Bruce Yarnell Video
attore, cantante, cantante lirico, attore televisivo
Commemorazioni 2025 (Nascita: Bruce Yarnell)
- Stati Uniti d'America
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2024-05-13
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Salieri Joseph Shore Shore Motyka Curry Zakariasen Bruce Yarnell Nicolai Rimsky Korsakov Schulman Leighton Chamber Opera Theater New York 1981 1982
Joseph Shore is Salieri, Ron Gentry is Mozart; Tad Motyka was the stage director and Henry Molicone conducted for THE CHAMBER OPERA THEATRE OF NEW YORK. "Chamber Opera Theatre's performance and production were thoroughly admirable, including the staging by Thaddeus Motyka. Both operas (sung clearly in good English translations) were cast with splendid singing actors, including Ron Gentry as a Mozart not far removed from Tim Curry and Joseph Shore as a Salieri on an Ian McKellen level. Indeed when Shore broke down while reading the opening of Mozart's Requiem after giving his rival poison, it was a moving moment of truth comparable to anything in AMADEUS." Bill Zakariasen, NEW YORK DAILY NEWS “Baritone Joseph Shore was superb as Salieri, his voice full and flexible, his acting on a level rarely seen on the operatic stage." Peter Goodman, NEWSDAY “MOZART AMD SALIERI is almost a monologue for Salieri and it was handled beautifully here, both musically and dramatically, by Joseph Shore, the 1981 winner of the Bruce Yarnell Memorial Award for Baritones." Glenne Currie,UNITED PRESS INTERNATIONAL "Joseph Shore...gave a fully engrossing, richly characterful portrayal, breaking into very convincing desolation at the climactic moment when Mozart's Requiem wells up from the orchestra." Jack Heimenz, MUSICAL AMERICA "The one-act, two role opera is Rimsky-Korsakov's setting of Pushkin's dramatic poem in which Salieri, not Mozart, is the leading figure, a role both commandingly and sensitively dominated at the opening performance last night by baritone Joseph Shore." Dave Spangler, THE BERGEN RECORD "The dominant role is that of Salieri, with Joseph Shore giving a really awesome portrayal of the court musician who can never fathom or hope to gain one spark of Mozart's genius. Jennie Schulman, BACKSTAGE "Joseph Shore excels in his role of Salieri. He is as fine an actor as he is a singer, and both talents combine in an altogether convincing and moving performance...one would want to attend the production as much for the theatrical value of their performance as for any other reason." Louis Morra, WKCR RADIO “Joseph Shore's Salieri provided the evening’s finest singing and one hopes to hear much more of him in the future." Byron Belt, NEWHOUSE NEWSPAPERS “The only voice I can single out for distinction is the sonorous baritone of Joseph Shore." Noah Tree, AFTER DARK "...an uncluttered, serious and moving account of Rimsky-Korsakov's one act MOZART AND SALIERI... Baritone Joseph Shore sang and acted a powerfully tragic Salieri." Leighton Kerner, THE VILLAGE VOICE "The singers in Mozart and Salieri were Ron Gentry, as the young genius, and Joseph Shore, as his jealous rival. They fulfilled their assignments so expertly that one flinched inwardly at the implication that Salieri murdered Mozart....." Allen Hughes, THE NEW YORK TIMES "Mozart and Salieri was so highly acclaimed when Chamber Opera performed it last season, that they decided to bring it back with the original principals, Joseph Shore as Salieri and Ron Gentry as Mozart. Both were perfectly cast to the extent where you feel no one will ever be equal to their flawless characterizations. Shore, in particular, possesses a dramatic baritone voice of limitless range. In contrast, Gentry displays a clear, crisp tenor which suits ideally. Both gentlemen conveyed convincing historical portraits of the rival Maestri/Composers." Jennie Schulman, BACKSTAGE ".... a very satisfying work .... Good acting blended well with good singing; the characters came alive. It was a wonderful production." FESTA, The First Guide to the Performing Arts in the U.S.A. ".... Chamber Opera Theater of New York ... focuses on rarely done works. All of its productions are meticulously rehearsed and minutely detailed. They have to be: in this intimate setting, everything appears close up ... the strong baritone voice of Joseph Shore (Salieri) and the silvery tenor of Ron Gentry (Mozart) complemented each other nicely ,.. The success of such groups is heartening...." Annalyn Swan, NEWSWEEK "Chamber Opera Theater of New York revived its hit production of Nicolai Rimsky-Korsakov's Mozart and Salieri at the Marymount Manhattan Theater Wednesday night ... Mozart and Salieri’s expert production and performance (once again starring Ron Gentry and Joseph Shore in the leads) were fully up to last season's high musical and dramatic standards." Bill Zakariasen, NEW YORK DAILY NEWS Joseph Shore presents Salieri as a sort of Everyman turned bad, capable of arousing sympathy and self-recognition from the audience. He also sings the part beautifully, which doesn't hurt. THE FORT WORTH STAR TELEGRAM
Leighton Tozer McKnight Osborne Blomberg Olson Moody Dunn Pinnock Witt Sanders Bryson Michael Brown Macdonald John Wesley Chadwick Thornhill Sherwood Harwood Patterson Yarnell Hansen Clarke Turner Herschel Hobbs Conner Stagg Humphreys Geisler McGrath Bentley
Dr. Leighton Flowers, Director of Evangelism and Apologetics for Texas Baptists, recommends some leading non-Calvinistic scholars, Study Bibles, Commentaries and Systematic Theologies. For more on this topic please visit (http•••) Other non-Calvinistic scholars/pastors: AW Tozer Howard Marshall Doug Stuart NT Wright Gordon Fee Scott McKnight David Baker William W. Klein Grant Osborne Robert Shank David A. DeSilva Bill T. Arnold John Oswalt Brian Abasciano (he helped with this list) Ben Witherington III Thomas Oden C.S. Lewis Craig Blomberg (not A or C, but probably leans slightly more A) Craig Keener Jack Cottrell Gerald O. McCulloh (edited * “Man’s Faith and Freedom: The Theological Influence of Jacobus Arminius”) James Luther Adams (from “Man’s Faith and Freedom”) Russell Henry Stafford (from “Man’s Faith and Freedom”) Geoffrey F. Nuttall (from “Man’s Faith and Freedom”) Roger Olson Dale Moody Paul Copan James D. G. Dunn Jerry Walls Joseph Dongell Clark Pinnock Donald M. Lake William G. Witt A. Skevington Wood Vernon C. Grounds Terry L. Miethe Richard Rice John E. Sanders Fritz Guy Klyne Snodgrass Robert Picirilli F. Leroy Forlines Matthew Pinson Stephen Ashby Chuck Smith George Bryson Greg Laurie William Lane Craig Billy Graham Adrian Rogers Michael Brown Leonard Ravenhill David Wilkerson Bruce Reichenbach David J. A. Clines William G. MacDonald James D. Strauss C. Stephen Evans Paul R. Eddy William J. Abraham A. Philip Brown II Derek Prince Jack Hayford Gene L. Green Gareth Lee Cockerill James Leonard John Wesley Chrarles Edward White Anthony Chadwick Thornhill Aaron Sherwood B.J. Oropeza David Lewis Allen Steve Lemke Adam Harwood Jerry Vines Paige Patterson Richard Land Malcolm Yarnell Bruce A. Little Robert W. Wall G. Walter Hansen Philip H. Towner Adam Clarke Ravi Zacharias (?) Paul Ellingworth William G. MacDonald James Strauss Philip Towner John Wenham Gary Habermas Nigel Turner Max Turner Peter Cotterell (?) Michael Brown David Jeremiah Dave Hunt J. W. MacGorman E. Y. Mullins Herschel Hobbs W. T. Conner Frank Stagg Fisher Humphreys Bert Dominy Ken Keathley Norm Geisler Alister McGrath David Bentley Hart Mike Licona Also, listen to Steve Gregg, Mike Winger, The Bible BroDown, and Trinity Radio for other non-Calvinistic podcasts/videos
Joan Sutherland Nolan Nolan Van Way Ragnar Ulfung Judith Blegen Daniel Sullivan Sullivan Falke Bruce Yarnell Spiro Malas Huguette Tourangeau Slezak Richard Bonynge 1973
Joan Sutherland starring Rosalinde in a fabulous English production of Die Fledermaus. Act 1: (http•••) Act 2: (http•••) Cast: Gabriel von Eisenstein ... Nolan Van Way Rosalinde ... Joan Sutherland Alfred ... Ragnar Ulfung Adele ... Judith Blegen Dr. Blind .... Daniel Sullivan Dr. Falke ... Bruce Yarnell Frank ... Spiro Malas Prince Orlofsky ... Huguette Tourangeau Frosch ... Walter Slezak Orchestra of the San Fransisco Opera Richard Bonynge San Fransisco, September 14, 1973
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