- Orchestra sinfonica
- Oakland
- Stati Uniti d'America
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2024-04-30
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Oakland East Bay Symphony Michael Morgan
Maestro Michael Morgan and the Oakland East Bay Symphony Fragments of "Suite Afro-Cubano" -World Premiere- by Rebeca Mauleon Featuring Rebeca Mauleon on Piano
Bartók Gabrielli Libby Larsen Chen Yi Swensen Johns Hopkins Heifetz Earplay Oakland East Bay Symphony North State Symphony Santa Cruz County Symphony National Symphony Orchestra Auckland Philharmonia Orchestra Philharmonia Orchestra San Francisco Symphony 1921
Bartók: Sonata No. 1 for Violin and Piano Allegro appassionato Adagio Allegro Bartók’s two sonatas for violin and piano were written for and dedicated to Jelly D’Aranyi, the fiery Hungarian violinist of the early twentieth century who was the great niece of violinist Joseph Joachim. Written in 1921, his first sonata is a rarely heard masterpiece of epic proportions, recalling the exotic colors and compelling rhythms of Bartók’s ballet The Miraculous Mandarin. Violinist Terrie Baune is a member of Earplay, a consortium of composers and musicians dedicated to the performance of new chamber music, and co-concertmaster of the Oakland-East Bay Symphony, concertmaster of the North State Symphony, and a former member of the Empyrean Ensemble ((http•••) Her professional credits include concertmaster positions with the Women’s Philharmonic, Fresno Philharmonic, Santa Cruz County Symphony, and Rohnert Park Symphony. A member of the National Symphony Orchestra for four years, she also spent two years as a member of the Auckland Philharmonia Orchestra of New Zealand, where she toured and recorded for Radio New Zealand with the Gabrielli Trio and performed with the New Zealand Symphony Orchestra. Pianist John Chernoff has performed across the United States, including appearances at the Kennedy Center in Washington D.C., the Legion of Honor in San Francisco, and Symphony Space in New York City. He has worked with a variety of renowned artists such as Libby Larsen, Chen Yi, Amit Peled, Ian Swensen, and Mark Sokol and currently serves as Staff Accompanist at Humboldt State University. John holds degrees from San Francisco Conservatory of Music and the Peabody Institute of Johns Hopkins University, and has served as a performer, accompanist and coach at the Heifetz International Music Institute and Sequoia Chamber Music Workshop. Mr. Chernoff is also a frequent soloist and lecturer with the Eureka Symphony and regularly appears with concertmaster Terrie Baune and cellist/conductor Carol Jacobson for chamber music performances throughout Humboldt County.
Roar Michael Morgan Oberlin Leonard Bernstein Oakland Symphony Oakland East Bay Symphony Chicago Symphony Orchestra Berkshire Music Center Tanglewood Washington National Opera 1986
This talk was given at a local TEDx event, produced independently of the TED Conferences. Michael Morgan, conductor of the Oakland Symphony Orchestra, talks about a life-changing event that inspired him to create a life focused on music and its ability to bring people together across social, ethnic and economic boundaries. Michael is the Music Director & Conductor for the Oakland East Bay Symphony (OEBS). He began conducting at age 12, and attained his musical training at Oberlin College Conservatory of Music and the Berkshire Music Center at Tanglewood. In 1986, after serving as Assistant Conductor of the Chicago Symphony Orchestra, Michael was invited by Leonard Bernstein to make his debut with the New York Philharmonic. As a guest conductor he has appeared with major orchestras, the New York City Opera and Washington National Opera. About TEDx, x = independently organized event In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.* (*Subject to certain rules and regulations)
Earplay San Francisco Contemporary Music Players San Francisco Chamber Orchestra Oakland East Bay Symphony North State Symphony Santa Cruz County Symphony National Symphony Orchestra Auckland Philharmonia Orchestra Philharmonia Orchestra Ives Bernal Moore Gabrielli 2016 2017 2018 2019 2020
Earplay's Terrie Baune performs "September," by Peter Josheff Terrie Baune, violin Peter Josheff, composer "September" was commissioned by Alison Jewer. EARPLAY is delighted to debut First Mondays, as part of the Earplay Online collection. The inaugural performance, recorded in June 2020, features violinist Terrie Baune performing Peter Josheff's September. In addition to the performance, Terrie and Peter will discuss the development and preparation of the piece. Earplay will continue to present its online collection via its ongoing series and First Monday performances. PETER JOSHEFF Based in the San Francisco Bay Area, Peter Josheff has been on the front lines of the northern California new music scene for more than thirty years as a composer and clarinetist. He is a founding member of Earplay and of Sonic Harvest, and is a core member of the San Francisco Contemporary Music Players, the Empyrean Ensemble (UC Davis), the Eco Ensemble (UC Berkeley), and the San Francisco Chamber Orchestra. He performs frequently with Opera Parallele, and has worked with many other groups including Other Minds, West Edge Opera, Melody of China, the Ives Collective, Mills College Contemporary Performance Ensemble, the Paul Dresher Ensemble, and Composers, Inc. He has appeared on numerous recordings on the Albany, Bridge, Centaur, Innova, Arabesque, CRI, Rastascan, Tazdik, and Electra record labels. He is an Instructor of Clarinet at the University of California, Berkeley. Peter has composed instrumental and vocal music, opera and pop songs, as well as music for dance and theater. His music has been performed by the San Francisco Chamber Orchestra, the Farallon Quintet, the Laurel Ensemble, the Bernal Hill Players, Earplay, Sonic Harvest, the Empyrean Ensemble, Melody of China, and many individual performers. His most recently-premiered works include: Dewy not, Dewy got (2020) for solo bassoon, written for and premiered by Rufus Olivier; Warped Oracle (2019) and Images from the Past (2018) for spoken voice and piano; September (2017) for solo violin; and The Dream Mechanic (2016), for woman’s spoken voice, tenor, and chamber orchestra, commissioned and premiered by the San Francisco Chamber Orchestra with tenor Brian Thorsett. His most recent completed works include Rag Wrung Dry (2020) for spoken voice and piano; On the Way to the Day (2020) for solo cello, written for Thalia Moore; and a new piece for solo marimba written for Haruka Fujji. In his spare time Peter is an amateur guitarist/singer/songwriter. TERRIE BAUNE In addition to being a member of Earplay, Terrie Baune (violin) is co-concertmaster of the Oakland-East Bay Symphony, concertmaster of the North State Symphony, and a former member of the Empyrean Ensemble. Her professional credits include concertmaster positions with the Women’s Philharmonic, Fresno Philharmonic, Santa Cruz County Symphony, and Rohnert Park Symphony. A member of the National Symphony Orchestra for four years, she also spent two years as a member of the Auckland Philharmonia Orchestra of New Zealand, where she toured and recorded for Radio New Zealand with the Gabrielli Trio and performed with the New Zealand Symphony Orchestra. (http•••)
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