Berenguier de Palazol Video
trovatore
Commemorazioni 2024 (Morte: Berenguier de Palazol)
- Regno d'Aragona
- trovatore, compositore, poeta
Ultimo aggiornamento
2024-05-09
Aggiorna
Palou Menon Hosseini Wiklund Schanne
Read more here: (http•••) (http•••) Authors: Ahmed A. Hussein, Ahmed S. Elsayed, Naif A. Aldhaam, Zhe Jing, Jennifer Osei, Jihad Kaouk, Juan Palou Redorta, Mani Menon, James Peabody, Prokar Dasgupta, Mohammed Shamim Khan, Alexandre Mottrie, Michael Stöckle, Ashok Hemal, Lee Richstone, Abolfazl Hosseini, Peter Wiklund, Francis Schanne, Eric Kim, Koon Ho Rha, and Khurshid A. Guru Stay Connected with Us! Website: (http•••) Twitter: @RoswellUrology Our Affiliates The ATLAS Program Website: (http•••) Twitter: @TheATLASProgram Linkedin: @TheATLASProgram Facebook: @TheATLASProgramLab
Santa Maria Berenguier Palazol Jacobsen Johansson Olsson Engström Wallin Mårtensson Persson 1100 1200 1300 2014
Musik: 1. Donna s'Amor (Egidius de Francia / Frankrig, 1300-tallet) 2. Cantigas de Santa Maria #26: "Non e Gran Cousa" (Spanien, 1200-tallet) 3. Tant m'Abelis (Berenguier de Palazol, Spanien,1100-tallet) Pøbel: Thor Ahlgren: Sækkepiber, fløjte Mads Kjøller-Henningsen: Drejelire, sækkepibe, skalmeje og fløjter Lasse Væver Jacobsen: Fedel Magnus Heebøll: Percussion Statister: Clara Tesch Simon Olofsson Egil Ahlgren Anton Johansson Ricky Wrentner Ellen Wrentner Johan Mustaniemi Linus Olsson Kamera: Emma Engström (www.svengstrom.se) Redigering: Mads Kjøller-Henningsen Musik optaget og mixet af Michael Caplin på Skurups Folkhögskola 2014 Tak til: Camilla Wallin og Restaurant Wega, Malmöhus (www.restaurangwega.se) for location. Per Mårtensson, Kaj Persson og Luntertuns Atilleri Corps / (www.luntertunsartilleri.se) for lån af middelaldergrej. Pøbel på Facebook: (http•••)
Buy this album or this track at this link: (http•••) I uploaded these tracks to share them with others since troubadour music is very difficult to find. No challenge to copyright is intended, and indeed I hope you will all support these dedicated musicians and scholars by purchasing their music. This track will be removed immediately upon request of the copyright holders. The troubadours (male) and the trobairitz (female) were composers and performers during the High Middle Ages +••.••(...) CE) in Occitania (present day Southern France & part of Spain). Originally they were universally of the noble classes, though in the later period, troubadours appeared among commoners and even clergy. They travelled throughout the land, spreading news and writing and performing lyric poetry and music. They were distinguished from jongleurs, who were performers of the music and poetry that others had written. The earliest known troubadour is the Duke of Aquitaine. Most of the work of the troubadours and trobairitz was concerned with Courtly Love, which was a code of behaviour that emphasized love as the highest virtue, and the celebration of life as the holiest act. Eleanor of Aquitaine popularized the ideal of Courtly Love in the courts of Europe.In Courtly Love, the lady held the power in the relationship, deciding when the lovers would meet, how far things would procede, and so forth, and she was encouraged to make it difficult for her lover to win her: "The easy attainment of love makes it of little value. Difficulty of attainment makes it prized." - Andreas Capellanus, The Art of Courtly Love. As a result, there were a significant minority of trobairitz as well as troubadours, though only one song known to have been written by a trobairitz survives with its music. Love poetry was often composed in honour of forbidden loves that had no hope of attainment. Wandering troubadours/trobairitz confessed their love for high peers of the land, clergy, and even those of the same gender. The troubadours sparked similar movements all over Europe, but they never recovered from the Albigensian Crusade, which was called against a Zoroastrian and Buddhist-influenced heresy that was popular in Occitania, especially in the city of Albi. France saw this as an opportunity to increase their lands and holdings, sanctioned by the Pope, and many native Occitan troubadours were considered to be criminals by the occupying French Crown. What was left of the troubadour culture was destroyed by the Black Death. The music and poetry of the troubadours/trobairitz was likely influenced by Islamic ecstatic poetry, which filtered in from nearby Muslim-controlled Iberia. There are specific formats of songs and poetry which they utilized. It is difficult for us to recreate their music, because medieval music had no signatures for rhythm or tempo. This is why fans of medieval music may hear the same song performed many different ways. Related Links - Troubadours: (http•••) Trobairitz: (http•••) Courtly Love: (http•••) Andreas Capellanus & The Art of Courtly Love: (http•••) Occitania: (http•••) Languedoc: (http•••) Albigensian Crusade: (http•••) Translation provided by marcbcn72 (thank you!) Cantaben els ocells l'alba, I es desperatà l'amat qui es l'alba; E los aucells finiren llur cant; I l'amic morí per l'amat, en l'alba. The birds were singing the dawn, And the beloved awoke, who is the dawn; And the birds finished their song; And the lover died for the beloved, at the dawn. Link to booklet (lyrics, translation, more info): (http•••) Support the channel: (http•••) (http•••) While you're here, check out my books: (http•••)
Vogelweide Salva Reis Santa Maria Berenguier Palou Bartolomeo Tromboncino Stella Maris 1160 1170 1209 1230 1300 1420 1470 1527 1528 1534 2013
This is my first concert of medieval music. 29.11. 2013 Hospodine, pomiluj ny- Prag´s arcibishop Vojtěch, end of 10. cent.- 11.stol Svatý Václave- Arnošt from Pardubice, (Jan Očko of Vlašim?), 2nd half of 12.cent. Herr Olof- the old and older song from Sweden song Palästinalied- German song- Walter von der Vogelweide +••.••(...)) Salva nos stella maris- anglican norman song, 13.cent. Ai vis lo lop- okcitanian song, 13.cent. Reis glorios- okcitanian song- Giraut de Bornelh +••.••(...)), Si puer cum puellula- latin poem of coletion Carmina burana, cca 1230, music is my own Tempus est iocundum- latin poem of Carmina burana, cca 1230 Santa Maria strela do dia- galiceian song of colection Cantigas de Santa Maria, spanish king (Kastilia) Alfonso X.el Sabio (the wise)+••.••(...)) Rosa das Rosas- galiceian song of colection Cantigas de Santa Maria, spanish king (Kastilia) Alfonso X.el Sabio (the wise)+••.••(...)) Tant m´abelis- catalan song, Berenguier de Palou +••.••(...)) Man did ei comigo- galiceian song of colection Cantigas de Amigo, before 1300 Maravillosos e piadosos- galiceian song of colection Cantigas de Santa Maria, spanish king (Kastilia) Alfonso X.el Sabio (the wise)+••.••(...)) Los bilbilicos- jewish sephardic song Stella splendens in monte- latinsong, colection Libre Vermell de Montserrat (Catalania), end of 14. cent. Czaldy waldy- folklor dance, Vyšehradský sborník spisů Tomáše Štítného, 1396 O quantum solicior- latin song from Bohemia, 14. cent. Buóh všemohúcie- Bohemia, Jistebnický kancionál, around 1420 Saltarello- italian dance, 15. cent. Gaudete- Bohemia carol, original text is from 14. cent., but the music has origin from 1527- Piae Cantiones (Sweden/ melodie dochovaná 1528-sbírka švédskofinských duch. písní Piae Cantiones In hoc anni circulo- latinská píseň, Jistebnický kancionál, okolo roku 1420 Amoroso- tanec- ballo z rukopisu Ambrosio, 15.stol. Danielis prophetia- latinská koleda okolo roku 1420 Podzimní- melodie- renesanční loutnová tabulatura (pražské nár. muzeum), text-H. Malá, J. Tichota 20.stol. Vale diva- staroitalská píseň, Bartolomeo Tromboncino +••.••(...))
- cronologia: Compositori. Interpreti.
- Indici (per ordine alfabetico): P...