Paul Hofhaimer Video
compositore e organista austriaco
- organo a canne, organo
- Austria
- organista, compositore
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2024-05-04
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Ars Musica Finck Lublina Hofhaimer László Janka
Régi zene. A Jagello-kor zenéje (Ars Musica - Képek a magyar zene történetéből). Archaic music from Hungary in the age of Jagello. O Pastor aeterne; Nicolai solemina; Finck: Carmina, Táncok Jan z Lublina gyűjteményéből; Angyaloknak nagyságos asszonya; Hofhaimer: Recordare; Üdvözlégy kegyelmes Szent László király. Előadók / Performers: Ars Renata (Virágh László), Camerata Hungarica (Czidra László), Schola Hungarica (Dobszay László, Szendrei Janka), Zászkaliczky Tamás (orgona, organ). Monó eredeti hang házilag feljavítva. Mono sound restored by home made.
Gustav Leonhardt Dietrich Buxtehude Melchior Schildt Georg Böhm Böhm Pierre Attaingnant Paul Hofhaimer Thomas Tallis Fridolin Sicher Paul Siefert Heinrich Scheidemann Hus Groningen Galliard Marienkirche Musée Beaux Arts 1450 1457 1459 1470 1490 1494 1503 1505 1509 1523 1531 1537 1546 1548 1551 1570 1585 1586 1592 1593 1595 1637 1660 1661 1663 1666 1667 1669 1688 1707 1713 1733 1734 1928 1957 1960 1966 1973 1975 2012
In Memoriam Gustav Leonhardt (5/30/1928 ~ 1/16/2012) read "Leonhardt and the little red harpsichord" by Skip Sempe here: (http•••) OOP 2-disc set from SEON recorded ; part of the "Authentic Renaissance and Baroque Organs" series Tracklist: Church of Saints Cosmas and Damian (St. Cosmae-Nicolai), Stade (Organ Built by B. Hus/A. Schnitger c. 1669/1688, restored by Ahrend c.1975) Dietrich Buxtehude (1637 ~ 1707) 0:00 Praeludium und Fuge A-Moll, BuxWV 153 Melchior Schildt (1592/1593 ~ 1667) Magnificat Primi Modi 6:05 Primus versus. (Choral im Tenor) 8:31 Secundus versus. (auf 2 Clavier) 17:56 Tertius versus. (A 4 voci.) 22:07 Quartus versus. (A 3 voci, in Tenore.) Georg Böhm (1661 ~ 1733) 26:13 Auf meinen lieben Gott (4 verses) 37:34 Christum wir sollen loben Church of St. Maternus (St.-Materniani-Kirche),Ochtersum (Organ built by C. Klausing c. 1734, restored by Ahrend c. 1973) 40:45 Buxtehude: Toccata G-Dur, BuxWV 164 43:23 Schildt: Allein Gott in der Höh sei Ehr 44:55 Böhm: Ach wie nichtig, ach wie flüchtig (Chorale partita) Reformed Church, Rysum (Organ possibly built by Harmannus of Groningen c. 1457, restored by Ahrend c. 1960) Pierre Attaingnant (.1494 ~ 1551) 50:58 Galliarde in F Paul Hofhaimer (1459 ~ 1537) 51:49 Carmen (Tabulaturbuch Krakau 1548) Anonymous 53:16 Ach Reine Zart (Glogauer Liederbuch, 1470) 54:30 Pavan No.26 (Dublin Virginalbuch, 1570) Thomas Tallis (1505 ~ 1585) 57:23 Ex More Docti (Mulliner book) Fridolin Sicher (1490 ~ 1546) 59:20 in Dulco Jubilo (Orgeltabulaturbuch, 1503-1531) 1:00:19 Resonet in Laudibus 1:01:45 Anonymous Passamezzo-Galliard No.2 (Dublin Virginalbook, 1570) Reformed church, Uttum (Organ built by Anonymous Dutch builder c. 1660 using 16th century pipes, restored by Ahrend c. 1957) 1:03:39 Schildt Praeambulum G-Dur Paul Siefert (1586 ~ 1666) 1:05:06 Paduana D-Moll Heinrich Scheidemann (1595 ~ 1663) 1:10:59 Galliarda in D St. Mary's Church (Marienkirche), Marienhafe (Organ built by G. von Holy c. 1713, restored by Ahrend c. 1966) Heinrich Scheidemann (1595 ~ 1663) 1:15:49 Praeambulum No.4 1:17:13 Variationen 'Herr Christ, Der Einig' Gottessohn' No.12 1:22:30 Toccata No.21 G-Dur 1:30:34 Variationen 'Christ Lag in Todesbanden' No.3 1:39:20 Praeambulum No.5 Painting: "The Virgin among the Virgins" c. 1509 GÉRARD DAVID +••.••(...)) From the Collection of the Musée des Beaux-Arts de Rouen
Franz Tunder Rota Zehnder Bartoletti Andrea Marcon Antonio Vivaldi Paul Hofhaimer Udine Radulescu Olivier Latry Dijk Schola Cantorum 1614 1667 2001 2003 2004 2006 2008 2010 2011 2012
Franz Tunder +••.••(...)) Preludio in Fa Maggiore Organo Ahrend di San Simpliciano (MI) Manuel Tomadin è probabilmente l'organista più decorato in competizioni di esecuzione/interpretazione della sua generazione. Diplomato in Pianoforte (massimo dei voti), Organo e composizione organistica, Clavicembalo (Cum Laude); laureato in Clavicembalo (110 e lode). Già docente di Organo e composizione organistica ai conservatori "G. Nicolini" di Piacenza, "N. Rota" di Monopoli e a Ceglie Messapica sede staccata del Conservatorio di Lecce, di Clavicembalo al Conservatorio "B. Marcello" di Venezia, Manuel TOMADIN si dedica costantemente all' approfondimento delle problematiche inerenti la prassi esecutiva della musica rinascimentale e barocca anche attraverso lo studio dei trattati e degli strumenti dell' epoca. Dal 2001 al 2003 ha studiato presso la Schola Cantorum Basiliensis (Svizzera) nella classe di Jean Claude Zehnder. Di grande importanza per la sua formazione sono state le lezioni con i maestri Ferruccio Bartoletti e Andrea Marcon Svolge intensissima attività concertistica, sia solistica, in assiemi o come accompagnatore in Italia e in Europa. Ha inciso undici CD per la collana Organi Storici del Friuli Venezia Giulia, un CD di Sonate per Viola da Gamba e Cembalo di A. Vivaldi per l' Etichetta Toondrama (Viola da Gamba: Michele Veronese) e un CD in duello Tasteristico n° 2. È altresì docente dei corsi di Musica da camera per strumenti antichi, Clavicembalo e Organo storico alle Vacanze musicali di Sappada (BL) e all' Accademia Organistica di Belgrado, è Direttore artistico del Festival organistico internazionale Friulano "G. B. Candotti" e del Festival A. Vivaldi di TS. Organista della Chiesa Evangelica Luterana a Trieste, tiene corsi presso la Staatliche Hochschule fur musik und Darstellende kuns in Mannheim (Germania) E' vincitore di 4 concorsi organistici nazionali e 6 internazionali tra cui spiccano il primo premio a Fussen / Breitenwang / Mittenwald (Germania), il secondo premio con primo non assegnato al prestigiosissimo concorso Paul Hofhaimer di Innsbruck per ben due volte +••.••(...)) e il Primo premio assoluto allo Schnitger Organ competition di Alkmaar - Holland 2011 con il titolo di Organista Europeo dell' ECHO 2012 . Manuel Tomadin, graduated in Piano (maximum of the votes), Organ and organistic composition , Harpsichord (votation 110 Cum Laude); he took a degree in harpsichord in the University of Udine ( with a Thesis about the Goldberg variations from J.S.BACH votation 110 Cum Laude). He also devotes himself constantly to the executive praxis of the Renaissance and Baroque music and also through the study of the essays and the tools of the epoch. He has followed courses of improvement with Claudio Astronio, Andrea Marcon, Michael Radulescu, Luca Scandali, Ferruccio Bartoletti, Peter Planyavsky, Olivier Latry, Paolo Crivellaro, Jon Laukvik, Ludger Lohmann, Gustav Auzinger, Hans Fagius, Peter Van Dijk, Francesco di Lernia, Eric Lebrun, Teo Theoliema. From 2001 to 2003 he has studied in the Schola Cantorum Basiliensis (Switzerland) with Jean Claude Zehnder and Andrea Marcon. It firmly collaborates with the M° Staropoli Manuel and it belongs to the group of ancient music "Terg Antiqua" with original instruments. It develops intense activity concert, in Italy and in Europe. Nine CDs have engraved for the necklace Historical Organs of the Friuli Venezia Giulia. It is also teacher of the courses of Music for original instruments, Harpsichord and historical Organ to the Summer musical Courses in Sappada (Belluno, Italy) Staatliche Hochschule fur musik und Darstellende kuns in Mannheim (Germany), Sv Stanislava of Lubijana und in Beograd Accademy. He taught organ and organ composition at the Conservatory "G. Nicolini" of Piacenza, "N. Rota "of Monopoli and Harpsichord at the Conservatory" B. Marcello "in Venice. was organist of the Chapel in the Cathedral chapel Civic of Trieste from 2004 to 2008. He won 4 prizes in important national organistic contests and 6 prizes in international contests. Among which the first prize in Fussen - Breitenwang - Mittenwald (Germany)'s contest and the second prize with first not assigned in the prestigious contest of Paul Hofhaimer in Innsbruck for two times +••.••(...)). Winner of the Grand Prix d' ECHO 2011 in the Alkmaar Schnitger Competition He is artistic director of the Organ International Festival in Udine and Antonio Vivaldi Festival of Trieste.
Paul Hofhaimer Ludwig Senfl Heinrich Isaac Heckel Arnold Schlick Pauli Lasso Speyer 1600
Side 1 - 04:00 / Side 2 - 20:20 / Side 3 - 38:44 / Side 4 - 59:33 Digitized from the LP shown above, released in the late 1960s on the Nonesuch label, HB-73016. LP-1 Anon., ca 1600 Tocceda for clarin trumpet Anon., ca 1600 Tambourine Fanfare Tambourine Heinrich Isaac La la hö hö (5-part fanfare) Emperor Motet (à 6v) [Motet in honor of Maximilian I]: Virgo prudentissima / Ludwig Senfl O Herr, ich rüf dein'n Namen an Paul Hofhaimer Salve regina (for positive organ) Ludwig Senfl Magnificat primi toni with antiphons LP-2 Ludwig Senfl Fortuna / Ich stuend an einem morgen Die Brünnlein, die da fließen Nun grüß dich Gott Ach Elslein, liebes Elselein / Es taget vor dem Walde Heinrich Isaac Innsbruck, ich muß dich lassen Paul Hofhaimer, arr. Wolf Heckel Tröstlicher Lieb ich mich stets ueb Paul Hofhaimer, arr. Arnold Schlick Hertzliebstes bild, beweiss Paul Hofhaimer Carmen magistri Pauli On frewd verzer ich Meins traurens ist Ludwig Senfl, First Ode, Book I of Horace Maecenas atavis edite regibus (Humanist's Ode) / Heinrich Isaac Intrada: Carmen Burgundian song: J'ay pris amours O Venus bant Burgundian song: Le serviteur Frottola: Lasso, quel ch'altri fugge Je mehr ich trinke (aka: Et ie boi d'autant) Heinrich Isaac / Canzone: Lorenzo de Medicis Un di lieto giamai Heinrich Isaac Carmen in fa Ludwig Senfl Das Gläut zu Speyer Heinrich Isaac Tricinium Constanzo Festa, arr. Ludwig Senfl Lament on the death of Maximilian: Quis dabit oculis
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