Carrie Jacobs-Bond Vidéos
compositeur
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- États-Unis
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Dernière mise à jour
2024-05-23
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Marie Jedličková Carrie Jacobs Bond Jacobs Himmel Paganini Wagner Kienzl Korngold Puccini Leoš Janáček Ermanno Wolf Ferrari Richard Strauss Suppé Massenet Popper Sheehan Mansion Vienna Symphony Metropolitan Opera Vienna State Opera 1886 1887 1910 1911 1912 1919 1920 1921 1924 1925 1926 1927 1928 1931 1932 1935 1945 1948 1951 1953 1982
Soprano Maria Jeritza +••.••(...)) / I Love You Truly (Carrie Jacobs-Bond) / Liebe du Himmel auf Erden (Paganini ~ Franz Lehar) / with the Vienna Symphony Orchestra / Live shortwave broadcast from Vienna on September 29, 1935 / NOTE: Pictured in her youthful heyday, many years before this performance, Miss Jeritza is seen in both fashionable, formal attire, and @ 2:44 in a more casual arrangement... Maria Jeritza (October 6, 1887, Brno / July 10, 1982, Orange, New Jersey), born Marie Jedličková, was a celebrated Moravian soprano singer, long associated with the Vienna State Opera +••.••(...)) and the Metropolitan Opera +••.••(...) and 1951). Her sensational rise to fame, spectacular beauty and personality earned her the nickname The Moravian Thunderbolt. In 1910, she made her debut as Elsa, in Wagner's Lohengrin, at Olomouc. The Emperor Franz Josef heard her and immediately commanded that she be offered a contract at the Imperial Hofoper, Vienna. She created the roles of Blanchefleur in Kienzl's opera Der Kuhreigen (1911), Ariadne in Strauss's Ariadne auf Naxos (1912), the Empress in his Die Frau ohne Schatten (1919), and Marie/Marietta in Korngold's Die tote Stadt (1920), the latter also being the role of her debut with the Metropolitan Opera on November 19, 1921. On November 16, 1926, she starred in the title role of Puccini's Turandot in its North American premiere at the Metropolitan, where she also created the title or leading soprano roles in Leoš Janáček's Jenůfa (1924), Ermanno Wolf-Ferrari's I gioielli della Madonna (1925), Korngold's Violanta (1927), Richard Strauss' Die Ägyptische Helena (1928), and Franz von Suppé's Boccaccio (1931) and Donna Juanita (1932.) Her popularity at the Metropolitan was, as in Vienna, immense, especially as Tosca, Carmen and Massenet's Thaïs. After a short, only two-year marriage to Mr. Wiener, Jeritza's second husband was an Austrian Baron, Friedrich Leopold Salvator Freiherr Popper von Podhragy +••.••(...)). Her next husband, the third one, was (1935) a Hollywood mogul Winfield R. Sheehan, who died in 1945. In 1948 she married New Jersey businessman Irving Seery and moved to a mansion located in the Forest Hill neighborhood of Newark, New Jersey where she made her home until her death in 1982, at age 94. She died in Orange, New Jersey and is interred at Holy Cross Cemetery in North Arlington, New Jersey. (wikipedia)/ For Maya Mikolajczyk ~ MayaTatyana/ .
Anna Case Bellini Clinton Enrico Caruso Emmy Destinn Leo Slezak Adamo Didur Frieda Hempel Hoffmann Carrie Jacobs Bond Jacobs Boucheron Metropolitan Opera Brooklyn Academy Music Olympia 1888 1909 1912 1913 1915 1919 1920 1930 1931 1984
Soprano Anna Casa sings 'Ah! Non Credea Mirarti' from Bellini's opera 'La Sonnambula'. Recorded 1915. She was American, born in Clinton, New Jersey. (October 29, 1888 – January 7, 1984). Her Metropolitan Opera debut at age 21, was as a Page in Tannhauser in 1909, a performance of the Metropolitan Opera but on tour that took place at the Brooklyn Academy of Music. Continuing to sing small roles like in 1912, where she sang the Priestess in Aida with casts like Enrico Caruso, Emmy Destinn, Leo Slezak and Adamo Didur. On 19th March 1913 she was in the American premiere of Boris Godunov, singing the role of Feodor with Adamo Didur as Boris. She sung Sophie in Der Rosenkavalier with Margarete Obe and Frieda Hempel. Olympia in Les Contes d'Hoffmann. Michaela in Carmen. Her last appearance at the Metropolitan Opera was on the 18th January 1920 in a concert where she sung 'Depuis Le Jour' from Louise. She recorded with Thomas Edison, who used her voice extensively in "tone tests" of whether a live audience could tell the difference between the actual singer and a recording. In addition to recordings for Edison Records on both phonograph cylinder and Diamond Disc, Case recorded for Victor and Columbia Records, and made sound film for Vitaphone. In 1919 Case appeared in the silent drama film The Hidden Truth (1919). She also appeared in documentaries about sound recording. In 1930, before retiring in the same year, she recorded "Just Awearyin' for You" by Frank Lebby Stanton and Carrie Jacobs-Bond. In 1931, she married ITT Corporation executive Clarence Mackay. Upon her death on the 7th January 1984, in New York City, she bequeathed her 167.97-carat (33.59 g) Colombian emerald ring and Boucheron necklace to the Smithsonian Institution.
Anna Case Jacobs Jacobs Bond Clinton Perle Metropolitan Opera 1888 1909 1912 1913 1919 1926 1928 1930 1969 1984
For "pax41" / American soprano Anna Case +••.••(...)) / Just a-wearyin' for you (Jacobs-Bond) / Recorded: June 3, 1930 / The following is from "A Concise Biographical Dictionary of Singers" / K.J. Kutsch & Leo Riemens (Chilton Book Company - 1969) American soprano, born in Clinton, New Jersey on October 29, 1888, the daughter of a blacksmith. Case was leading the chorus and playing organ at the Dutch Reformed Church in her community by the age of 15, without ever having formal music lessons. She began studying with a local music teacher who gave up when Case's potential proved too great, and was then sent to a private teacher in New York. Referred to as "Edison's favorite singer," Anna Case made numerous recordings for the great American inventor. She made her debut at the Metropolitan Opera in a minor role on November 20, 1909, remaining with the company until 1919, Aida & Carmen considered to be her best roles. In 1913 she sang Sophie in the American premiere of Rosekavalier. She began to record on Edison wax cylinders with "Believe Me If All Those Endearing Young Charms (June 21, 1912) and two other numbers before making some 98 Diamond Discs, the first on September 19, 1913 ("Charmant Oiseau" from Perle de Bresil) and the last on June 24, 1926 ("A Night of Love"). Her recorded repertoire consisted of primarily concert songs, though she included a number of arias. Case appeared often on stage demonstrating Edison's "Tone Tests," where the lights were dimmed and the audience was to guess when a singer stopped and the phonograph began. Two of the experimental Edison long-playing records of 1928 included Case's voice, doing four songs on each disc. She made only one Victor record, taking part in the ensemble of "Du also bist mein" from Zauberflote (April 6, 1913). Following some work for Vitaphone, Case moved to Columbia where she made 41 discs from 1928 to 1930, again drawing on the concert repertoire. She retired in 1930, and the following year married ITT executive Clarence MacKay. Anna Case died in New York on January 7, 1984./
David Bispham Wagner Ignace Paderewski Ethel Smyth Carrie Jacobs Bond Jacobs Beethoven Franz Schubert Robert Schumann Wolfgang Amadeus Mozart Lillian Nordica Reszke Olive Fremstad Ernestine Schumann Heink Clara Butt Hans Richter Richter Arthur Nikisch Felix Mottl Anton Seidl Walter Damrosch Roosevelt Brahms Horatio Parker Johanna Gadski Stein Evan Williams Macmillan Clarence Whitehill Richard Bonelli Bonelli John Charles Thomas Lawrence Tibbett Leonard Warren Robert Merrill Metropolitan Opera 1857 1896 1897 1901 1903 1908 1916 1920 1921
Popular 1908 music by David Bispham - Annie Laurie @Pax41 1900s music - David Bispham - Annie Laurie recorded in 1908 David Scull Bispham (January 5, 1857 / October 2, 1921) was the first American--born operatic baritone to win an international reputation. Bispham made his American debut, once again in Wagner, at the Metropolitan Opera in New York City on November 18, 1896; that night he sang the role of Sixtus Beckmesser in Die Meistersinger von Nürnberg. He remained with the company until 1903, singing mainly Wagnerian roles; he also appeared in the American premieres of Ignace Paderewski's Manru and Ethel Smyth's Der Wald. Bispham was influential in establishing the career of Carrie Jacobs-Bond as in 1901 he gave a recital exclusively featuring her songs in Chicago's Studebaker Theatre.[3] After 1903 Bispham's operatic appearances were few, and he devoted most of his time to recitals, with which he had much success. He made a point of singing English versions of songs by such composers as Ludwig van Beethoven, Franz Schubert, and Robert Schumann. In 1916 he appeared in an English-language version of Wolfgang Amadeus Mozart's Der Schauspieldirektor in New York. The performance was such a success that it led to the formation of the Society of American Singers; the company, with Bispham's inspiration, gave three seasons of light operas in English. Bispham's commitment to opera in English also led, after his death, to the creation of the Bispham Memorial Medal Award, to be awarded to operas in English by American composers. He was a 'strong' advocate for performing vocal music in the audience's language. He was a close personal friend of American soprano Lillian Nordica, with whom he travelled to Australia on her last tour before her death. He was also a frequent professional colleague of both De Reszke brothers (Jean and Edouard), Olive Fremstad, Ernestine Schumann-Heink and Dame Clara Butt, among singers, and Hans Richter, Arthur Nikisch, Felix Mottl, Anton Seidl and Walter Damrosch, among conductors. Damrosch's setting of Rudyard Kipling's "Danny Deever", as sung by Bispham, became a favorite of President Theodore Roosevelt. Bispham was the first singer to introduce Brahms's Four Serious Songs and Magelone Lieder to American audiences in the 1896-97 concert season. Bispham also sang Horatio Parker's oratorio, Hora Novissima, in 1897 (with Johanna Gadski, Gertrude May Stein, and Evan Williams as the other soloists). Upon his immediate return to Great Britain, he provided a copy of the score to Hans Richter, which led to the premiere of the piece in Worcester, England, and the Festival of the Three Choirs. In 1908, he was awarded national honorary membership in Phi Mu Alpha Sinfonia. He wrote a memoir of his professional career called A Quaker Singer's Recollections, published by Macmillan in January 1920. Although it makes no mention whatsoever of his personal life, his marriage, or his children, the book is a valuable insight into the life and times of the international opera singer of his day and source of much first-hand information regarding the state of the vocal art and especially a singer's repertoire of the era. Bispham died in New York City, New York, in 1921; he is buried in Philadelphia's Laurel Hill Cemetery. His legacy lives on in the form of gramophone recordings of songs and arias, some of which have been reissued on CD. He also paved the way for such outstanding American baritones of later generations as Clarence Whitehill, Richard Bonelli, Arthur Endreze, John Charles Thomas, Lawrence Tibbett, Leonard Warren and Robert Merrill. #1900smusic #1910smusic #1900musica
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