Kemble Stout Video
Ultimo aggiornamento
2024-05-09
Aggiorna
Ashley Riches Robert Schumann Taube Seele Tales Bury Stout
Bass-baritone Ashley Riches and pianist Sholto Kynoch perform Robert Schumann's Dichterliebe in the Drawing Room for Athenaeum Members. Members are kindly asked to consider making a donation towards the cost of the musicians' fees by contacting Christina, who can charge your account. The songs:- 1. Im wunderschönen Monat Mai ("In beautiful May, when the buds sprang, love sprang up in my heart: in beautiful May, when the birds all sang, I told you my desire and longing.") 2. Aus meinen Tränen sprießen ("Many flowers spring up from my tears, and a nightingale choir from my sighs: If you love me, I'll pick them all for you, and the nightingale will sing at your window.") 3. Die Rose, die Lilie, die Taube, die Sonne ("I used to love the rose, lily, dove and sun, joyfully: now I love only the little, the fine, the pure, the One: you yourself are the source of them all.") 4. Wenn ich in deine Augen seh ("When I look in your eyes all my pain and woe fades: when I kiss your mouth I become whole: when I recline on your breast I am filled with heavenly joy: and when you say, 'I love you', I weep bitterly.") 5. Ich will meine Seele tauchen ("I want to bathe my soul in the chalice of the lily, and the lily, ringing, will breathe a song of my beloved.....") 6. Im Rhein, im heiligen Strome ("In the Rhine, in the sacred stream, great holy Cologne with its great cathedral is reflected. In it there is a face painted on golden leather, which has shone into the confusion of my life. Flowers and cherubs float about Our Lady: the eyes, lips and cheeks are just like those of my beloved.") 7. Ich grolle nicht ("I do not chide you, though my heart breaks, love ever lost to me! Though you shine in a field of diamonds, no ray falls into your heart's darkness. I have long known it: I saw the night in your heart, I saw the serpent that devours it: I saw, my love, how empty you are.") 8. Und wüßten's die Blumen, die kleinen ("If the little flowers only knew how deeply my heart is wounded, they would weep with me to heal my suffering, and the nightingales would sing to cheer me, and even the starlets would drop from the sky to speak consolation to me: but they can't know, for only One knows, and it is she that has torn my heart asunder.") 9. Das ist ein Flöten und Geigen ("There is a blaring of flutes and violins and trumpets, for they are dancing the wedding-dance of my best-beloved. There is a thunder and booming of kettle drums and shawms. In between, you can hear the good cupids sobbing and moaning.") 10. Hör' ich das Liedchen klingen ("When I hear that song which my love once sang, my breast bursts with wild affliction. Dark longing drives me to the forest hills, where my too-great woe pours out in tears.") 11. Ein Jüngling liebt ein Mädchen ("A youth loved a maiden who chose another: the other loved another girl, and married her. The maiden married, from spite, the first and best man that she met with: the youth was sickened at it....") 12. Am leuchtenden Sommermorgen (Heine no 45). ("On a sunny summer morning I went out into the garden: the flowers were talking and whispering, but I was silent. They looked at me with pity, and said, 'Don't be cruel to our sister, you sad, death-pale man.'") 13. Ich hab' im Traum geweinet ("I wept in my dream, for I dreamt you were in your grave: I woke, and tears ran down my cheeks. I wept in my dreams, thinking you had abandoned me: I woke, and cried long and bitterly. I wept in my dream, dreaming you were still good to me: I woke, and even then my floods of tears poured forth.") 14. Allnächtlich im Traume ("I see you every night in dreams, and see you greet me friendly, and crying out loudly I throw myself at your sweet feet. You look at me sorrowfully and shake your fair head: from your eyes trickle the pearly tear-drops. You say a gentle word to me and give me a sprig of cypress: I awake, and there is no sprig, and I have forgotten what the word was.") 15. Aus alten Märchen winkt es (“The old fairy tales tell of a magic land where great flowers shine in the golden evening light, where trees speak and sing like a choir, and springs make music to dance to, and songs of love are sung such as you have never heard, ‘til wondrous sweet longing infatuates you!....") 16. Die alten, bösen Lieder ("The old bad songs, and the angry, bitter dreams, let us now bury them, bring a large coffin. I shall put very much therein, I shall not yet say what: the coffin must be bigger than the 'Tun' at Heidelberg. And bring a bier of stout, thick planks, they must be longer than the Bridge at Mainz. And bring me too twelve giants, who must be mightier than the Saint Christopher in the cathedral at Cologne. They must carry the coffin and throw it in the sea, because a coffin that large needs a large grave to put it in. Do you know why the coffin must be so big and heavy? I will also put my love and my suffering into it.") Recorded & edited by the Club's Operations Manager Ruslan Djamaldaev.
McGlynn Casey Buckley Harper Morrison O Connor Connor Skaggs Costello Christy Moore Montgomery Monk Brady O Brien Topping Beamish Stout Walsh Hammond Carnegie Hall 1979 1985 1988 2001 2003 2006 2013
Heartstrings Quartet;- "Ginny's Waltz" composed by Paul Buckley, performed by. Arty McGlynn & Nollaig Casey and Máire Ní Chathasaigh & Chris Newman at The Pavilion , Cork 12.10.2013. (http•••) (http•••) (http•••) (http•••) Máire Ní Chathasaigh is Ireland's most influential harper. As a teenager in Co Cork in the early 1970s she invented an entirely new style that quickly became the norm amongst both her contemporaries and the younger generation of harpers. A multiple All-Ireland and Pan-Celtic winner, in 1985 she recorded the very first harp album to concentrate on traditional Irish dance music, The New-Strung Harp - "a mile-stone in Irish harp music" (The Irish Examiner ). In 2001 she received Irish music's most prestigious award, that of Traditional Musician of the Year - Gradam Cheoil TG4 - "for the excellence and pioneering force of her music, the remarkable growth she has brought to the music of the harp and for the positive influence she has had on the young generation of harpers". Chris Newman (guitar/ mandolin) Chris Newman's virtuosity and creativity are "dazzling" (Acoustic Guitar) and "revered" (Taplas). His solo CD Fretwork was "a stunning and stylistically-varied album, heaving with good tunes, from one of the UK 's most staggering and influential acoustic guitarists" (Folk Roots). He's produced many successful albums for other artists and has been principal guitar tutor for Newcastle University 's Folk B.Mus. course since its inception in 2001. He and Máire have toured worldwide since 1988. Nollaig Casey (fiddle/ vocal) Máire's sister Nollaig's powerful presence has graced two of Ireland 's most ground-breaking bands, Planxty and Coolfin. She made her Carnegie Hall début in 2006 as soloist in a double concerto for classical violin and traditional fiddle by Evan Chambers. She's toured the world with the hit show Riverdance and performed at the 2003 Special Olympics Opening Ceremony. A soloist in over 20 feature films, she's recorded with Enya, Van Morrison, Sinéad O'Connor, Nanci Griffith, Ricky Skaggs, Rod Stewart, Emmylou Harris, Steve Earle, Mary Black, Carlos Nuñez, Jim Rooney, Andy Irvine , Moving Hearts, Elvis Costello, Christy Moore, Liam O'Flynn, Dan ar Braz, Shaun Davey and Sharon Shannon. Her solo album featured "exquisite fiddle-playing and superb vocals" (The Irish Times) and she's recorded two duo albums with Arty. Arty McGlynn, from Co. Tyrone, is one of the best-known musicians in Ireland. Touring professionally from the age of fifteen, his playing soon came under the influence of Wes Montgomery and Thelonius Monk. He later revived his interest in Irish traditional music and in 1979 recorded McGlynn's Fancy, the first recording of the guitar played in an authentic traditional style and a classic of the traditional music world. He's played and recorded with Christy Moore, Paul Brady, John Prine, Tim O'Brien, Jim Rooney, Jerry Douglas, Dónal Lunny, Liam O'Flynn, The Chieftains and countless others. He was a member of Planxty, Patrick Street and De Danann and lead guitarist in the Van Morrison Band for many years. He's also a chart-topping record producer. "Arty invented a role for the guitar in the Irish tradition and continues to dominate his field" (The Ulster Herald) ABOUT THE FESTIVAL: The opening night, of the long running Festival was on Thursday September 13th 1979 at Douglas GAA Club; (there was no Festival in 1988) Put together from year to year purely on a voluntary basis by a dedicated group of enthusiasts, aided by major sponsorship, and a combination of various sponsors and supporters, including those who over the years contribute financially to the cost of staging the festival, Cork City Council, the Arts Council, Fáilte Ireland, Carling, Beamish Irish Stout and CIT, and the Evening Echo etc. It's endurance is a tribute to the energy and labour of it's workers. it is appropriate to acknowledge the voluntary organising committee, and also the many volunteer workers who take charge of doors, organise artist accommodation, look after publicity, liaise with artists, and numerous other things involved in making such an event possible year on year. Particular recognition for Jim Walsh, Chairman and someone who has been a vital cog in Festival organisation since that very first year, long-serving Festival Director William "Hammy" Hammond, and also Timmy "the Brit" McCarthy, the inspirational figure behind the Festival's inception, as well as it's original Director/Secretary.
Jules Massenet Gábor Bretz David Stout Stout Anna Goryachova Daniel Cohen Hansen Sancho Prague Philharmonic Choir Wiener Symphoniker
Gábor Bretz, David Stout, Anna Goryachova, Léonie Renaud, Vera Maria Bitter, Prague Philharmonic Choir Wiener Symphoniker, conducted by Daniel Cohen staged by Mariame Clément The “striking interpretation” (Neue Musikzeitung) of Jules Massenet’s operatic rarity Don Quichotte at Bregenz Festival, received an "unanimous jubilation for director Mariame Clément, her outfitter Julia Hansen and the entire stage team: a typical Bregenz Festival orchid flourished!“ (Neue Musikzeitung Online). But this opera is also a musical discovery, not least because of the outstanding cast: “the balsamic sound of well-being of Gábor Bretz, David Stouts mobile Sancho Panza is also wonderfully shaded (Salzburger Nachrichten) and “Anna Goryachova impresses as Dulcinée with vocal clarity and scenic presence”. (Wiener Zeitung) “The Bregenz Festival discovers a dreamlike operatic beauty full of melancholy and farewell” (Salzburger Nachrichten) Facebook: facebook.com/CmajorEntertainment Twitter: twitter.com/CmajorEnt1 Cmajor Shop: www.shop.cmajor-entertainment.com/
Josquin Prez Johannes Ockeghem Brumel Compère Stout Pierre Rue 1410 1497 1545
This partly secularized Requiem was a tribute to the late, great master of Franco-Flemish polyphony, Johannes Ockeghem (c.1410-1497), by that other great master of the early Renaissance, Josquin des Prez. One can hear an impossibly long, stretched out incantation of the ancient Requiem chant in the tenor part while the other 4 voices sing a more flowing harmony around him. Among the mourners that Josquin Des Prez includes in his poem are several Franco-Flemish composers of the 15th century (Josquin himself, Brumel, Compere, Pinchon) who were all, in some professional capacity, connected to the late master. The MIDI file without the words were entered by François-Xavier Chauchat and uploaded to IMSLP.org. I converted the MIDI into a vocal arrangement for 5 "humanoid" voices using Vocaloid 4 (Yamaha) and the Cyber Songman voice bank. In the earlier version of this performance, I used Cyber Songman's countertenor range for the top line. In this latest version, I replaced the cantus part with the PRIMA V2 (female soprano) voice bank. I also corrected my pronunciation of late Medieval French extensively. Some modern day recordings are performed with Early Modern French pronunciation (e.g. "in pa-say" for "in pace"), but I used Roman ecclesiastical Latin since Josquin was likely living in Italy at the time of Ockeghem's passing in 1497. +••.••(...) FRENCH (AND LATIN) LYRICS Nymphes des bois, deesses des fontaines, Chantres expres de toutes nations, Changez vos voix fort claires et hautaines En cris tranchants et lamentations Car Atropos tres terrible satrappe, Votre Ockeghem atrappe en sa trappe, Vrai tresorier de musiqu’et chef d’œuvre, Doct, elegant de corps et non point trappe. Grand dommag’est que la terre le couvre. Accoutrez vous d’habits de deuil, Josquin, Piersson, Brumel, Compère, Et pleurez grosses larmes d’œil. Perdu avez votre bon pere. Requiescat in pace. (TENOR) Requiem aeternam dona eis Domine et lux perpetua luceat eis. / ENGLISH TRANSLATION (from CPDL.org): Wood-nymphs, goddesses of the fountains, Skilled singers of every nation, Turn your voices, so clear and lofty, To piercing cries and lamentation Because Atropos, terrible satrap, Has caught your Ockeghem in her trap, The true treasurer of music and master, Learned, handsome and by no means stout. It is a source of great sorrow that the earth must cover him. Put on the clothes of mourning, Josquin, Pierre de la Rue, Brumel, Compère, And weep great tears from your eyes, For you have lost your good father. May he rest in peace. Amen. (TENOR) Eternal rest grant unto them, O Lord, and let perpetual light shine upon them. +••.••(...) Descriptions of the photos in their order of appearance: 1. "La deploration de Johan Okeghem", Josquin des Prez, publ.1545 (T.Susato), Antwerp 2. Requiem mass, Queen's Book of Hours, Anon. Anglo-French, c1415 3. Kyrie, Missa Ecce Ancilla Domini, J. Ockeghem, Chigi Codex VIII 234, c1500. Many of Ockeghem's works are beautifully rendered (like this example) by the best copyist of his generation. 4. Requiem mass, Royal 2 B VIII f. 144, c1420. Note the clerical singers surrounding the casket 5. Cathedral of Saint Gatien, Tours, France, the last town in which Ockeghem lived before his death in 1497. 6. Funeral procession, Anon.English, Book of Hours, British Museum 27697, c1420. Ockeghem's funeral was probably also well attended given his great fame among prominent men of his generation and his extensive travels across Europe. 7. The altar of St. Gatien where Ockeghem may have had his Service for the Dead. 8. Ockeghem (with dark spectacles) as choirmaster, Anon., c1510, Bibliotheque Nationale in Paris. 9. Portrait of a Musician (? Ockeghem), Anonymous Franco-Flemish, second half 15th cent.
o
- cronologia: Compositori (Nord America).
- Indici (per ordine alfabetico): S...