Valentin Silvestrov Video
Pianista e compositore ucraino
- pianoforte
- sinfonia, musica contemporanea
- Unione Sovietica, Ucraina
- compositore, pianista
reti sociali
streaming
canali video
Ultimo aggiornamento
2024-04-27
Aggiorna
Silvestrov Schütze Ehrhardt Grahl Kai Uwe Jirka Sing Akademie Berliner Dom 1937 2014 2022
Valentyn Silvestrov (*1937) Gebet für die Ukraine (2014) „Bozhe, Ukrayinu khrany…“ „Herr, schütze die Ukraine…“ Sänger:innen der Sing-Akademie zu Berlin, des Kirchenmusik-Institutes der UdK Berlin und des Staats- und Domchores Berlin Birgit Schnurpfeil – Violine Maximilian Ehrhardt – Harfe Martin Knörzer – Violoncello Robert Grahl – Kontrabass Daniel Seeger – Klavier Kai-Uwe Jirka – Leitung Johannes Jost - Film Enno Finder - Ton Berliner Dom, 26. Februar 2022
Valentin Silvestrov Bryars Maskats Latvian Radio Choir 1937
Hauntingly majestic music from Ukranian composer Valentin Silvestrov, performed by the Latvian Radio Choir. Bass section down to low C. (It's sounds like they are tuned to A=415). Artist: The Latvian Radio Choir, with Sigvards Kļava Album: On Photography - Bryars, Maskats, and Silvestrov Composer: Valentin Silvestrov (b. 1937)
Valentin Silvestrov Borys Lyatoshynsky Gustav Mahler Lahti Symphony Orchestra 1937 1955 1958 1964 1974 1977 1980 1982
Valentin Silvestrov - Ukraine, Валентин Сільвестров 1937* Kyiv Ukraine (http•••) Valentin Vasilyevich Silvestrov Васильевич Ukrainian: Валенти́н Васильйович Сильве́стров,[1][2] born 30 September 1937 in Kyiv, in the Ukrainian SSR of the Soviet Union) is a Ukrainian pianist and composer of contemporary classical music. Silvestrov began private music lessons at age 15. He studied piano at the Kyiv Evening Music School from 1955 to 1958, then at the Kyiv Conservatory from 1958--1964; composition under Borys Lyatoshynsky, harmony and counterpoint under Levko Revutsky. Silvestrov is perhaps best known for his post-modern musical style; some, if not most, of his works could be considered neoclassical and post-modernist. Using traditional tonal and modal techniques, Silvestrov creates a unique and delicate tapestry of dramatic and emotional textures, qualities which Silvestrov suggests are otherwise sacrificed in much of contemporary music. "I do not write new music. My music is a response to and an echo of what already exists," Silvestrov has said. In 1974, under pressure to conform to both official precepts of socialist realism and fashionable modernism, Silvestrov chose to withdraw from spotlight. In this period he began to reject his previously modernist style. Instead, he composed Silent Songs (Tихие Песни (1977)) a cycle intended to be played in private. Silvestrov's Symphony No. 5 +••.••(...)), considered by some to be his masterpiece, may be viewed as an epilogue or coda inspired by the music of late Romantic composers such as Gustav Mahler. "With our advanced artistic awareness, fewer and fewer texts are possible which, figuratively speaking, begin 'at the beginning'... What this means is not the end of music as art, but the end of music, an end in which it can linger for a long time. It is very much in the area of the coda that immense life is possible." Silvestrov's recent cycle for violin and piano, Мелодії Миттєвостей (Fleeting Melodies), a set of seven works comprising 22 movements to be played in sequence (and lasting about 70 minutes), is intimate and elusive - the composer describes it as "melodies [...]on the boundary between their appearance and disappearance
Valentin Silvestrov Borys Lyatoshynsky Gustav Mahler Lahti Symphony Orchestra 1937 1955 1958 1964 1974 1977 1980 1982
Valentin Silvestrov - Ukraine, Валентин Сільвестров 1937* Kyiv Ukraine (http•••) Valentin Vasilyevich Silvestrov Васильевич Ukrainian: Валенти́н Васильйович Сильве́стров,[1][2] born 30 September 1937 in Kyiv, in the Ukrainian SSR of the Soviet Union) is a Ukrainian pianist and composer of contemporary classical music. Silvestrov began private music lessons at age 15. He studied piano at the Kyiv Evening Music School from 1955 to 1958, then at the Kyiv Conservatory from 1958--1964; composition under Borys Lyatoshynsky, harmony and counterpoint under Levko Revutsky. Silvestrov is perhaps best known for his post-modern musical style; some, if not most, of his works could be considered neoclassical and post-modernist. Using traditional tonal and modal techniques, Silvestrov creates a unique and delicate tapestry of dramatic and emotional textures, qualities which Silvestrov suggests are otherwise sacrificed in much of contemporary music. "I do not write new music. My music is a response to and an echo of what already exists," Silvestrov has said. In 1974, under pressure to conform to both official precepts of socialist realism and fashionable modernism, Silvestrov chose to withdraw from spotlight. In this period he began to reject his previously modernist style. Instead, he composed Silent Songs (Tихие Песни (1977)) a cycle intended to be played in private. Silvestrov's Symphony No. 5 +••.••(...)), considered by some to be his masterpiece, may be viewed as an epilogue or coda inspired by the music of late Romantic composers such as Gustav Mahler. "With our advanced artistic awareness, fewer and fewer texts are possible which, figuratively speaking, begin 'at the beginning'... What this means is not the end of music as art, but the end of music, an end in which it can linger for a long time. It is very much in the area of the coda that immense life is poss)ble." Silvestrov's recent cycle for violin and piano, Мелодії Миттєвостей (Fleeting Melodies), a set of seven works comprising 22 movements to be played in sequence (and lasting about 70 minutes), is intimate and elusive - the composer describes it as "melodies [...]on the boundary between their appearance and disappearance
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- cronologia: Compositori (Europa). Interpreti (Europa).
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