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Chor Bayerischen Rundfunks Akademie Alte Musik Berlin Georg Friedrich Händel Julia Doyle Doyle Ben Johnson Peter Harvey Weise Sieg John Milton Spenser Herkulessaal Münchner Residenz 1746 2017
Georg Friedrich Händel - Occasional Oratorio HWV 62 (Welt-Ersteinspielung des „Occasional Oratorio“ nach der Neuedition Hallische Händel-Ausgabe (Live-Aufnahme, Herkulessaal München, 11.02.2017) Julia Doyle, Sopran Ben Johnson, Tenor Peter Harvey, Bariton Chor des Bayerischen Rundfunks Akademie für Alte Musik Berlin Howard Arman, Leitung Bestellnummer BR-KLASSIK: 900520 Für sein in persönlich wie politisch bewegten Zeiten des Jahres 1746 entstandenes „Occasional Oratorio“, ein wirkliches „Gelegenheitsoratorium“, hat sich Händel großzügig aus dem eigenen Werk bedient; auf diese Weise entstand fast etwas wie eine Anthologie, eine Blütenlese seiner schönsten und bekanntesten Stücke, ein „Best of Händel“ gewissermaßen. Geharnischt zeterte der übergangene „Messiah“-Librettist Charles Jennens, das Oratorium sei „ein Triumph über einen Sieg, der noch gar nicht errungen wurde“, das Libretto eines gewissen Newburgh Hamilton ein „unvorstellbarer Mischmasch von John Milton und Edmund Spenser“ – doch dem heutigen Hörer bietet das „Occasional Oratorio“ großartige, überwiegend wohlbekannte Melodien, hochvirtuose Barockarien und ergreifende Chöre und überhaupt eine spätbarocke Klangentfaltung, wie sie in dieser äußerst kompakten Partitur geradezu einmalig ist. „Händel at his best“ mag bereits das zeitgenössische Publikum ausgerufen haben; und das heutige Publikum dürfte sich auf ähnliche Weise ergreifen und enthusiasmieren lassen. Der virtuosen und farbenreichen Interpretation, die erst am 11. Februar 2017 im Herkulessaal der Münchner Residenz aufgezeichnet wurde, ist es geradezu beispielhaft und mustergültig gelungen, Publikum und Fachpresse gleichermaßen zu begeistern: unter der Leitung von Howard Arman sang der Chor des Bayerischen Rundfunks und begleitete die Akademie für Alte Musik Berlin in historisch informierter Musizierpraxis eine stilsichere, muttersprachlich besetzte hochkarätige Solistenriege.
Lauren Zhang Beethoven Franz Liszt Joaquín Achúcarro Sergei Babayan Jean Efflam Bavouzet Peter Donohoe Hellwig Angela Hewitt Stephen Hough Pascal Nemirovski Marios Papadopoulos Menahem Pressler Lichfield Holstein City Birmingham Symphony Orchestra London Mozart Players European Union Chamber Orchestra China National Symphony Orchestra National Symphony Orchestra Sinfonia Varsovia Adelaide Symphony Orchestra Orchestra Swan Bbc Scottish Symphony Orchestra Bbc Proms Klavier Festival Ruhr Verbier Festival Nottingham Royal Concert Hall Birmingham Town Hall Herkulessaal Schleswig Holstein Musik Festival Sydney Town Hall 2015 2016 2017 2020
The Programme Beethoven: Symphony no 9 in D minor, op 125 (transcribed for solo piano by Franz Liszt) Lauren Zhang Young American pianist Lauren Zhang began piano lessons at the age of four with Madeline Ignazito. On moving to the UK, Lauren attended King Edward VI High School for Girls in Birmingham and studied as a pupil with Dr Robert Markham in the Junior Department at the Royal Birmingham Conservatoire. She also began taking lessons with Professor Christopher Elton in 2017. Lauren has participated in masterclasses or lessons with Joaquín Achúcarro, Sergei Babayan, Jean-Efflam Bavouzet, Fabio Bidini, Peter Donohoe, Peter Frankl, Kenneth Hamilton, Klaus Hellwig, Angela Hewitt, Stephen Hough, Yoheved Kaplinsky, Pascal Nemirovski, Marios Papadopoulos, Menahem Pressler, Boris Slutsky and John Thwaites. In 2016, Lauren won first prize at the 15th Ettlingen International Piano Competition in Germany. Among other achievements, she was a prize-winner at the Wales International Piano Festival (2016) and the Young Pianist of the North International Competition (2015). Lauren won the BBC Young Musician Competition at age 16 performing with the City of Birmingham Symphony Orchestra to widespread critical acclaim. Highlights since then include her debut at the BBC proms and appearances as soloist with the London Mozart Players, European Union Chamber Orchestra, China National Symphony Orchestra and Sinfonia Varsovia Orchestra in Warsaw. Lauren has also performed in the Tonhalle in Zürich and at Klavier-Festival Ruhr in recent years. She gave recitals across the UK, as part of the Ryedale, Lichfield and Wooburn Festivals, amongst many others. Her performances have been broadcast live on BBC Radio 3 and 4, TVN24 in Poland, and Deutschlandfunk in Germany. She also attended the Verbier Festival Academy and was accepted to the Curtis Institute of Music. In 2020, Lauren was invited to debut with the Adelaide Symphony Orchestra in Australia and with the Orchestra of the Swan, BBC Scottish Symphony Orchestra and Brno Philharmonic. Recitals at Nottingham Royal Concert Hall, Birmingham Town Hall, the Herkulessaal in Munich, at Schleswig-Holstein Musik Festival in Germany, and at Sydney Town Hall were also planned. Lauren is grateful for the support of YCAT through their aftercare scheme for BBC Young Musician finalists. More information: (http•••)
Munich Philharmonic Sergiu Celibidache Franz Schubert Antonín Dvořák Philharmonie Gasteig Herkulessaal 1979 1985 1988
The Munich Philharmonic and Sergiu Celibidache share an exceptional legacy. He started his work as principal conductor in 1979 and remained in this position for as long as 17 years. Sergiu Celibidache played an integral part in making the Munich Philharmonic what it is today: an orchestra of worldwide renown. Today the Munich Philharmonic is critically acclaimed internationally with hopelessly sold out concerts in Munich and the world. On their recently launched label MPHIL, the Munich Philharmonic is opening up its vast archives, giving listeners the opportunity to enjoy one of the richest collections of recordings by legendary artists. Because of the Celibidache era and its part in forming the core essence of the orchestra, this first MPHIL physical archive release consists of two recordings under the baton of Maestro Celibidache. The chosen repertoire on the album is Franz Schubert’s Symphony No. 8 ”Unfinished“ (recorded 30 September 1988, Philharmonie im Gasteig) and Antonín Dvořák’s Symphony No. 9 ”From the New World“ (recorded 16 June 1985, Herkulessaal der Residenz). Both recordings are masterpieces of the classical music canon and the performances have ever since been critically acclaimed up until this day. Album available here: (http•••) #FollowTheDog Facebook: (http•••) Twitter: (http•••) Instagram: (http•••) Spotify: (http•••)
Frédéric Chopin Beethoven Liszt Schumann Buff Cutter Herkulessaal
Bernhard Ruchti: CHOPIN A TEMPO Frédéric Chopin's Etudes Opus 10 - the incomparable masterpiece in a new tempo approach. Chopin's famous series of 12 concert etudes Opus 10 was recorded at Herkulessaal in Munich, Germany. The recording is accompanied by a general introduction to historical metronome markings and tempo, as well as a short introduction to the etudes in particular. Watch CHOPIN A TEMPO: (http•••) The entire A TEMPO PROJECT: (http•••) Historical Metronome markings and tempo - a short introduction: (http•••) Beethoven A Tempo: (http•••) Liszt A Tempo: (http•••) Schumann A Tempo: (http•••) For further information please visit (http•••) Production: Cornelius Claudio Kreusch for MUSICJUSTMUSIC (http•••) co-produced by Hans-Martin Buff & Christopher Link Executive Producer: Bernhard Ruchti for A Tempo Productions Recording and editing: Hans-Martin Buff Camera & Cutter: Christopher Link Mix & Master: Ed Reed
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