Alphonse Longueville Vidéos
compositeur
- France
Dernière mise à jour
2024-05-06
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Schubert David Scull Bispham Francesco Lamperti Lamperti Bayreuth Longueville André Messager Jean Reszke Emma Albani Jean Lassalle Gustav Mahler Ignace Paderewski Ethel Smyth Lillian Nordica Olive Fremstad Ernestine Schumann Heink Schumann Clara Butt Hans Richter Arthur Nikisch Felix Mottl Anton Seidl Walter Damrosch Macmillan Metropolitan Opera Covent Garden 1891 1892 1896 1903 1912 1920
Schubert: “Der Wanderer” by David Bispham 1912 This record is proof that older Columbia 78 rpm records sound really great when they are in near mint condition. For a 1912 acoustic recording the voice sounds very realistic and clear on this record. And, Bispham signed the wax master of the 12 inch record which shows clearly on the runout area of the pressed record. This was a somewhat common thing for classical artists on the Columbia label. David Bisphan was an American operatic baritone born in the mid-19th century. He studied in Italy and then sang extensively in England and the USA as well as across Europe. An incredible voice not all that well known these days. He sang at the Metropolitan opera, mostly in Wagner roles, from 1896 to 1903. After 1903 he sang few opera roles. Instead he performed in recitals and sang and recorded art song and lieder. “David Scull Bispham studied singing in Florence with Luigi Vannuccini and in Milan with Francesco Lamperti. He also studied in Bayreuth. In 1891 he was selected from among fifty applicants to perform the rôle of the Duc de Longueville in a London performance of André Messager's LA BASOCHE, marking his first professional appearance on any stage. He was engaged by the Royal Opera at Covent Garden to sing the part of Beckmesser in DIE MEISTERSINGER VON NÜRNBERG in June 1892. This production was also to feature Jean de Reszke, Emma Albani, and Jean Lassalle in the other leading rôles. De Reszke fell ill during rehearsals, and the production had to be cancelled. On the day of the cancellation, however, Bispham was asked to substitute on the following day as Kurwenal in TRISTAN UND ISOLDE, under Gustav Mahler. This was Bispham's first Wagnerian rôle. His success there brought him a contract for Covent Garden, where he appeared, primarily in Wagnerian rôles, for all but two of the next ten seasons. Bispham made his American début, once again in Wagner, at the Metropolitan Opera on18 November, 1896, as Beckmesser. He remained with the company until 1903, singing mainly Wagnerian rôles; he also appeared in the American premières of Ignace Paderewski's MANRU and Ethel Smyth's DER WALD. He was a close personal friend of American soprano Lillian Nordica, with whom he travelled to Australia on her last tour before her death. He was also a frequent professional colleague of both De Reszke brothers (Jean and Edouard), Olive Fremstad, Ernestine Schumann-Heink and Dame Clara Butt, among singers, and Hans Richter, Arthur Nikisch, Felix Mottl, Anton Seidl and Walter Damrosch, among conductors. Bispham wrote a memoir of his professional career called A QUAKER SINGER'S RECOLLECTIONS, published by Macmillan in January 1920.” - Zillah Dorset Akron DAHR Link: (http•••) Wikipedia Link: (http•••)
Carl Orff Peter Maus Wilde Lier Philip Defrancq Longueville Stadsschouwburg 2011
Filmproductie van Videoclub Multimedia97 Niel van de volledige uitvoering van de Carmina Burana van Carl Orff in De Singel Antwerpen 2011 en de Stadsschouwburg Antwerpen 2011 Dirigent: Paul Dinneweth Koor: Koninklijke Chorale Caecilia Antwerpen (deCHORALE) - Repetitor: Peter Maus Stemcoaching: Kristien Vercammen Koninklijke Gente Oratoriumvereniging - Dirigent: Jan Vuye - Repetitoren: Tom Van Der Biest / Johannes De Wilde. Beauvarletkoor Kokzijde - Dirigent Griet De Meyer Kinderkoor Muziekacademie Wilrijk - Dirigent Marleen Willems Kamerorkest La Passione Lier - Vera Van Eyndhoven - Concertmeester: Wietse Beels - Hilde Van Keer Sopraan: Martine Reyners – Tenor: Philip Defrancq – Bariton: Joris Derder Camera: Leo De Borger - Antoine Luyten - Freddy Van Bulck - Andre Van Rompaey - Constant Biscop - Roger Torfs - Jean Averals - Freddy Longueville - Willy Verhasselt Klankregie: Dirk Goetseels Montage: Antoine Luyten
Carl Orff Peter Maus Wilde Lier Philip Defrancq Joris Longueville Een Kan Stadsschouwburg 2011
Filmproductie van Videoclub Multimedia97 Niel van de volledige uitvoering van de Carmina Burana van Carl Orff in De Singel Antwerpen 2011 en de Stadsschouwburg Antwerpen 2011 Dirigent: Paul Dinneweth Koor: Koninklijke Chorale Caecilia Antwerpen (deCHORALE) - Repetitor: Peter Maus Stemcoaching: Kristien Vercammen Koninklijke Gente Oratoriumvereniging - Dirigent: Jan Vuye - Repetitoren: Tom Van Der Biest / Johannes De Wilde. Beauvarletkoor Kokzijde - Dirigent Griet De Meyer Kinderkoor Muziekacademie Wilrijk - Dirigent Marleen Willems Kamerorkest La Passione Lier - Vera Van Eyndhoven - Concertmeester: Wietse Beels - Hilde Van Keer Sopraan: Martine Reyners - Tenor: Philip Defrancq - Bariton: Joris Derder Camera: Leo De Borger - Antoine Luyten - Freddy Van Bulck - Andre Van Rompaey - Constant Biscop - Roger Torfs - Jean Averals - Freddy Longueville - Willy Verhasselt Klankregie: Dirk Goetseels Montage: Antoine Luyten Carmina Burana Carl Orff Singel Antwerp 2011 - Antwerp 2011 Stadsschouwburg Conductor: Paul Dinneweth Choir: Royal Chorale Caecilia Antwerp (deCHORALE) - assistant: Peter Maus Voice Coaching: Kristien Vercammen Royal Gente Oratorio Society - Conductor: Jan Vuye - coaches: Tom Van Der Biest - John De Wilde. Copyright Meer info: (http•••)
Hippolyte Belhomme Ambroise Thomas Boulanger Ponchard Orme Jiménez Longueville Opéra Comique Théâtre Monnaie 1854 1879 1886 1889 1891 1899 1902 1903 1904 1905 1906 1907 1916 1923
Hippolyte Belhomme - Le songe d'une nuit d'été - Chanson de Falstaff - Ambroise Thomas - Pathé saphir 4556 enregistré en 1906-1907 Hippolyte-Adolphe Belhomme, (2 December 1854, Paris - 16 January 1923) was a prominent French bass or bass-baritone and long-term member of the Opéra-Comique company in Paris. He also made some important early opera recordings, displaying on them a lyrical voice of great flexibility. As a pupil of Boulanger and Ponchard he won second prize for singing and opéra comique at the Paris Conservatoire. Belhomme made his debut as Baskir in Lalla-Roukh at the Opéra-Comique on 11 November 1879; although of short stature his vocal authority was impressive. Belhomme sang much of the repertoire for the basses chantantes at the Opéra-Comique up to June 1886 and then again from 1891 to 1916: he sang in Carmen (Escamillo and Dancaïre), Cendrillon (Pandolphe), La fille du régiment (Sulpice) Madama Butterfly (the Bonze), Mignon (Lothario), Tosca (Sacristan) and Werther (Le bailli), as well as roles in many other French and Italian operas in the Opéra-Comique repertory. He also spent time at the opera houses of Lyon (September 1886 to May 1899) and Marseille (1889–90) before returning to the Opéra-Comique in September 1891, where he took part in Paris premieres of Falstaff and La bohème. From 1902, Belhomme appeared each season at the Théâtre de la Monnaie in Brussels, as Osmin in Die Entführung aus dem Serail (in French) and the devil in Grisélidis in 1902, Doronte in Attendez-moi sous l'orme in 1903, the sacristan in Tosca in 1904, the vicar in Pepita Jiménez and the Duc de Longueville in La Basoche in 1905, Brander in La damnation de Faust and a soldier in The Trojans in 1906, Kezal in La fiancée vendue and a Jew in Salomé in 1907. Source : Wikipedia
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