Felix Mottl Vidéos
chef d'orchestre
- opéra
- Autriche
- compositeur ou compositrice, chef ou cheffe d'orchestre, professeur ou professeure d'université
Dernière mise à jour
2024-04-28
Actualiser
Staatsoper Staatsoper Hannover Tichina Vaughn Henze Rohde Mottl Eggert Heide Baumann Franz Mazura Scharf Carmen Fuggiss Sitkovetsky Simon Bode Bode Gihoon Kim 2017
Henze Der junge Lord Staatsoper Hannover September 2017. Musikalische Leitung Mark Rohde Inszenierung Bernd Mottl Bühne Friedrich Eggert Kostüme Alfred Mayerhofer Licht Sascha Zauner Choreographie Anastasiya Bobrykova Choreinstudierung Dan Ratiu Leitung Kinderchor Heide Müller Dramaturgie Christopher Baumann BESETZUNG Sir Edgar Franz Mazura Sekretär Stefan Adam Lord Barrat Sung-Keun Park Begonia Tichina Vaughn Bürgermeister Martin Busen Oberjustizrat Hasentreffer Frank Schneiders Ökonomierat Scharf Marco Vassalli Professor von Mucker Edward Mout Baronin Grünwiesel Julie-Marie Sundal Frau von Hufnagel Josy Santos Frau Oberjustizrat Hasentreffer Carmen Fuggiss Luise Rebecca Davis Ida Julia Sitkovetsky Ein Kammermädchen Ylva Stenberg Wilhelm Simon Bode Amintore La Rocca Uwe Gottswinter Ein Lichtputzer Gihoon Kim 1. Junger Herr Martin Rainer Leipoldt 2. Junger Herr Thomas Kubitza 3. Junger Herr Sebastian Franz Chor der Staatsoper Hannover Kinderchor der Staatsoper Hannover Niedersächsisches Staatsorchester Hannover
Jan Ingenhoven Brandts Buys Mottl 1876 1909 1912 1913 1916 1917 1918 1920 1930 1951
Jan Ingenhoven +••.••(...)) Sonate : voor A-klarinet en piano +••.••(...)) Frans van Ruth, piano Frank van den Brink, clarinet Jan Ingenhoven was a Dutch composer and conductor. He studied with Brandts Buys in Rotterdam and later with Mottl in Munich, where he conducted the Munich Madrigal Society from 1909 to 1912. This was a famous ensemble of soloists which made many concert tours under his direction. By conducting the Munich Orchestra Association and organizing music festivals he introduced a great deal of contemporary Dutch and French music into Germany. In 1913 Ingenhoven retired as a performing artist to devote himself primarily to composition. During World War I he resided in Switzerland and Paris. After 1930 he retired as a composer and returned to the Netherlands. Ingenhoven's preferred genres changed over time. During his first period in Munich he wrote orchestral works alongside pieces for chorus, vocal quartet and solo voice; before World War I he devoted himself to string quartets and from then until 1918 he composed chamber music for various trio combinations. In the years around 1920 he wrote the sonatas for violin and for cello and the final period was taken up with works for solo instruments within small ensembles. Ingenhoven inherited certain stylistic elements from 16th-century music. His early works were always conceived polyphonically. Paired duets, imitation and polyrhythm are outstanding characteristics, especially in the vocal works from the Munich period. His song 'Nous n'irons plus au bois' (1909) from the 4 quatuors à voix mixtes, which Ingenhoven claimed to be the first atonal vocal work by a Dutch composer, is a brilliant example of this style. In the chamber works Ingenhoven's style became even more exclusive through a combination of the polyphonic elements and a new homophonic approach, with tonally indefinite chords, subtle dynamics and delicate timbre. He devised cantilena-like melodies, quasi-improvised as if he wanted to create Jugendstil in music. Although he used cellular motivic technique, the structure of his works always tends towards symmetry.
Karl Hasse Hasse Karl Straube Arthur Nikisch Max Reger Felix Mottl Leipziger 1883 1910 1919 1935 1960
Karl Hasse +••.••(...)): Valet will ich dir geben Martin Karl Woldemar Hasse wurde 1883 in Dohna bei Pirna im Erzgebirge geboren. Er studierte am Leipziger Konservatorium, u.a. bei Thomaskantor Karl Straube und Arthur Nikisch und setzte auf Empfehlung Straubes seine Studien an der Münchener Akademie für Tonkunst bei Max Reger und Felix Mottl fort. Nach einer kurzen Kantorentätigkeit in Chemnitz wurde er 1910 Städtischer Musikdirektor in Bielefeld, 1919 sodann Universitäts-Musikdirektor in Tübingen. 1935 übernahm er die Direktion der Kölner Hochschule für Musik. Martin Karl Hasse wurde als Komponist, Dirigent, Pädagoge, Organisator und Musikschriftsteller bekannt; der meist polyphone Aufbau seiner Werke ist eine Frucht der Ausbildung bei Reger. Auch war er ein maßgeblicher Förderer der in den 1920er Jahren einsetzenden "Orgelbewegung". Organist: Thorsten Pirkl Martin Karl Woldemar Hasse was born in Dohna near Pirna in the Ore Mountains in 1883. He studied at the Leipzig Conservatory, among others with Thomaskantor Karl Straube and Arthur Nikisch, and on Straube's recommendation continued his studies at the Munich Academy of Music with Max Reger and Felix Mottl. After a short period as cantor in Chemnitz, he became municipal music director in Bielefeld in 1910, then university music director in Tübingen in 1919. In 1935 he took over the direction of the Cologne Academy of Music. Martin Karl Hasse became known as a composer, conductor, pedagogue, organizer and music writer; the mostly polyphonic structure of his works is a fruit of his training with Reger. He was also a major promoter of the "organ movement" that began in the 1920s.
Schubert David Scull Bispham Francesco Lamperti Lamperti Bayreuth Longueville André Messager Jean Reszke Emma Albani Jean Lassalle Gustav Mahler Ignace Paderewski Ethel Smyth Lillian Nordica Olive Fremstad Ernestine Schumann Heink Schumann Clara Butt Hans Richter Arthur Nikisch Felix Mottl Anton Seidl Walter Damrosch Macmillan Metropolitan Opera Covent Garden 1891 1892 1896 1903 1912 1920
Schubert: “Der Wanderer” by David Bispham 1912 This record is proof that older Columbia 78 rpm records sound really great when they are in near mint condition. For a 1912 acoustic recording the voice sounds very realistic and clear on this record. And, Bispham signed the wax master of the 12 inch record which shows clearly on the runout area of the pressed record. This was a somewhat common thing for classical artists on the Columbia label. David Bisphan was an American operatic baritone born in the mid-19th century. He studied in Italy and then sang extensively in England and the USA as well as across Europe. An incredible voice not all that well known these days. He sang at the Metropolitan opera, mostly in Wagner roles, from 1896 to 1903. After 1903 he sang few opera roles. Instead he performed in recitals and sang and recorded art song and lieder. “David Scull Bispham studied singing in Florence with Luigi Vannuccini and in Milan with Francesco Lamperti. He also studied in Bayreuth. In 1891 he was selected from among fifty applicants to perform the rôle of the Duc de Longueville in a London performance of André Messager's LA BASOCHE, marking his first professional appearance on any stage. He was engaged by the Royal Opera at Covent Garden to sing the part of Beckmesser in DIE MEISTERSINGER VON NÜRNBERG in June 1892. This production was also to feature Jean de Reszke, Emma Albani, and Jean Lassalle in the other leading rôles. De Reszke fell ill during rehearsals, and the production had to be cancelled. On the day of the cancellation, however, Bispham was asked to substitute on the following day as Kurwenal in TRISTAN UND ISOLDE, under Gustav Mahler. This was Bispham's first Wagnerian rôle. His success there brought him a contract for Covent Garden, where he appeared, primarily in Wagnerian rôles, for all but two of the next ten seasons. Bispham made his American début, once again in Wagner, at the Metropolitan Opera on18 November, 1896, as Beckmesser. He remained with the company until 1903, singing mainly Wagnerian rôles; he also appeared in the American premières of Ignace Paderewski's MANRU and Ethel Smyth's DER WALD. He was a close personal friend of American soprano Lillian Nordica, with whom he travelled to Australia on her last tour before her death. He was also a frequent professional colleague of both De Reszke brothers (Jean and Edouard), Olive Fremstad, Ernestine Schumann-Heink and Dame Clara Butt, among singers, and Hans Richter, Arthur Nikisch, Felix Mottl, Anton Seidl and Walter Damrosch, among conductors. Bispham wrote a memoir of his professional career called A QUAKER SINGER'S RECOLLECTIONS, published by Macmillan in January 1920.” - Zillah Dorset Akron DAHR Link: (http•••) Wikipedia Link: (http•••)
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