Giuseppe Antonio Paganelli Video
compositore italiano (1710-1763)
- opera
- Repubblica di Venezia
- compositore, musicista
Ultimo aggiornamento
2024-05-10
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Antonio Vivaldi Johann Adolf Hasse Paganelli Leonardo Vinci Georg Friedrich Händel Giovanni Battista Pergolesi Antonio Maria Mazzoni Philippe Cantor Ensemble Baroque Nice 1738 2003
ANTONIO VIVALDI *ROSMIRA [FEDELE] (RV 731) Libretto: Silvio Stampiglia (from Partenope) Venice, Sant'Angelo 27 January 1738 Act II, Scene 7 Aria [Ormonte]: Se fra turbini - 0:05 (this aria was composed by Johann Adolf Hasse from Attalo, re di Bitinia) * Pasticcio arranged by Vivaldi from Johann Adolf Hasse, Antonio Pampino, Giovanni Antonio Paganelli, Leonardo Vinci, Georg Friedrich Händel, Giovanni Battista Pergolesi, Antonio Maria Mazzoni Philippe Cantor (bass-barytone) Ensemble Baroque de Nice / Gilbert Bezzina (conductor) (http•••) 2003 Dynamic CDS437/ - DDD (http•••) [on authentic instruments]
Antonio Vivaldi Bertini Giuseppe Antonio Paganelli Johann Adolf Hasse Leonardo Vinci Georg Friedrich Händel Giovanni Battista Pergolesi Antonio Maria Mazzoni Artaserse Ensemble Baroque Nice 1737 1738 2003
ANTONIO VIVALDI *ROSMIRA [FEDELE] (RV 731) Libretto: Silvio Stampiglia (from Partenope) Venice, Sant'Angelo 27 January 1738 Act I, Scene 10 Aria [Ersilia]: Avere un'Anima ch'è tutta affetto - 0:05 (this aria was composed by Giuseppe Antonio Paganelli from Artaserse - 1737). * Pasticcio arranged by Vivaldi from Johann Adolf Hasse, Antonio Pampino, Giovanni Antonio Paganelli, Leonardo Vinci, Georg Friedrich Händel, Giovanni Battista Pergolesi, Antonio Maria Mazzoni Rossana Bertini (soprano) Ensemble Baroque de Nice / Gilbert Bezzina (conductor) (http•••) 2003 Dynamic CDS437/ - DDD (http•••) [on authentic instruments]
Antonio Vivaldi Jacek Laszczkowski Johann Adolf Hasse Caffarelli Paganelli Leonardo Vinci Georg Friedrich Händel Giovanni Battista Pergolesi Antonio Maria Mazzoni Ensemble Baroque Nice 1738 2003
ANTONIO VIVALDI *ROSMIRA [FEDELE] (RV 731) Libretto: Silvio Stampiglia (from Partenope) Venice, Sant'Angelo 27 January 1738 Act I, Scene 4 Aria [Armindo]: Fra l'orror del grave affanno - 0:05 (this aria was composed by Johann Adolf Hasse from Siroe, re di Persia. The original aria is 'Fra l'orror delle procelle' for the castrato Caffarelli). * Pasticcio arranged by Vivaldi from Johann Adolf Hasse, Antonio Pampino, Giovanni Antonio Paganelli, Leonardo Vinci, Georg Friedrich Händel, Giovanni Battista Pergolesi, Antonio Maria Mazzoni Jacek Laszczkowski (countertenor) Ensemble Baroque de Nice / Gilbert Bezzina (conductor) (http•••) 2003 Dynamic CDS437/ - DDD (http•••) [on authentic instruments]
Giuseppe Antonio Paganelli Padova Peruzzi Brunswick Wilhelmine Bayreuth 1703 1710 1731 1732 1733 1735 1736 1737 1738 1743 1763 1770
Autor: Giuseppe Antonio Paganelli (1710-c.1763) Obra: Concerto pour chalumeau et cordes Intèrprets: EnsеmbIe Mеnsa Sοnοra Pintura: François Boucher +••.••(...)) - Les petits oiseleurs, Les enfants musiciens Comprar/Purchase: (http•••) / Giuseppe [Gioseffo] Antonio Paganelli (Padua, 6 March 1710 - ?Madrid, c1763) Italian composer. Although there is little information on his early years, his membership of the Accademia dei Geniali (which in 1731–2 performed his oratorio Il figliuol prodigo and his cantatas Narciso al fonte and Apoteosi di Alcide) has been taken as evidence that his family was respectable and his education good. This is consistent with the contemporary description of him as a ‘virtuoso dilettante di Padova’. Reports that he studied with Tartini remain to be confirmed. He made his début as an opera composer at Venice in 1732 with La caduta di Leone, imperator d'Oriente. Five further operas by him were staged there, the last being La forza del sangue (1743). Meanwhile, Paganelli travelled widely; in 1733 he appeared as a harpsichordist with the opera troupe of Antonio Maria Peruzzi in Augsburg, displaying his skills as a virtuoso at musical gatherings there. He visited Prague in 1735 for the performance of his opera La pastorella regnante. In 1736 he was in Rheinsberg and Brunswick, where he produced several operas during the next three years. Although Paganelli liked to describe himself as ‘compositeur des opéras italiens de S.A.S. Monseigneur le duc régnant de Brunswick Lunebourg’ on title-pages of later Parisian publications, no direct evidence of such an appointment has been found. In 1737 he became director of chamber music to the Margravine Wilhelmine of Bayreuth, a post which he left at the end of 1738. His career thereafter is less easy to trace. Apparently, he kept up connections with various German courts including that of Baden-Durlach. His output in the smaller instrumental forms was considerable and won him a lasting popularity.
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- cronologia: Compositori (Europa). Interpreti (Europa).
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