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Ralph Vaughan Williams James Burton Dag Jensen Jensen Iván Griffin Edward Elgar Hallé Alassio Wolfgang Amadeus Mozart Klaus Thunemann Claudio Abbado Benjamin Britten Michael Tippett Bellas Artes Festival Lucerna Tanglewood Orquesta Festival Lucerna 1872 1903 1904 1936 1958 2003 2005
La Orquesta Sinfónica Nacional del Instituto Nacional de Bellas Artes y Literatura presenta un programa con el concierto para fagot de Mozart y la cantata Dona Nobis Pacem de Vaughan Williams, bajo la batuta de James Burton, director invitado, y la participación solista del fagotista Dag Jensen, la soprano Christina Pier, el barítono Iván Griffin, Solistas Ensamble de Bellas Artes, Coro de Madrigalistas de Bellas Artes y el Ensamble Escénico Vocal del Sistema Nacional de Fomento Musical. La Obertura En el sur de Edward Elgar fue estrenada en mayo de 1904 por el propio compositor al frente de la Orquesta Hallé, y está inspirada en las impresiones de su visita en 1903 a las playas de Alassio, en la Riviera italiana. Con la participación solista del renombrado fagotista noruego, Dag Jensen, la Orquesta Sinfónica Nacional interpreta de Wolfgang Amadeus Mozart el Concierto para fagot y orquesta KV 191, que muestra, al igual que numerosas obras de su catálogo, la profunda comprensión del compositor de la naturaleza y la capacidad de los instrumentos de aliento. Dag Nació en Horten, Noruega. Comenzó a estudiar el fagot a los siete años con Robert Rönnes. Continuó su formación con Torleiv Nedberg en la Academia Noruega de Música de Oslo. Tuvo su primer puesto en la Filarmónica de Bergen a los 16 años de edad. Estudió más tarde con Klaus Thunemann en Hannover. De 2003 a 2005, Jensen fue fagot principal de la Orquesta del Festival de Lucerna fundada por Claudio Abbado. Concluye el programa de este concierto de la Orquesta Sinfónica Nacional con la monumental cantata del compositor inglés Ralph Vaughan-Williams, Dona Nobis Pacem (Danos la paz), para coro y gran orquesta, escrita y estrenada en 1936, ante los presagios de un posible conflicto bélico mundial. La obra fue comisionada por la sociedad coral Huddersfield para festejar su centenario. Los textos que utilizó Vaughan Williams +••.••(...)) provienen de fuentes diversas: poemas de Walt Whitman escritos a raíz de la Guerra Civil estadounidense, fragmentos de la Biblia y de la misa Católica. La frase Dona Nobis Pacem aparece en distintos momentos para reiterar la plegaria por la paz. Con el esplendor de la visión sonora de Vaughan Williams, esta cantata se suma, con el Réquiem de Guerra de Benjamin Britten y Un hijo de nuestro tiempo, de Michael Tippett, al prodigioso repertorio antibélico inglés del siglo XX. Originario de Londres, James Burton, director huésped, cantó desde niño en el coro de la Abadía de Westminster. Se graduó en el St. John College de Cambridge, donde estudió dirección coral. Tiene una maestría en dirección orquestal por el Conservatorio Peabody, donde estudió con Frederik Prausnitz y Gustav Meier. James Burton es también un reconocido compositor, y sus obras y arreglos corales han sido interpretados internacionalmente. Considerado como uno de los más destacados directores corales del Reino Unido, es actualmente Director Coral de la Orquesta Sinfónica de Boston y el Director del Coro del Festival Tanglewood.
Johannes Brahms Bernard Haitink Straus Tanglewood Tanglewood Festival Chorus Boston Symphony Orchestra 1996
Provided to YouTube by Universal Music Group Brahms: Nänie, Op. 82 · Tanglewood Festival Chorus · Boston Symphony Orchestra · Bernard Haitink Brahms: Symphony No. 1; Nänie ℗ 1996 Universal International Music B.V. Released on: 1996-12-01 Producer: Anthony Freud Producer, Studio Personnel, Balance Engineer: Volker Straus Studio Personnel, Editor: Gosia Jankowska Composer: Johannes Brahms Author: Friedrich Schiller Auto-generated by YouTube.
Bach Erich Leinsdorf Ernst Haefliger Norman Treigle Phyllis Curtin Beverly Wolff Walter Carringer Tanglewood 1966
Erich Leinsdorf leads the musical forces in this performance of Bach's Johannes-Passion, BWV 245, from the Berkshire Music Festival in Lenox, Massachusetts. Ernst Haefliger is the Evangelist and Norman Treigle is Jesus. Other soloists include Phyllis Curtin, Beverly Wolff, Walter Carringer, Thomas Paul, and Donald Miller. Here's a link to my Norman Treigle playlist: (http•••) And here is a link to my Phyllis Curtin playlist: (http•••)
André Watts Seiji Ozawa Rachmaninoff Leonard Bernstein Fleischer Norton Nagano Beethoven Hideo Saito Charles Munch Koussevitzky Herbert Karajan Matsumoto New York Philharmonic Orchestra Philadelphia Orchestra Boston Symphony Orchestra Toronto Symphony Orchestra San Francisco Symphony Orchestra Metropolitan Opera Vienna State Opera Tanglewood Ravinia Festival Saito Kinen Festival Matsumoto 1602 1935 1959 1964 1965 1968 1969 1970 1973 1976 1988 1992 1998 2002 2010 2011 2015
I. Allegro ma non tanto (D minor) 0:06 II. Intermezzo: Adagio (A Major-D♭ Major-C♯ Major) 16:02 III. Finale: Alla breve (D minor-D Major) 25:50 Andre Watts, piano Seiji Ozawa, conductor New York Philharmonic Orchestra ANDRE WATTS: "André Watts is a German-born American pianist who was known for a surpassing technique and understated manner that made him a favoured concert performer. Watts was the son of an African American soldier and a Hungarian mother. At age nine he made his debut at a Philadelphia Orchestra children’s concert. He attracted wide attention when at age 16 he performed on television under conductor Leonard Bernstein. Though already a mature musician, he chose to continue study with Leon Fleischer. In 1976 he gave a concert that was the first live television broadcast of a solo recital in history. His popularity continued into the 21st century. Watts was the recipient of numerous honours, including the Avery Fisher Prize (1988) and the National Medal of Arts (2011)." SEIJI OZAWA: "American orchestra conductor Seiji Ozawa is noted for his energetic style and sweeping performances of 19th-century Western symphonic works. Among the honors he received throughout his career were two Emmy Awards for his performances on public television specials, the French Chevalier de la Légion d’Honneur, and honorary doctorates in music from Harvard University, the University of Massachusetts, the New England Conservatory of Music, and Wheaton College in Norton, Massachusetts. In February 1998 he joined musicians around the world via satellite link to close the opening ceremonies at the Winter Olympics in Nagano, Japan, with Ludwig van Beethoven’s Ode to Joy. Seiji Ozawa was born on September 1, 1935, in Hoten, Manchukuo (now in China), of Japanese parents. He grew up in Japan and showed interest in Western music as a child. He had hoped to become a pianist, but at age 16 he injured his hands. Ozawa then turned to conducting, studying with Hideo Saito at the Toho School in Tokyo. In 1959, after conducting with the NHK (Nippon Hoso Kyokai) Symphony Orchestra of Japan and the Japanese Philharmonic, Ozawa went to Europe, where he won the Besançon International Conductors’ Competition. The following summer he studied in the United States under Charles Munch at the Berkshire Music Festival in Tanglewood, Massachusetts, where he won the Koussevitzky Prize. At that time he began a long and fruitful association with the Boston Symphony Orchestra. After a further year of study with Herbert von Karajan in Berlin, Ozawa was engaged as an assistant conductor of the New York Philharmonic by Leonard Bernstein. From 1964 to 1968 Ozawa served as music director of the Ravinia Festival in Chicago. He became music director of Canada’s Toronto Symphony Orchestra in 1965 and of the San Francisco Symphony Orchestra in 1970. In 1973 Ozawa was appointed conductor and music director of the Boston Symphony Orchestra, a position that had for years been the exclusive preserve of European conductors. His tenure with the symphony lasted until 2002, the longest of any active music director with a major orchestra. Ozawa became increasingly interested in opera during the 1990s. In 1992 he debuted with the Metropolitan Opera in New York and, as a tribute to Hideo Saito, cofounded the Saito Kinen Festival in Matsumoto, Japan. He was principal conductor of the Vienna State Opera from 2002 to 2010. Early in 2010 Ozawa underwent surgery for esophageal cancer, which forced him to retreat from the public stage for the better part of the year. Ozawa made his return to public performance at the Saito Kinen Festival that September. Ongoing health issues continued to restrict his performance schedule, but he nonetheless made occasional appearances, notably at the Saito Kinen Festival. It was renamed the Seiji Ozawa Matsumoto Festival in his honor in 2015. In 2011 Ozawa received the Japan Art Association’s Praemium Imperiale prize for music. He was named a Kennedy Center honoree in 2015." Remastered By: Wayne Yang, USA-Taiwan
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