Maggie Teyte Video
artista lirica britannica
- soprano
- Regno Unito
- cantante lirico
Ultimo aggiornamento
2024-05-01
Aggiorna
Claude Debussy Maggie Teyte Alfred Cortot 1862 1877 1888 1918 1936 1962 1976
Claude Debussy +••.••(...)): Chansons de Bilitis / 3 melodies (poetry by Pierre Louÿs) 1. La flûte de Pan 2. La chevelure at 2:30 3. Le tombeau des naïdes at 5:37 Maggie Teyte +••.••(...)), soprano Alfred Cortot +••.••(...)), piano Recorded in 1936 Pictures of Samos, Greece The Songs of Bilitis by Pierre Louÿs translated by Alvah C. Bessie 1. The Flute For the Hyacinthian day he gave me some Panic pipes, of measured reeds well-cut, bound each to each with soft white wax, sweet as honey to my lips. He teaches me to play, I seated on his knees; perhaps I tremble just a bit too much. He then plays after me in tones so sweet I scarce can hear them. We did not have a word to tell each other, we were so close together all the time, but the songs we sang were answers to each other, and time again our mouths would seek the flute to find each other's there. How late it is! the green night-frog commences now to sing. My mother never will believe I stayed so long to try to find the girdle that I lost. 2. Tresses He said to me: "Tonight I dreamed a dream.-- Your hair came down and fell about my throat. Your locks were as a yoke about my neck, a black fan spreading on my breast. "And I caressed them; and they were my own; and we were bound together thus forever, by the same tresses, mouth on mouth, like two twin laurels with a single root. "And little by little, it seemed to me, our limbs were so entwined that I became your body, or you entered into mine like some sweet dream mingling with my own." When he had finished he softly placed his hands upon my shoulders, and looked into my eyes with such a look I lowered them and trembled... 3. The tomb of the Naïads I walked through the frost-encrusted wood; my hair blossomed with tiny icicles before my mouth and my sandals were heavy with soiled and caked-up snow. He said to me: "What do you seek?"--"I follow the tracks of the satyr. His little cleft foot-prints alternate like holes in a snow-white robe." He said to me: "The satyrs are dead. "The satyrs, and the nymphs also. For thirty years there has not been so terrible a winter. The tracks you see are those of a goat. But stay here, here is their tomb." And with the iron of his hoe he broke the ice of the spring in which the naïads were wont to laugh of yore. He took some of the great frozen chunks, and, raising them to the pale heavens, looked through them.
Debussy Maggie Teyte Alfred Cortot 1869
Fêtes galantes Composer: Debussy Poems: Paul Verlaine Vocalist: Maggie Teyte Pianist: Alfred Cortot
Karina Gauvin George Frideric Handel Marie Daveluy Maggie Teyte Bach Benjamin Britten McMahon Marc André Hamelin Roger Vignoles Giovanni Battista Pergolesi Mendelssohn Catherine Robbin Charles Gounod Charles Dutoit Bernard Labadie Engelbert Humperdinck Francis Poulenc Beethoven Antonio Vivaldi Covent Garden Wigmore Hall Aldeburgh Festival International Chamber Music Festival Festival Lanaudière Glimmerglass Opera National Arts Center Orchestra Violons Roy Tafelmusik Scottish Ensemble Toronto Mendelssohn Choir 1966 1992 1994 1995 1996 1999 2000 2001 2002 2008
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Karina Gauvin--soprano Alexander Weimann--conductor Tempo Rubato 2008 / "Born: 1966 - Repentigny, Canada The Canadian soprano, Karina Gauvin, studied with Marie Daveluy. She has received bursaries from the Canada Council for the Arts, the Quebec Arts Council and the Royal Scottish Academy of Music and Drama (Glasgow). She is a recipient of the First Prize of the Montreal Conservatory in 1992 and many other prestigious awards: the 1992 Maggie Teyte Memorial Prize in London; the Guelph Spring Festival National Vocal Competition First Prize winner (1992); the Lieder Prize as well as the Public's Prize at the 1994 's-Hertogenbosch International Vocal Competition in Holland; the 1995 Virginia Parker Prize (Canada); the CBC Radio National Competition First Prize winner (1995); and the 1996 Soloist of the Year for the International French Public Radio Community. Karina Gauvin has given recitals at the Royal Opera House (Covent Garden), St Martin's in the Fields (UK), Wigmore Hall (UK) the Bishopsgate Hall in London as well as in France, Switzerland, Belgium, the United States and in major Canadian cities. Ms. Gauvin has performed in opera productions in Oxford, the Aldeburgh Festival and the Glimmerglass Opera Festival (New York). Her repertoire covers music from J.S. Bach to Benjamin Britten, with a particular affinity for the works of W.A. Mozart. In Canada Karina Gauvin has sung with the Orchestre Symphonique de Montreal, the National Arts Center Orchestra, Orchestre Metropolitain and Les Violons du Roy in Quebec City. Active as a recitalist, she has collaborated with several chamber music ensembles and with pianists Michael McMahon, Marc-André Hamelin and Roger Vignoles. She is a regular guest artist at the Montréal Chamber Music Festival and has also appeared at the Pusan International Chamber Music Festival in South Korea.. Highlights of her 2000-2001 season include a Canadian tour with Tafelmusik Baroque singing W.A. Mozart's Exsultate Jubilate, performances and recording with CBC Vancouver Orchestra, G.F. Handel's Messiah in Vancouver and Montreal, and her Los Angeles Chamber Orchestra debut singing the Giovanni Battista Pergolesi Stabat Mater. In 2001-2002 she will undertake a recital tour with pianist Marc-André Hamelin. Past seasons featured Karina Gauvin internationally in both oratorio and recital. She sang a J.S. Bach program at the International Festival of Baroque Music in Lamèque, Einhorn's Voices of Light at the Elora Festival, B. Britten's Les Illuminations with the Scottish Ensemble in Edinburgh and Glasgow, W.A. Mozart's Exsultate Jubilate with I Musici, G.F. Handel's Messiah on tour with Les Violons du Roy, and a recital at St Martin in the Fields in London, England. Karina Gauvin made two prestigious debuts that season with the Toronto Mendelssohn Choir singing G.F. Handel's Israel In Egypt, and with the CBC Vancouver Orchestra singing J.S. Bach's Solo Cantata BWV 82 with flute obligato, both broadcast nationally on the CBC. She was heard in G.B. Pergolesi's Stabat Mater with mezzo-soprano Catherine Robbin for performances in California, Texas, Washington, Quebec and British Columbia. Highlights of recent seasons include Charles Gounod's Messe Solenelle with the Montreal Symphony under the baton of Charles Dutoit, G.B. Pergolesi Stabat Mater at the Festival de Lanaudière with Bernard Labadie, B. Britten's Les Illuminations at a castle in Edinburgh with the BT Scottish Ensemble, L'Orchèstre Metropolitain's (Mtl) production of for Engelbert Humperdinck's Hansel and Gretel and G.F. Handel's Messiah at the National Art Centre in Ottawa and with the Montreal Symphony at Notre Dame Cathedral, and a recital in Paris as part of the Francis Poulenc celebrations at the Bibliothèque National. Her Analekta discography includes the Notenbüchlein für Anna Magdalena J.S. Bach, L.v. Beethoven's Egmont with L'Orchèstre Metropolitain, a program of Antonio Vivaldi motets which was nominated for a 1999 Juno Award, and a multiple award-winning program of G.F. Handel arias from Agrippina and Alcina recorded with Tafelmusik. Most recently she has released a recording of French Art Song - Fêtes Galantes - with pianist Marc-André Hamelin for SRC/Riche Lieu and a Christmas recording Images de Noël for CBC Records nominated for a 2000 Juno Award. Karina Gauvin is one of Canada’s most sought after artists and her exceptional musical talent, combined with a voice of "outstanding clarity, freedom and freshness", wins this young soprano glowing praise and a growing reputation on the international circuit. having the ability to "instantly convey the musical heart of every piece she performs" she is an audience favourite."; bach-cantatas.com
o
- cronologia: Cantanti lirici (Europa).
- Indici (per ordine alfabetico): T...