Michael Frischenschlager Video
violinista, professore universitario
Anniversari
- violino
- musica classica
- Austria
Ultimo aggiornamento
2024-05-01
Aggiorna
Bohuslav Martinů Bartek Niziol Fuchs Aida Stucki Igor Ozim Whiting Scharf Wildhaber Paavo Järvi Järvi Haydn Borodin Paul Juon Pierre Amoyal Zakhar Bron Ruggiero Ricci Michael Frischenschlager Henryk Wieniawski Jacques Thibaud Yehudi Menuhin Jan Krenz Marek Janowski David Zinman Heinrich Schiff Schiff Grzegorz Nowak Nowak Jacek Kaspszyk Andrey Boreyko Yoav Talmi Philippe Entremont Stradivari Bern Bacewicz Brahms Mendelssohn Schubert Rheinberger Ysaÿe Orchestre Philharmonique Radio France Orchestre Suisse Romande Lso 1715 1719 1727 1890 1947 1959 1991 1992 1993 1994 1996 1997 1998 2000 2002 2003 2004 2005 2006 2007 2008 2009 2010 2020
«Three Madrigals» for Violin and Viola by Bohuslav Martinů II. Poco andante Bartek Niziol (violin) and Michel Willi (viola) perform the «Three Madrigals» by Bohuslav Martinů +••.••(...)). The recordings were made by Leonart Studio on the 15th and 17th of July 2020 in the abbey of Wettingen, Switzerland. (http•••) (http•••) The Three Madrigals were inspired by a performance of the Mozart Duos by Martinů's friends Joseph and Lilian Fuchs, the brother-sister duo to whom he dedicated the Madrigals he composed in 1947. The sprung rhythms and free mix of polphony and chordal writing that were so characteristic of Martinů's music are a legacy of those madrigals, as much as of the Bohemian and Moravian folk music that also resonates powerfully in this music. The opening movement moderates driving energy with an infectious bounce. The texture switches mercurially between orchestrally rich double stops and brittle hocketing, across the full range of both instruments. Bartek Niziol and Michel Willi were invited to the Martinu Festival in Basel in November 2007, where they performed the «Three Madrigals» live in concert. (http•••) Bio: Michel Willi Swiss violist Studied with Primoz Novsak, Aida Stucki and Abram Shtern (Los Angeles) Master Classes with Igor Ozim 1993/1994 prize winner of the Kiefer-Hablützel-Stiftung & Schweizerischen Tonkünstlervereins. Played In the Niziol Quartett from 2000 to 2010. with Bartek Niziol, Christopher Morris Whiting and Alexander Neustroev. Member of the Schweizer Oktett with Jens Lohmann, Paul Scharf, Joel Marosi, Gallus Burkard, Fabio di Casola, Maria Wildhaber, Mischa Greull. Plays in the ensemble „gypsy and more“ with Josef Gazsi, Kamil Liosewicz, Ahmed Ediz. Since 1998 member of the Tonhalle Orchestra Zürich with Paavo Järvi. (http•••) Niziol Quartet recordings: 1. Haydn & Borodin – String Quartets (Arte da Turicum, 2000) 2. Paul Juon - String Quartets (Musiques Suisses, 2006) Schweizer Oktett recordings a.o. Heimwärts (Musiques Suisses 2002) Verliebt I Züri. (Musiques Suisses 2004) Marchstei. (Musiques Suisses 2008) Bio: Bartek Niziol Polish violinist Studied with Pierre Amoyal, Zakhar Bron, Mauricio Fuchs, Ruggiero Ricci and Michael Frischenschlager. Competitions a.o: 1st Prize at the Adelaide International Competition (1991) 1st Prize at the Henryk Wieniawski Violin Competition in Poznań (1991) 1st Prize at the Pretoria International Competition (1991) 1st Prize at the Eurovision Young Musicians in Brussels (1992) 1st Prize at the Jacques Thibaud Competition in Paris (1993) Niziol has performed as a soloist with many renowned orchestras: Tonhalle Orchester Zurich, Orchestre Philharmonique de Radio France, Orchestre de la Suisse Romande, ECO, LSO, a.o. He has collaborated with many famous conductors: Yehudi Menuhin, Jan Krenz, Marek Janowski, David Zinman, Heinrich Schiff, Grzegorz Nowak, Jacek Kaspszyk, Wojciech Michniewski, Andrey Boreyko, Yoav Talmi, Philippe Entremont. From 1997 to 2003, Niziol was concertmaster of the Tonhalle Orchester Zurich. Since 2003 1st concertmaster of the Zurich Philharmonia. (http•••) He is the founder of the Niziol Quartet. In 2007 he became primarius of the Stradivari Quartett. Member of the jury of the 13th Henryk Wieniawski competition. Since 2008 Niziol has been teaching at the Musikhochschule in Bern (Switzerland). Between the 13 and 19 July 2009, Niziol served as lecturer and artistic director of the first Masterclass in Piła (Poland) with guest professors Michel Willi, David Greenlees, Alexander Neustroev & Dariusz Mizera. (http•••) From 1997 to 2003 Niziol played the Stradivarius “Wieniawski” made in 1719. Since then he plays on the Guarneri del Gesù from 1727. In between he also has played the Stradivarius “Aurea” from 1715. Recordings For his recordings, Niziol has received three Fryderyk awards: for the discs with Wieniawski 1996, Bacewicz 2005 & Ysaye 2010 Some of his recordings include : Wieniawski - Violin & Piano Works 1996 Brahms - Violin Concerto in D, Op. 77 & Double Concerto in A minor, Op. 102 \2003 Mendelssohn - Concerto for Violin, Piano & Strings, Schubert - Rondo in A, D. 438 Wieniawski - Violin Concerto No. 2 (CD Accord/Henryk Wieniawski Musical Society of Poznań, 1996 Wieniawski - Pieces for Violin Solo Rheinberger - Violin & Organ Works, 2006 Ysaÿe - 6 Sonatas for Solo Violin (Bartek Niziol & Magnus Ventus/Henryk Wieniawski Musical Society of Poznań. Other projects coming soon.
Bach Morozov Neumann Turovsky Mark Steinberg Steinberg Igor Oistrakh Oistrakh Régis Pasquier Pasquier Michael Frischenschlager Jeanne Lamon Augustin Dumay Weill Isaac Stern Alice Tully Fischer Sandoval Michel Legrand Maye Kent Nagano Alan Gilbert Karina Canellakis Leila Josefowicz Ilya Kaler Augustin Hadelich Mark Peskanov Daniel Rowland Maxwell Dorothy Delay Carnegie Hall Steinway Hall Alice Tully Hall Lincoln Center 2008 2012 2020
J.S. Bach - Sarabande, Partita No. 1 BWV 1002 Nikita Morozov, violin Recorded live @ The Empty Circle Space for Art, Music and Theater January 24, 2020 Recorded with two Neumann KM184 microphones, and two Lumix DMC FZ1000 cameras. (http•••) (http•••) ... Described by La Presse as a “violinist with genuine strength,” Nikita Morozov is a Grand Prize winner in competitions including the Festival du Royaume, Montreal Classical Music Festival, Sorel Music Festival, and the Canadian Music Competition. A quartet performance of his was praised by Allan Kozinn of The New York Times as ‘the best performance of the evening... This was a virtuosic performance, but it achieved the often elusive, typically Brahmsian goal of putting virtuosity at the service of bigger ideas, rather than celebrating it for its own sake.” Morozov studied the violin with the Turovsky family in Montreal for 16 years and completed his Bachelor of Music degree at the Université de Montréal in 2008, under the guidance of Eleonora Turovsky. He earned his Master of Music degree at The Juilliard School in 2012, having received the Naumburg and DePetris Scholarships, and studying with Lewis Kaplan and Joseph Lin. He later pursued a Doctor of Musical Arts degree at The Graduate Center (CUNY), where he studied with Rolf Schulte and Mark Steinberg. He has also worked with violinists Igor Oistrakh, Régis Pasquier, Rodney Friend, Mauricio Fuks, Michael Frischenschlager, Jeanne Lamon, and Augustin Dumay. Throughout his multi-faceted career, Morozov performed in halls including Weill, Zankel and Isaac Stern Auditorium (Carnegie Hall), Steinway Hall in NYC, Théâtre Maisonneuve at the Place-des-Arts in Montreal, Le Poisson Rouge in NYC, John F. Kennedy Center for the Performing Arts in Washington, D.C., Metropolitan Museum of Art, Museum of Modern Art in NYC (MoMA), Alice Tully Hall and Avery Fischer Hall (Lincoln Center in NYC). He shared the stage with jazz/pop legends Arturo Sandoval, Michel Legrand, Marilyn Maye, Elaine Page, Ana Gabriel, Becky G, and Rita Moreno, as well as conductors Kent Nagano, Alan Gilbert, Karina Canellakis, and Emmanuel Villaume, violinists Leila Josefowicz, Ilya Kaler, Augustin Hadelich, Mark Peskanov, and Daniel Rowland, among others. Throughout his 18-year teaching career, Nikita Morozov helped countless musicians of all levels, always encouraging an open-minded, curious and warm-hearted approach. His fascination with the infinite potential of humankind inspired him to study thoroughly Howard Gardner’s Multiple Intelligences Theory, Maxwell Maltz’s Psycho-Cybernetics, Neuro-Linguistic Programming, as well as the Feldenkrais Method. Morozov believes the music learning process to be one of holistic personal improvement, developing not only our musical talent, but also our interpersonal, creative, analytical and bodily-kinesthetic abilities. He teaches and lives by the words of the late Dorothy Delay: “The secret to concentration is enjoyment.” For bookings or lessons: •••@•••
Bach Morozov Neumann Turovsky Mark Steinberg Steinberg Igor Oistrakh Oistrakh Régis Pasquier Pasquier Michael Frischenschlager Jeanne Lamon Augustin Dumay Weill Isaac Stern Alice Tully Fischer Sandoval Michel Legrand Maye Kent Nagano Alan Gilbert Karina Canellakis Leila Josefowicz Ilya Kaler Augustin Hadelich Mark Peskanov Daniel Rowland Maxwell Dorothy Delay Carnegie Hall Steinway Hall Alice Tully Hall Lincoln Center 2008 2012 2020
J.S. Bach - Double I, Partita No. 1 BWV 1002 Nikita Morozov, violin Recorded live @ The Empty Circle Space for Art, Music and Theater January 24, 2020 Recorded with two Neumann KM184 microphones, and two Lumix DMC FZ1000 cameras. (http•••) (http•••) ... Described by La Presse as a “violinist with genuine strength,” Nikita Morozov is a Grand Prize winner in competitions including the Festival du Royaume, Montreal Classical Music Festival, Sorel Music Festival, and the Canadian Music Competition. A quartet performance of his was praised by Allan Kozinn of The New York Times as ‘the best performance of the evening... This was a virtuosic performance, but it achieved the often elusive, typically Brahmsian goal of putting virtuosity at the service of bigger ideas, rather than celebrating it for its own sake.” Morozov studied the violin with the Turovsky family in Montreal for 16 years and completed his Bachelor of Music degree at the Université de Montréal in 2008, under the guidance of Eleonora Turovsky. He earned his Master of Music degree at The Juilliard School in 2012, having received the Naumburg and DePetris Scholarships, and studying with Lewis Kaplan and Joseph Lin. He later pursued a Doctor of Musical Arts degree at The Graduate Center (CUNY), where he studied with Rolf Schulte and Mark Steinberg. He has also worked with violinists Igor Oistrakh, Régis Pasquier, Rodney Friend, Mauricio Fuks, Michael Frischenschlager, Jeanne Lamon, and Augustin Dumay. Throughout his multi-faceted career, Morozov performed in halls including Weill, Zankel and Isaac Stern Auditorium (Carnegie Hall), Steinway Hall in NYC, Théâtre Maisonneuve at the Place-des-Arts in Montreal, Le Poisson Rouge in NYC, John F. Kennedy Center for the Performing Arts in Washington, D.C., Metropolitan Museum of Art, Museum of Modern Art in NYC (MoMA), Alice Tully Hall and Avery Fischer Hall (Lincoln Center in NYC). He shared the stage with jazz/pop legends Arturo Sandoval, Michel Legrand, Marilyn Maye, Elaine Page, Ana Gabriel, Becky G, and Rita Moreno, as well as conductors Kent Nagano, Alan Gilbert, Karina Canellakis, and Emmanuel Villaume, violinists Leila Josefowicz, Ilya Kaler, Augustin Hadelich, Mark Peskanov, and Daniel Rowland, among others. Throughout his 18-year teaching career, Nikita Morozov helped countless musicians of all levels, always encouraging an open-minded, curious and warm-hearted approach. His fascination with the infinite potential of humankind inspired him to study thoroughly Howard Gardner’s Multiple Intelligences Theory, Maxwell Maltz’s Psycho-Cybernetics, Neuro-Linguistic Programming, as well as the Feldenkrais Method. Morozov believes the music learning process to be one of holistic personal improvement, developing not only our musical talent, but also our interpersonal, creative, analytical and bodily-kinesthetic abilities. He teaches and lives by the words of the late Dorothy Delay: “The secret to concentration is enjoyment.” For bookings or lessons: •••@•••
Bach Morozov Neumann Turovsky Schulte Steinberg Igor Oistrakh Oistrakh Régis Pasquier Pasquier Michael Frischenschlager Jeanne Lamon Augustin Dumay Weill Isaac Stern Alice Tully Fischer Sandoval Michel Legrand Maye Kent Nagano Alan Gilbert Karina Canellakis Leila Josefowicz Ilya Kaler Augustin Hadelich Mark Peskanov Maxwell Dorothy Delay Carnegie Hall Steinway Hall Alice Tully Hall Lincoln Center
J.S. Bach - Fuga, Sonata No.1 in G minor BWV 1001 Nikita Morozov, violin Recorded live @ The Empty Circle Space for Art, Music and Theater January 24, 2020 Recorded with two Neumann KM184 microphones, and two Lumix DMC FZ1000 cameras. (http•••) (http•••) ... Described by La Presse as a “violinist with genuine strength,” Nikita Morozov is a Grand Prize winner in competitions including the Festival du Royaume, Montreal Classical Music Festival, Sorel Music Festival, and the Canadian Music Competition. A quartet performance of his was praised by Allan Kozinn of The New York Times as ‘the best performance of the evening... This was a virtuosic performance, but it achieved the often elusive, typically Brahmsian goal of putting virtuosity at the service of bigger ideas, rather than celebrating it for its own sake.” Morozov studied the violin with the Turovsky family in Montreal for 16 years and completed his Bachelor of Music degree at the Université de Montréal in 2008, under the guidance of Eleonora Turovsky. He earned his Master of Music degree at The Juilliard School in 2012, having received the Naumburg and DePetris Scholarships, and studying with Lewis Kaplan and Joseph Lin. He later pursued a Doctor of Musical Arts degree at The Graduate Center (CUNY), where he studied with Rolf Schulte and Mark Steinberg. He has also worked with violinists Igor Oistrakh, Régis Pasquier, Rodney Friend, Mauricio Fuks, Michael Frischenschlager, Jeanne Lamon, and Augustin Dumay. Throughout his multi-faceted career, Morozov performed in halls including Weill, Zankel and Isaac Stern Auditorium (Carnegie Hall), Steinway Hall in NYC, Théâtre Maisonneuve at the Place-des-Arts in Montreal, Le Poisson Rouge in NYC, John F. Kennedy Center for the Performing Arts in Washington, D.C., Metropolitan Museum of Art, Museum of Modern Art in NYC (MoMA), Alice Tully Hall and Avery Fischer Hall (Lincoln Center in NYC). He shared the stage with jazz/pop legends Arturo Sandoval, Michel Legrand, Marilyn Maye, Elaine Page, Ana Gabriel, Becky G, and Rita Moreno, as well as conductors Kent Nagano, Alan Gilbert, Karina Canellakis, and Emmanuel Villaume, violinists Leila Josefowicz, Ilya Kaler, Augustin Hadelich, Mark Peskanov, and Daniel Rowland, among others. Throughout his 18-year teaching career, Nikita Morozov helped countless musicians of all levels, always encouraging an open-minded, curious and warm-hearted approach. His fascination with the infinite potential of humankind inspired him to study thoroughly Howard Gardner’s Multiple Intelligences Theory, Maxwell Maltz’s Psycho-Cybernetics, Neuro-Linguistic Programming, as well as the Feldenkrais Method. Morozov believes the music learning process to be one of holistic personal improvement, developing not only our musical talent, but also our interpersonal, creative, analytical and bodily-kinesthetic abilities. He teaches and lives by the words of the late Dorothy Delay: “The secret to concentration is enjoyment.” For bookings or lessons: •••@•••
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- cronologia: Interpreti (Europa).
- Indici (per ordine alfabetico): F...