Thea Musgrave Video
compositrice statunitense
- pianoforte
- opera, musica colta
- Stati Uniti d'America
- compositore, professore
Ultimo aggiornamento
2024-05-02
Aggiorna
Coro Orquesta Comunidad Madrid Thea Musgrave Morten Lauridsen Leonardo Vinci Teixeira 2013
El madrigal conoció diversas miradas retrospectivas a lo largo del siglo XX, en particular en el mundo anglosajón con sus Madrigal dinners (actuaciones teatrales navideñas de carácter cómico celebradas en ciertas universidades). La nostalgia del pasado se produce de maneras distintas dependiendo de cada compositor. Mientras que Thea Musgrave actualiza las técnicas contrapuntísticas propias de los madrigales renacentistas, Morten Lauridsen utiliza directamente textos del Renacimiento italiano. Por su parte, Eric Whitacre alude a una temática de esa misma época (la máquina voladora de Leonardo da Vinci) y renueva algunos de los elementos que caracterizaban al género como el "madrigalismo", esto es, el reflejo sonoro de los significados del texto. Obras de T. Musgrave, M. Lauridsen y E. Whitacre Coro de la Orquesta de la Comunidad de Madrid Director: Pedro Teixeira Concierto del ciclo "Nostalgia del pasado" (http•••) 16 de enero de 2013 Fundación Juan March, Madrid
Asplund Carson Alvin Curran Thea Musgrave 1964 1997
Christian Asplund (b. 1964) — Golgotha (1997) for organ Carson Cooman, organ Canadian-American composer and performer Christian Asplund (b. 1964) is currently based in Utah, where he is a member the faculty of Brigham Young University’s School of Music. He studied at BYU and Mills College, and his teachers have included Stuart Dempster, John Rahn, Joel-François Durand, Alvin Curran, Chris Brown, Thea Musgrave, and Meyer Kupferman. Of his music, Stuart Dempster has said, “Asplund, in his well-crafted compositions, delightfully teases us on those slippery slopes between composition and improvisation,” while a jazz reviewer has said Asplund’s music “walks a squiggly line that passes through jazz…, free improv, rock, funk and a whole spectrum of ‘modern classical’ styles, including minimalism, serialism, and a handful of other ‘isms’…”
Nicholas Daniel Neuss Handel Roth Bach Johan Helmich Roman Thea Musgrave Fenella Humphreys Humphreys Deutsche Kammerakademie Neuss 2019
Handel: The Arrival of the Queen of Sheba Handel: Oboe Concerto in C Minor Alec Roth: The Departure of the Queen of Sheba Mozart: Symphony 29 in A K201 Bach: Sinfonia to BWV 174 Bach: Brandenburg Concerto no.1 Johan Helmich Roman: Concerto for Oboe d’Amore Thea Musgrave Largo in Homage to B.A.C.H Nicholas Daniel, oboe and conductor Deutsche Kammerakademie Neuss am Rhein Fenella Humphreys, leader Excerpts from a concert recorded live at Zeughaus Neuss on Sunday 15 December 2019
Nicholas Daniel Neuss Handel Roth Bach Johan Helmich Roman Thea Musgrave Fenella Humphreys Humphreys Deutsche Kammerakademie Neuss 2019
Handel: The Arrival of the Queen of Sheba Handel: Oboe Concerto in C Minor Alec Roth: The Departure of the Queen of Sheba Mozart: Symphony 29 in A K201 Bach: Sinfonia to BWV 174 Bach: Brandenburg Concerto no.1 Johan Helmich Roman: Concerto for Oboe d’Amore Thea Musgrave Largo in Homage to B.A.C.H Nicholas Daniel, oboe and conductor Deutsche Kammerakademie Neuss am Rhein Fenella Humphreys, leader Excerpts from a concert recorded live at Zeughaus Neuss on Sunday 15 December 2019
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- cronologia: Compositori (Nord America).
- Indici (per ordine alfabetico): M...