Miloje Milojević Video
compositore, direttore d'orchestra, critico
Commemorazioni 2024 (Nascita: Miloje Milojević)
- Serbia
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2024-05-02
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Stevan Hristić Stevan Mokranjac Krehl Hofmann Nikisch Petar Konjović Miloje Milojević 1885 1904 1910 1912 1923 1925 1937 1943 1947 1950 1958
"Have you ever heard of Stevan Hristić? He is a very unknown Serbian romantic composer. If you could upload some of his works, many people would be very grateful! Greetings!" (Vanja Drljaca) Stevan Hristić (19 June 1885 – 21 August 1958) was Serbian composer, conductor, pedagogue, and music writer. A prominent representative of the late romanticist style in Serbian music of the first half of the 20th century. Hristić started his music education at the Serbian Music School in Belgrade (established by Stevan Mokranjac) and continued his studies in Leipzig (1904–08) where he received instruction in composition from S. Krehl and R. Hofmann, and in conducting from A. Nikisch. Following a brief period of teaching at the Serbian Music School, he spent time in Rome, Moscow, and Paris (1910–12). Upon his return to Belgrade before the start of the World War I, Hristić began his conducting career at the National Theatre and resumed pedagogical activities at the Serbian Music School as well as at the Seminary. Between the two World Wars he contributed to the development of Belgrade musical life as: a founder and the first principal conductor of the Belgrade Philharmonic (1923–34), conductor at the Belgrade Opera House (director 1925–35), and one of the founders and first professors of the Belgrade Music Academy (composition professor 1937–50 and president 1943–44). He was inducted into the Serbian Academy of Sciences and Arts (1950) and was in charge of the Institute of Musicology. Hristić was also among the founders and a longtime president of the Serbian Association of Composers. Hristić’s oeuvre consists of large-scale though not numerous works: opera The Dusk (1925), ballet The legend of Ohrid (1947), oratorio Resurrection (1912), several orchestral pieces (incidental music for stage), works of sacred music (Liturgy and Opelo (Orthodox Requiem)), concert pieces (Symphonic fantasy for violin and orchestra and The Rhapsody for piano and orchestra), choral compositions (Autumn and The Dubrovnik requiem), and chamber vocal lyrical pieces (“There once was a rose,” “The Swallow,” “Elegy,” “An evening on the reef,” and “The blossom”). Hristić’s musical language is characterized by melodic inventiveness, colorful orchestration, late romanticist and partially impressionistic harmonies, and clarity and transparency of formal structure. By his primarily romanticist orientation, Hristić somewhat differs from his contemporaries Petar Konjović and Miloje Milojević whose works manifest more radical ventures toward a contemporary stylistic expression. Hristić appears closer to the Mokranjac origins, whereas his oeuvre represents a transition from the romanticist groundwork toward contemporary trends. (Wikipedia) Please take note that the audio AND sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry. Original audio: (http•••) (Performed by: Radio Television Belgrade Choir, directed by Mladen Jagušt) Original sheet music: imslp.org
Miloje Milojević Ljiljana Molnar 1884 1946
Composer: Miloje Milojević +••.••(...)) Lyrics: Ohotomo Jakamohi Performed by Ljiljana Molnar, soprano and Nada Vujačić, piano.
Radmila Bakočević Jovanović Bradić Milojević
U novoj epizodi igrano- dokumentarnog serijala Zlatni vek, Narator se bavi periodnom prodora i trijumfa Opere Narodnog pozorišta na velikim internacionalnim scenama. Desetak godina, tokom kojih su naši operski umetnici putovali i u svetu izvodili opere slovenskog repertoara, ostaje upamćen kao zlatno doba Beogradske opere. U razgovoru sa Vladimirom Jovanovićem, dr Brankom Radović i Radmilom Bakočević, Narator će nam otkriti koji su društveno- politčiki, ali i umetnički razlozi uspeha naše Opere, a zajedno sa sagovornicima pokušati da ponudi i objašnjenje zašto se ovo tz."zlatno doba" završilo i zašto se nije više ponovilo. O ovoj temi, uz zvuke ploče Hovanščina, opere svojevremeno snimljenje za čuvenu izdavačku kuću DECCA, diskutuju i dva ljubitelja opere. Dok prvi sa nostalgijom gleda na vremena kada je Opera svojim inscenacijama i interpretacijom slovenskog repertoara izazivala salve aplauza i pohvala, drugi je skeptičan prema glorifikovanju prošlosti. Uloge: Miodrag D. Jovanović, Branko Jerinić, Branislav Zeremski Učesnici: Vladimir Jovanović, Radmila Bakočević, Branka Radović Autor serijala: Nebojša Bradić Reditelj: Miško Milojević Scenarista: Tamara Baračkov Producent: Nevena Stanojlović Izvršni producent: Boban Radisavljević Scenograf: Miroslava Andrejević Kostimograf: Marija Tavčar Direktor fotografije: Milan Grbić Kompozitor: Božidar Obradinović Montažer: Biljana Kunijević Dželi Label and copyright: Radio-televizija Srbije Zabranjeno svako kopiranje video i/ili audio snimaka i postavljanje na druge kanale!
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