around the year 1625, Mazzocchi entered the service of Cardinal Francesco Barberini, and it was thanks to him that Mazzocchi’s career as a church musician flourished. From about 1626 until 1629 he was maestro di cappella at the Gesù and taught at the Jesuit Collegio Romano. From 1636, Mazzocchi served as Maestro di Capella to Francesco Barberini and the papal court, which required him to regularly compose operas, including Chi soffre speri. Also beginning in 1636, Mazzocchi directed the musical academies at the Palazzo Barberini, where he most likely performed (or oversaw performances of) his own madrigals and cantatas. Marco Marazzoli +••.••(...)) was born in Parma and moved to Rome in 1626 where he served multiple members of the Barberini family. He was originally employed under the patronage of Cardinal Antonio Barberini the younger, and there gained the title of “musico” in 1639. Although he was most often associated with his work for Antonio Barberini, Marazzoli also received commissions from Taddeo Barberini and had many of his operas performed in the Palazzo Barberini. In fact, in 1654, Marazzoli became the principal composer for Barberini operas. His involvement in Chi soffre speri includes the creation of new intermedi which were added to the performances in 1639.
Antonio Maria Abbatini Johann Rosenmüller Johann Rosenmüller Ensemble 1595 1679
Antonio Maria Abbatini (26 de enero de 1595, Città di Castello, Italia - marzo de 1679, Città di Castello, Italia). Compositor italiano. Es probable que haya estudiado con los hermanos Nanino en Roma y ocupó diferentes puestos en la ciudad, como maestro di capella de S.Maria Maggiore +••.••(...)) y S. Luigi dei Francesi +••.••(...)). Se le conoce por dos óperas cómicas con libretos de Giulio Rospigliosi (más tarde Papa Clemente IX), Dal male il bene (en colaboración con Marazzoli y escenificada en el Palacio Barberini en Roma en 1654), y La comica del cielo (1668). Johann Rosenmüller Ensemble. Thomas Berning, director.
Marco Marazzoli Hatton Igarashi
Anima Beth Anne Hatton, soprano, Motomi, Igarashi, Lirone, Gamba, Christa Patton, harp, Vita Wallace, violin
Monteverdi Marazzoli Vincent Dumestre
Awards: Germany - Preis der deutschen schallplatten kritik France - ffff Télérama / Choc de Classica / Coup de Coeur de l'académie de Charles Cros More info: (http•••) Monteverdi & Marazzoli Combattimenti ! Le Poème Harmonique, Vincent Dumestre
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- cronologia: Compositori (Europa). Cantanti lirici (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): M...