Leif Ove Andsnes Video
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Leif Ove Andsnes Robert Schumann Christian Tetzlaff Tanja Tetzlaff 2011
Provided to YouTube by Warner Classics Piano Trio No. 1 in D Minor, Op.63: I. Mit Energie und Leidenschaft · Leif Ove Andsnes Schumann: Piano Trios ℗ 2011 Leif Ove Andsnes under exclusive licence to Warner Classics, Warner Music UK Ltd Lead Vocals: Christian Tetzlaff Violin: Christian Tetzlaff Lead Vocals: Leif Ove Andsnes Piano: Leif Ove Andsnes Lead Vocals: Tanja Tetzlaff Cello: Tanja Tetzlaff Composer: Robert Schumann Auto-generated by YouTube.
Edvard Hagerup Grieg Leif Ove Andsnes Jean Sibelius Bedřich Smetana Robert Schumann Clara Schumann Edmund Neupert Holger Simon Paulli Niels Gade Anton Rubinstein Rubinstein Rikard Nordraak James Huneker Franz Liszt Johan Svendsen Wilhelm Backhaus Junichi Hirokami Norrköping Symphony Orchestra 1843 1858 1868 1869 1870 1872 1874 1900 1907 1909
Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively. Please support my channel: (http•••) Piano Concerto in A minor, Op. 16 (1868) 1. Allegro molto moderato (0:00) 2. Adagio (12:51) 3. Allegro moderato molto e marcato (19:00) Leif Ove Andsnes, piano and Bergen Philharmonic conducted by Ole Christian Ruud Watch live performance here: (http•••) The work is among Grieg's earliest important works, written by the 24-year-old composer in 1868 in Søllerød, Denmark, during one of his visits there to benefit from the climate. The concerto is often compared to the Piano Concerto of Robert Schumann: it is in the same key; the opening descending flourish on the piano is similar; the overall style is considered to be closer to Schumann than any other single composer. Incidentally, both composers wrote only one concerto for piano. Grieg had heard Schumann's concerto played by Clara Schumann in Leipzig in 1858, and was greatly influenced by Schumann's style generally, having been taught the piano by Schumann's friend Ernst Ferdinand Wenzel. Grieg's concerto provides evidence of his interest in Norwegian folk music; the opening flourish is based on the motif of a falling minor second followed by a falling major third, which is typical of the folk music of Grieg's native country. This specific motif occurs in other works by Grieg, including the String Quartet No. 1. In the last movement of the concerto, similarities to the halling (a Norwegian folk dance) and imitations of the Hardanger fiddle (the Norwegian folk fiddle) have been detected. The work was premiered by Edmund Neupert on April 3, 1869, in Copenhagen, with Holger Simon Paulli conducting. Some sources say that Grieg himself, an excellent pianist, was the intended soloist, but he was unable to attend the premiere owing to commitments with an orchestra in Christiania (now Oslo). Among those who did attend the premiere were the Danish composer Niels Gade and the Russian pianist Anton Rubinstein, who provided his piano for the occasion. Neupert was also the dedicatee of the second edition of the concerto (Rikard Nordraak was the original dedicatee), and James Huneker said that he composed the first movement cadenza. The Norwegian premiere in Christiania followed on August 7, 1869, and the piece was later heard in Germany in 1872 and England in 1874. At Grieg's visit to Franz Liszt in Rome in 1870, Liszt played the notes a prima vista (by sight) before an audience of musicians and gave very good comments on Grieg's work which would later influence him. The work was first published in Leipzig in 1872, but only after Johan Svendsen intervened on Grieg's behalf. The concerto is the first piano concerto ever recorded—by pianist Wilhelm Backhaus in 1909.[9] Due to the technology of the time, it was heavily abridged and ran only six minutes. Grieg revised the work at least seven times, usually in subtle ways, but the revisions amounted to over 300 differences from the original orchestration. In one of these revisions, he undid Liszt's suggestion to give the second theme of the first movement (as well as the first theme of the second) to the trumpet rather than to the cello. The final version of the concerto was completed only a few weeks before Grieg's death, and it is this version that has achieved worldwide popularity. The original 1868 version has been recorded, by Love Derwinger, with the Norrköping Symphony Orchestra under Junichi Hirokami.
Maxim Rysanov Schubert Valery Gergiev Mikhail Pletnev Jiří Bělohlávek Svetlanov Andrey Boreyko Vasily Petrenko Petrenko Tugan Sokhiev Yuri Simonov Vassily Sinaisky Sir Mark Elder Philippe Herreweghe Eivind Gullberg Jensen Jensen Michał Nesterowicz Nesterowicz Arvo Volmer Matthias Bamert John Axelrod Olari Elts Caballe Kaftan Gennady Rozhdestvensky Jorma Panula Oleg Caetani Verdi Vivaldi Maxim Vengerov Janine Jansen Mischa Maisky Gidon Kremer Nicola Benedetti Vadim Repin Augustin Dumay Viktoria Mullova Alexander Sitkovetsky Sitkovetsky Sol Gabetta Leif Ove Andsnes Denis Matsuev Alessio Bax Bax Michael Collins Alice Coote Freddy Kempf Dobrinka Tabakova Pēteris Vasks Richard Dubugnon Balogh Yusupov Leonid Desyatnikov Giya Kancheli Gabriel Prokofiev Prokofiev Lionel Tertis Valentino Bucchi Ulster Hall Last Night Proms Mariinsky Gürzenich Russian National Orchestra Bbc Symphony Orchestra Residentie Orkest Seattle Symphony Orquesta Sinfónica Castilla León Deutsches Symphonie Orchester Berlin Bournemouth Symphony Orchestra Gürzenich Orchestra Frankfurt Radio Symphony Prague Radio Symphony Orchestra Adelaide Symphony Orchestra Danish National Symphony Orchestra National Symphony Orchestra European Union Youth Orchestra Scottish Chamber Orchestra Spanish National Orchestra Beethovenorchester London Mozart Players Southbank Sinfonia Lithuanian Chamber Orchestra I Musici I Musici Montreal Detmold Chamber Orchestra Sofia Philharmonic 1780 2013 2020
Get tickets to 'Rysanov Plays Schubert' now at (http•••) #uoletsplaydigital Official website: (http•••) Facebook: (http•••) Grammy nominated Ukrainian-British violist and conductor Maxim Rysanov has established himself as one of the worldʼs most vibrant and charismatic musicians. As a violist, he is principally known as a frequent guest of the crème of the international music scene, such as BBC Last Night of the Proms and the festivals of Edinburgh, Salzburg and Verbier. Among his concerto highlights are the Mariinsky Orchestra (Valery Gergiev), Russian National Orchestra (Mikhail Pletnev), BBC Symphony Orchestra (Jiří Bělohlávek), Residentie Orkest the Hague (Neeme Jarvi), Svetlanov State Symphony Orchestra (Vladimir Jurovsky), Seattle Symphony (Andrey Boreyko), Orquesta Sinfónica de Castilla y León (Vasily Petrenko), Deutsches Symphonie-Orchester Berlin (Tugan Sokhiev), Moscow Philharmonic (Yuri Simonov), Bournemouth Symphony Orchestra (Vassily Sinaisky), Gürzenich Orchestra Cologne (Sir Mark Elder), Frankfurt Radio Symphony Orchestra (Philippe Herreweghe), NDR Philharmonic Orchestra (Eivind Gullberg Jensen), Prague Radio Symphony Orchestra (Juraj Valcuha and again with Michał Nesterowicz), Adelaide Symphony Orchestra (Arvo Volmer), Danish National Symphony Orchestra (Michael Schoenwandt), Shanghai Symphony (Long Yu), European Union Youth Orchestra (Matthias Bamert), Czech Filharmonic (John Axelrod), Scottish Chamber Orchestra (Olari Elts), Spanish National Orchestra (Josep Caballe Domenech) and Beethovenorchester Bonn (Dirk Kaftan). Maxim enjoys a busy career as a conductor parallel to playing the viola. Often he combines conducting and directing a concerto from viola. Maxim studied conducting with Alan Hazeldine at the Guildhall School of Music and Drama, and has taken part in several masterclasses with Gennady Rozhdestvensky, Jorma Panula and Oleg Caetani. Here are some of the orchestras he conducted: Svetlanov State Symphony Orchestra, La Verdi Orchestra Milan, Basel Symphony Orchestra, Russian National Orchestra, Tatarstan State Symphony Orchestra, Spanish Radio Orchestra (RTVE), Orquesta Sinfónica de Castilla y León, Dala Sinfonietta, Danubia Symphony Budapest, London Mozart Players, Southbank Sinfonia, Riga Sinfonietta, Lithuanian Chamber Orchestra, I Musici de Montreal, Detmold Chamber Orchestra, Musica Viva (Moscow), Voronezh Youth Orchestra, Kiev Soloists, Częstochowa Philharmonic Orchestra, Chamber Orchestra Chaarts, Budapest Festival Academy Orchestra, Classic FM Orchestra (Bulgaria), Georgian National Symphony Orchestra, Plovdiv Philharmonic, Sofia Opera Orchestra and Chorus, Sofia Philharmonic, Pfortseim Theatre Orchestra, Badische Philharmonie, Vivaldi Orchestra Morbegno. Maxim is a keen chamber musician. His chamber partners include Maxim Vengerov, Janine Jansen, Mischa Maisky, Gidon Kremer, Nicola Benedetti, Vadim Repin, Augustin Dumay, Viktoria Mullova, Alexander Sitkovetsky, Sol Gabetta, Leif Ove Andsnes, Denis Matsuev, Alessio Bax, Michael Collins, Martin Frost, Alice Coote, Freddy Kempf, Yeoelom Son among others. His enthusiasm for new music generates many exciting collaborations which extend the viola repertoire. This includes world premieres by Dobrinka Tabakova, Pēteris Vasks, Richard Dubugnon, Mate Balogh and Elena Langer. Other composers with whom Maxim has developed a close working relationship include Benjamin Yusupov, Leonid Desyatnikov, Giya Kancheli and most recently Gabriel Prokofiev. Gabriel is planning to write a symphony-concerto for Maxim, where the performer will have to combine skills of both soloist and conductor. Maxim's recordings have gained numerous award nominations including Gramophone Editor's Choice, ECHO, ICMA. Maxim featured as both soloist and conductor on the debut disc of composer Dobrinka Tabakova (ECM) in 2013 - a disc that reached number 2 in the UK classical charts and was shortlisted for a Grammy Award. His last album “in Schubert’s company” was selected as Gramophone Critic’s Choice of the Year. New CD is planned for a spring 2020 release on BIS. Sinfonietta Riga under Maxim’s direction are performing music by Peteris Vasks. It will include the premier recording of the Viola Concerto written and dedicated to Maxim, coupled with the Symphony no 1. Maxim is a recipient of various awards, including the Gramophone Young Artist of the Year Award and the BBC Radio 3 New Generation Award. He is also a prize-winner at the Geneva, Lionel Tertis and Valentino Bucchi competitions. Maxim studied viola with Maria Sitkovskaya in Moscow and John Glickman at the Guildhall School of Music and Drama London. He is delighted to play a 1780 Giuseppe Guadagnini Viola known as 'II Soldato', on private loan that was kindly arranged by Premiere Performances of Hong Kong.
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