Sándor Végh Video
compositore e violinista ungherese
- violino
- musica classica
- Francia, Ungheria
- compositore, direttore d'orchestra, professore universitario, violinista
Ultimo aggiornamento
2024-04-25
Aggiorna
Royal Swedish Opera Larsson Hanna Husáhr Auer Karl Magnus Fredriksson Niklas Björling Rygert Björling Végh Jesper Taube Alan Gilbert Sandström 1900 2022
The Promise (Löftet in Swedish) is the story of Ava who becomes separated from her husband, Teo, in a concentration camp. Determined to be reunited with her husband after the war, she travels through the ruins of a traumatised Europe in search of him. We accompany her on a journey that sways between dream and reality, hope and despair. 27th January is International Holocaust Remembrance Day and Royal Swedish Opera pays tribute to the victims in a new comission from composer Mats Larsson Gothe. The world premiere happens on this day and live on OperaVision. It is a story about the invincible power of love seventy-six years after the liberation of Auschwitz. ‘We find ourselves in a time outside time, as the victims of war take their first uncertain steps towards reclaiming their humanity’, says librettist Susanne Marko, who was inspired by her own family history. World premiere streamed LIVE on OperaVision on 27 January 2022 at 19:00 CET and available until 27 July 2022: (http•••) @Kungliga Operan CAST Ava: Hanna Husáhr Rosa: Agnes Auer Teo: Karl-Magnus Fredriksson Gustav: Niklas Björling Rygert Maria: Susann Végh Fritz: Kristian Flor Josef: Clifford Lewis David: Jesper Taube Elisabeth: Karolina Blixt Chorus: Royal Swedish Opera Chorus Orchestra: Royal Swedish Orchestra Music: Mats Larsson Gothe Text: Susanne Marko Conductor: Alan Gilbert Director: Stefan Larsson Set Designer: Sven Haraldsson Costume Designer: Nina Sandström Lighting Designer: Torben Lendorph Dramaturg: Katarina Aronsson Video Director: Andrea Grettve SUBSCRIBE FOR MORE WEBSITE (http•••) FACEBOOK (http•••) TWITTER (http•••) INSTAGRAM (http•••) TIKTOK (http•••)
Camerata Salzburg Wolfgang Amadeus Mozart 1990
Provided to YouTube by NAXOS of America Serenade No. 7 in D Major, K. 250, "Haffner": VI. Andante · Camerata Salzburg Mozart, W.A.: Serenade No. 7, "Haffner" / March in D Major ℗ 1990 Capriccio Released on: 1990-01-01 Conductor: Sandor Vegh Orchestra: Camerata Salzburg Composer: Wolfgang Amadeus Mozart Auto-generated by YouTube.
András Schiff Sándor Végh Stokes Wolfgang Amadeus Mozart Camerata Salzburg 1991
Provided to YouTube by Universal Music Group Mozart: Piano Concerto No. 22 in E flat major, K.482 - 3. Allegro - Andante cantabile - Tempo I · András Schiff · Sándor Végh · Camerata Salzburg Mozart: Piano Concertos Nos. 22 & 23 ℗ 1991 Decca Music Group Limited Released on: 1991-04-01 Producer: Christopher Raeburn Studio Personnel, Balance Engineer: Jonathan Stokes Composer: Wolfgang Amadeus Mozart Auto-generated by YouTube.
Budapest String Quartet Beethoven Quartet Kodály Berlin Philharmonic Cincinnati Symphony Orchestra New York Philharmonic Orchestra Beethoven Hauser Jenő Hubay David Popper Szigeti Sándor Végh Roth Fritz Reiner Arturo Toscanini Concertgebouw Orchestra 1880 1886 1893 1917 1920 1921 1922 1925 1927 1929 1930 1931 1932 1936 1938 1940 1955 1958 1967 1975 1978
Recorded in 1929. Personnel listed in photo is correct for this recording. Allegretto vivace e sempre scherzando Found at satyr78lp.blogspot.com, a great site with many wonderful downloads available. Thanks to Rolf for his many fine, hard to find transfers. The Budapest String Quartet was a string quartet in existence from 1917 to 1967. It originally consisted of three Hungarians and a Dutchman; at the end, the quartet consisted of four Russians. A number of recordings were made for HMV/Victor through 1938; from 1940 through 1967 it recorded for Columbia Records. Additionally, several of the Quartet's live performances were recorded, at the Library of Congress and other venues. 1st Violin: Emil Hauser +••.••(...)from 1917 to 1932) 2nd Violin: Imre Pogany +••.••(...)from 1920 to 1927) Viola: István Ipolyi +••.••(...)from 1917 to 1936) Cello: Harry Son (1880- ca.1940) (from 1917 to 1930) The Budapest String Quartet was formed in 1917 by four friends, all members of opera orchestras that had ceased playing owing to World War I The members were all protégés of Jenő Hubay (violin), a Hungarian pupil of Joseph Joachim and David Popper (cello), a Bohemian. Hubay and Popper had helped to make Budapest a major centre for musical education, attracting famous students such as Josef Szigeti. Hubay and Popper had supported Sándor Végh and Feri Roth in the formation of quartets, and were themselves part of an earlier Budapest Quartet, the new quartet being named partly in honour of that. The debut recital of the new Budapest String Quartet (in Hungarian: Budapesti Vónosnégyes), took place in December 1917 in Kolozsvár, then in Hungary, now called Cluj-Napoca, in present-day Romania. The quartet was established with quite forward-looking rules: 1. All disputes, musical or business, were to be resolved by a vote. In case of a tie—no change. 2. Players were not allowed to take engagements outside the quartet. 3. Players were paid equally—no preference was given for the leader (first violin). 4. No wives or girlfriends were permitted at rehearsals or discussions. No previous quartet had attempted to live entirely on the proceeds from its concerts. This was a brave decision for the time. The original members were Emil Hauser, aged 24, from Budapest; Alfred Indig, from Hungary; István Ipolyi, aged 31, from Újvidék in Hungary; and Harry Son from Rotterdam, Holland. In 1920 Indig resigned in the hope of advancement; he was replaced by Imre Pogany. Pogany came from Budapest and had studied under Hubay and Kodály. After resigning, Indig became a soloist with the Concertgebouw Orchestra of Amsterdam. In 1931 he became Concertmaster of the Berlin Philharmonic. When the Nazis came to power, Indig fled to Paris where he led a quartet for a while. Nothing more is known about him. In 1921 or 1922, owing to unrest in Budapest, the quartet moved to Berlin. There they developed a large repertoire. The quartet received mixed reviews, however. In 1925 they played in London and signed a recording contract with His Master's Voice, making recordings at Abbey Road Studios. In May 1927, without telling the others, Pogany traveled to Cincinnati to see his friend Fritz Reiner about a job in the symphony orchestra there. He was offered Principal Second Violin but refused it. The other members of the quartet were furious because if he had left, they would have found it very difficult to find and rehearse a replacement player in time for the new season. In the ensuing row Pogany resigned. He emigrated to America and joined the Cincinnati Symphony Orchestra and also taught at the local Conservatory of Music. In 1929 he joined the New York Philharmonic Orchestra under Arturo Toscanini as principal second violin. He remained there until his retirement in 1958.
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