Herbert Hall Woodward Video
compositore
- Inghilterra
Ultimo aggiornamento
2024-04-28
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Johann Sebastian Bach Wächter Alessio Bax Bax Wilhelm Kempff Perlman Philipp Nicolai George Ratcliffe Woodward Woodward Dürr Heil Freund 1599 1724 1731 1858 1906 1908 1983 2007 2009 2015 2017
Tema utilizado para la película "Call Me By Your Name" realizada en 2017./ I do not own claim to own this material (Music & Photos). This video is purely for entertainment purposes and not for profit, I give full credit to the artist and to the owners of the song, No copyright infringement intended!/ Album: "Call Me By Your Name (Original Motion Picture Soundtrack)" Track 6: “Zion Hört Die Wächter Singen” From Cantata BWV 140 “Wachet Auf, Ruft Uns Die Stimme” Movement 4 Composer: Johann Sebastian Bach Piano: Alessio Bax Piano Transcription: Wilhelm Kempff Courtesy: Signum Records Copyright (p): Signum Records LTD. Label: Masterworks Phonographic Copyright (p): Sony Pictures Classics Inc. Phonographic Copyright (p): Madison Gate Records, Inc. Copyright (c): Madison Gate Records, Inc. Licensed: Sony Music Entertainment Production Company: Frenesy Film Company, La Cinéfacture, RT Features, M.Y.R.A. Entertainment, Water's End Productions Distributed: Sony Pictures Classics Call Me by Your Name is a 2017 romantic coming-of-age drama film directed by Luca Guadagnino and written by James Ivory, based on the 2007 novel of the same name by André Aciman. It is the third and final installment in Guadagnino's thematic Desire trilogy, following I Am Love (2009) and A Bigger Splash (2015). Set in Northern Italy in 1983, Call Me by Your Name chronicles the romantic relationship between Elio Perlman (Timothée Chalamet), a 17-year-old living in Italy, and his father's American assistant, Oliver (Armie Hammer). The film also stars Michael Stuhlbarg, Amira Casar, Esther Garrel, and Victoire Du Bois. "Wachet auf, ruft uns die Stimme" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "Wie schön leuchtet der Morgenstern". It appears in German hymnals and in several English hymnals in translations such as "Wake, O wake! with tidings thrilling" (Francis Crawford Burkitt, 1906) "Wake, Awake, for Night Is Flying" (Catherine Winkworth, 1858) or "Up! Awake! From Highest Steeple" (George Ratcliffe Woodward, 1908). The hymn is known as the foundation of Johann Sebastian Bach's chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, as well as being the foundation of settings by other composers. Wachet auf, ruft uns die Stimme (Awake, calls the voice to us), BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the hymn appears unchanged in movements 1, 4 and 7. An unknown author supplied poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second (movement 4) in the style of a chorale prelude, and the third as a four-part chorale. Bach used movement 4 of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it "a cantata without weakness, without a dull bar, technically, emotionally and spiritually of the highest order". Movements of Wachet auf, ruft uns die Stimme, BWV 140: 1. Wachet auf, ruft uns die Stimme/2. Er kommt/3. Wann kommst du, mein Heil?/4. Zion hört die Wächter singen/5. So geh herein zu mir/6. Mein Freund ist mein!/7. Gloria sei dir gesungen. The fourth movement, "Zion hört die Wächter singen" (Zion hears the watchmen singing), is based on the second verse of the chorale. It is written in the style of a chorale prelude, with the phrases of the chorale, sung as a cantus firmus by the tenors (or by the tenor soloist), entering intermittently against a famously lyrical melody played in unison by the violins (without the violino piccolo) and the viola, accompanied by the basso continuo. Bach later transcribed this movement for organ (BWV 645), and it was subsequently published along with five other transcriptions Bach made of his cantata movements as the Schübler Chorales. Source: Wikipedia
Brubaker Rosenberg Redford Dickie Freeman Purcell Rauch Ness Walsh Woodward Haynes 1980
Please call me a dickhead here: @PrancingNerd "Greatest Of All Time" Scenes - Brubaker (1980). Watch Yahpet Kotto (Coombes) become as scary as scary can be when Huey (Tim McIntire) says something silly and ignites the fury. Bring spare underwear. Brubaker (1980): "The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate." (http•••) Director: Stuart Rosenberg Writers: W.D. Richter and Arthur A. Ross Cast: Robert Redford: Henry Brubaker Yaphet Kotto" Richard 'Dickie' Coombes Jane Alexander: Lillian Gray Murray Hamilton: John Deach David Keith: Larry Lee Bullen Morgan Freeman: Walter Matt Clark: Roy Purcell Tim McIntire: Huey Rauch Richard Ward: Abraham Cook Jon Van Ness: Zaranska M. Emmet Walsh: C.P. 'Woody' Woodward Albert Salmi: Rory Poke Linda Haynes: Carol Everett McGill: Eddie Caldwell #brubaker #yaphetkotto #robertredford #prisonmovies #goat #greatestofalltime #nerdarium #movies #nerds
Rté Concert Orchestra Mannion O Neill McCullough Costello Casey John Rutter Mykola Leontovych Erich Wolfgang Korngold George Frideric Handel Watts Byrne Ethelbert Nevin Felix Mendelssohn Charles Wesley Whitefield Franz Xaver Gruber Mohr George Ratcliffe Woodward Woodward Adolphe Adam Sullivan Barnett 1754 1937 2007
Tracklist: (tracks marked with * feature an orchestra only) 1. In Dulci Jubilo [0:00]* 2. O Come All Ye Faithful [1:46] 3. Candlelight Carol [5:04] 4. Gaudete (Piae Cantiones) [8:50] 5. Carol of the Bells [10:57]* 6. Der Schneemann [13:57]* 7. Joy to the World [17:54] 8. Don oíche úd i mBeithill [19:37] 9. The Rosary [22:10] 10. Hark! The Herald Angels Sing [24:15] 11. Christmas Fantasy [26:34]* 12. The First Noel [29:42]* 13. God Rest Ye Merry Gentlemen [32:28] 14. Silent Night [35:05] 15. Ding Dong Merrily on High [39:18]* 16. O Holy Night [42:12] An orchestral/choral album performed by the RTÉ Concert Orchestra and the RTÉ Cór na nÓg, featuring Christmas standards and traditional carols. It was recorded exclusively for the RTÉ Guide and RTÉ Radio 1. Ripped and scanned by me. / Conductor: David Brophy Tenor: Paul Byrom Recorded in Studio 1, RTÉ Radio Centre, Dublin 4, June 2007 Choral Director: Máire Mannion Backing vocals: Fidelma Kelly, Olivia Nestor, Trish O'Neill, Paul McGeogh, Vincent Lynch Recording Producer: Gary Cole Recording Engineer: Richard McCullough Editing and Mastering: Regent Records Editorial Management: Anthony Long, General Manager, RTÉ Concert Orchestra Executive Producer: Gareth Costello, Project Manager, RTÉ Concert Orchestra / Track 1 is a traditional piece, arranged by Casey (first name unknown) Track 2 and 13 are traditional pieces, arranged by Thomas Quigley Track 3 composed and written by John Rutter Track 4 is a piece of anonymous origin Track 5 is composed by Mykola Leontovych, and arranged by Richard Hayman Track 6 is composed and arranged by Erich Wolfgang Korngold Track 7 is composed by George Frideric Handel with lyrics by Isaac Watts, and arranged by Byrne (first name unknown) Tracks 8 and 12 are traditional pieces, arranged by Byrne (first name unknown) Track 9 is composed by Ethelbert Nevin with lyrics by Robert Cameron Rogers, and arranged by Thomas Quigley Track 10 is composed by Felix Mendelssohn with lyrics by Charles Wesley & George Whitefield, and arranged by Byrne (first name unknown) Track 11 is composed and arranged by Noel Kelehan Track 14 is composed by Franz Xaver Gruber with lyrics by Joseph Mohr, and arranged by Byrne (first name unknown) Track 15 is a traditional piece with lyrics by George Ratcliffe Woodward, and arranged by John Tate Track 16 is composed by Adolphe Adam with lyrics by John Sullivan Dwight, and arranged by Barnett (first name unknown)
We are pleased to present a full recording of our second session of Future Memory, a re-envisioned edition of our popular Speaking of Dance Conversations presented in partnership with SFU Woodward’s Cultural Programs. Future Memory: Session Two features a deep-dive into the artistic opportunities and challenges of our time, directly with artists whose past links them with the DanceHouse series. Featuring Louise Lecavalier (Louise Lecavalier/Fou Glorieux), Stephen Page (Bangarra Dance Theatre), and Rodrigo Pederneiras (Grupo Corpo) as they retrace their memories and ponder the future. Fun fact: Louise Lecavalier collaborated in the past with David Bowie; read more and see footage of the two dance together via the Georgia Straight here: (http•••)
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): W...