Michael Maniaci Video
cantante operistico statunitense
- soprano
- Stati Uniti d'America
- cantante lirico
Ultimo aggiornamento
2024-04-28
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Gaetano Majorano Michael Maniaci Savage Haendel Cavalli Giovanni Bononcini Torre Vickers 1627 1654 1655 1664 1670 1694 1698 1706 1710 1725 1738 1747 1759 2013
HÄNDEL, Georg Friedrich (Halle, 23 febbraio 1685[2] ~Londra, 14 aprile 1759) 'SERSE' (Rè di Persia), HWV40, Dramma per Musica in Tre Atti, 173/38 * Libretto (pasticcio) revision on the anonymous italian libretto "il Xerxe" (Roma, 1694) per Silvio Stampiglia (1664–1725), in turn based on the libretto "il Xerxe" (Venezia 1655), per il Count Niccolò Minato (ca.1627-1698) Prima rappresentazione: 1738-04-15 a Londra, King's Theatre in Haymarket. Atto Terzo, Scèna 11 Il Sig.r Gaetano Majorano, detto 'Caffarelli" in Ruolo di: SERSE, rè di Persia ARIA: Crude furie degl'orridi abissi Crude furie degl'orridi abissi, aspergetevi d'atro veleno! Crolli il mondo, e 'l sole s'eclissi a quest'ira, che spira il mio seno! (Da Capo) Transl: 'XERXES' Oh savage Furies from the hideous abysses, smother me with your venom! May the world cave in and the sun be eclipsed by my ire, may my breast finally meet its end! Sopranista: Michael Maniaci (Male Alto) (...) * "Il est peu probable que Haendel ait su grand-chose de Nicolà Minato ou de Cavalli (Serse, 1654). Son adaptation repose plutôt sur une version ultérieure du livret, completement réécrit par Silvio Stampiglia (1664 – 1725), poète et membre de l’Académie arcadienne, qu’avait mis en musique Giovanni Bononcini (1670 – 1747) pour le Teatro di Torre di Nona de Rome en 1694. Stampiglia, sous son pseudonyme arcadien, Palemone Licurio, professa qu’il avait remodelé l’ancien texte vénitien pour le rendre “conforme a la cordialité des temps modernes”; il retira certaines scenes de Minato, en ajouta quelques nouvelles, modifia de nombreux récitatifs et créa d’autres textes d’arias. Il conserva seulement huit textes d’arias originaux de Minato, avec des changements minimes, mais tira plusieurs nouvelles arias des récitatifs de Minato. Haendel avait probablement rencontré Stampiglia a Rome au cours de son long voyage en Italie (1706 – 1710), peut-être par l’intermédiaire du Cardinal Colonna, protecteur du poète, ou de membres du cercle étendu de l’Académie arcadienne." (...) "En raison de la corrélation étroite entre les musiques de Bononcini et de Haendel, il est très plausible que Haendel (avec ou sans assistant littéraire italien) ait réalisé sa propre version du livret directement a partir de la partition de Bononcini; personne parmi les protagonistes ne semble avoir eu connaissance de la version du livret imprimé en 1694. Le fait que Haendel ait pris le livret directement dans la partition de Bononcini pourrait aussi expliquer qu’il ait conservé des éléments archaïques, comme le serviteur comique Elviro, qui disparaissaient généralement dans les adaptations londoniennes de textes italiens anciens." 2013 David Vickers Traduction: Marie-Stella Pâris Miniatura: Castrato, Gaetano Majorano, called "Caffarelli" by anonymous painter, undated, oil on copper. Held in the collections of Conservatorio di Musica San Pietro a Majella, Naples -
Mozart Measha Brueggergosman Michael Maniaci Mireille Asselin Asselin Sullivan Fallis Opera Atelier Tafelmusik Baroque Orchestra
A promotional clip of excerpts from Opera Atelier's Spring Production of La Clemenza Di Tito that was posted online by Torontowide.com. Used courtesy of Douglas Brown of Torontowide.com Video by Douglas Brown Vitellia: Measha Brueggergosman Tito: Kresimir Spicer Sesto: Michael Maniaci Annio: Mireille Lebel Servilla: Mireille Asselin Publio: Curtis Sullivan The Tafelmusik Baroque Orchestra Conducted by David Fallis Opera Atelier Production Directed by Marshall Pynkoski This was a tremendous production. A review of it can be found on my Website which is listed on my Profile Page
Mozart Michael Maniaci Cecilio Gil Rose Suk Odyssey Opera
Come behind the scenes with Odyssey Opera as we rehearse this rare Mozart Opera Seria. Tickets available at Boston Theater Scene for our opening tomorrow! (http•••) Video by Kathy Wittman, Ball Square Films Featuring Michael Maniaci as Cecilio Katy Lindhart as Giunia Yeghishe Manucharyan as Lucio Silla Gil Rose and the Odyssey Opera Orchestra and Chorus Costumes by Seth Bodie Set Design by Jian Jung Lighting Design by Jeanette Oi-Suk Yew Directed by Isabel Milenski
Michael Maniaci Wolfgang Amadeus Mozart Cecilio Rauzzini Crudele Saro Cara Boston Baroque 1756 1791
Here we have the American Male Soprano Michael Maniaci singing the aria "Ah se a morir mi chiama" from the second act of Mozart's "Lucio Silla." Giunia has ben threatened by Lucio Silla, who wants to marry her, and she fears for Cecilio's safety. She hurries to Cecilio and begs him to flee. In parting, Cecilio sings this beautiful aria assuring her that he will be faithful to her even in death. Like the motet Exsultate Jubilate, the role of Cecillio was written for the Castrato Rauzzini as pictured in the video. Hope you enjoy.. Music by : Wolfgang Amadeus Mozart +••.••(...)) Male Soprano: Michael Maniaci Orchestra: Boston Baroque Director: Martin Pearlman Text: Ah se a morir mi chiama Il fato mio crudele Seguace ombra fedele Sempre saro' con te. Vorrei mostrar costanza Cara, nel dirti addio Ma nel lasciarti, oh Dio! Sento tremarmi il pie'. Translation: Alas, if cruel fate Summons me to death, As faithful, guardian shade I shall forever be beside thee. I would fain give proof of steadfastness, Dearest, at this parting, But no that I leave you, oh God! My footsteps falter.
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- cronologia: Cantanti lirici (Nord America).
- Indici (per ordine alfabetico): M...