Johan Lindegren Video
compositore, professore di musica
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2024-05-01
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Kjerstin Dellert Puccini Lindegren Karl Birger Blomdahl Maria Callas Royal Swedish Opera Palace Theatre 1925 1940 1950 1951 1959 1972 1975 1976 1979 2005
This is a unique Radio recording from the 1950's where Mrs Dellert sings both Frank Sinatra classics as Opera by Puccini. Kjerstin Dellert is the mother of artist and singer/ songwriter Thomas Dellert also known as “Tommy Dollar” or Tommy D. Kjerstin Dellert (born November 4, 1925) is a Swedish opera singer and theater manager. Born in Stockholm, Dellert made her debut at Stora teatern (the old Gothenburg Opera stage) in Gothenburg the 1950s. From the mid-50s to the 1970s she worked primarily at the Royal Swedish Opera inStockholm in a variety of opera roles, including Floria in Puccini's Tosca and Harry Martinson /Erik Lindegren /Karl-Birger Blomdahl's opera Aniara in 1959. Dellert has also been the initiator and producer of a few gala shows for particular celebrations, such as the star-studded extravaganza financed by Sweden's Parliament and given in 1976 at the Stockholm Opera for the wedding of King Carl Gustaf och Queen Silvia (where ABBA first performed Dancing Queen and she performed O, min Carl Gustaf). and an equally star-studded review at Södra teatern for her own 50th birthday in 1975. Dellert is the Director of the Ulriksdal Palace Theatre Confidencen. Since the mid-1990s she has been retired from the stage, officially retired from the Swedish Royal Opera since 1979, but briefly in 2005 made an critically acclaimed appearance as Maria Callas in the play Master Class by Terrence McNally at Confidencen. She dubbed the singing voice of Eva Dahlbeck for the role of Helena in the film Sköna Helena (1951), and she participated in Melodifestivalen 1972 with "Kärlek behöver inga ord", finishing fourth. In the 1940’s she recorded many 78 records singing songs from the great American songbook. She also recorded in America and in France.
Ture Rangström Shepherd Solti Johan Lindegren Hans Pfitzner Julius Hey 1618 1820 1884 1913 1919 1922 1944 1947 2002
00:00 Midsommar (Midsummer) 01:15 Villemos visa (Villemo's song) 01:49 I Lingonbacken (In the Lingonberry slope) 02:24 Väster gök (West cuckoo) 03:30 Björndansen (The bear dance) 04:05 Junisöndag (Sunday in June) 05:25 Vildmarkssaga (Tale from the Wilderness) 06:21 Silvermånen (The Silver Moon) 08:16 Morgiane dansar (Morgiane dances) 08:53 Folkton (Folktune) 09:46 Slåtterblom (Pasture flowers) 11:06 Sommarkoral (Summer Choral) 12:42 Skalmeja (Shawm) 13:12 Skymning (Twilight) 13:59 Ängskällan (The Meadow Spring) 16:18 Dyningen (The Swell) 18:20 Herdinnan (The Shepherd Woman) 19:13 Riddarspelet (The Joust) 20:02 Svärmeriet (The Infatuation) 21:39 Fanan (The banner) Played by: Arpad Solti Composer, conductor, singing teacher and music critic Anders Johan Ture Rangström was born in Stockholm on 30 November 1884 and died there on 11 May 1947. He briefly studied counterpoint for Johan Lindegren and composition for Hans Pfitzner in Berlin, but of greater significance were his singing studies for Julius Hey in Berlin and Munich. He was music director for the Gothenburg Orchestral Society (1922−25) and a critic for several Stockholm newspapers. Rangström is one of Sweden’s leading composers of art songs, but he also made an impact as an opera and symphony composer. He was a member of the Royal Swedish Academy of Music (1919) and a recipient of the Litteris et artibus medal (1944). /The description is from levandemusikarv.se The sheet music is avaliable for free at: (http•••)
Ture Rangström Johan Lindegren Hans Pfitzner Julius Hey Strindberg Solti 1884 1919 1922 1944 1947
00:00 Lento improvisato, quasi notturno 05:51 Vivo moderato, maestoso & poco alla Burla 08:35 Andante molto lento, di legenda Composer, conductor, singing teacher and music critic Anders Johan Ture Rangström was born in Stockholm on 30 November 1884 and died there on 11 May 1947. He briefly studied counterpoint for Johan Lindegren and composition for Hans Pfitzner in Berlin, but of greater significance were his singing studies for Julius Hey in Berlin and Munich. He was music director for the Gothenburg Orchestral Society (1922−25) and a critic for several Stockholm newspapers. Rangström is one of Sweden’s leading composers of art songs, but he also made an impact as an opera and symphony composer. He was a member of the Royal Swedish Academy of Music (1919) and a recipient of the Litteris et artibus medal (1944). /Description from levandemusikarv.se To elevate your musical experience I can recommend reading the poem "Stadsresan" by August Strindberg which is the inspiration for this piece: (http•••) Piano: Árpád Solti
Natanael Berg Berg Lindberg Ture Rangström Kurt Atterberg Johan Lindegren 1879 1909 1910 1913 1914 1916 1917 1918 1919 1920 1924 1929 1930 1931 1939 1957 1967
Natanael Berg +••.••(...)Suède) Symphonie n°2 « Les Saisons » +••.••(...)/2 Dir : Ari Rasilenen ... 3- Automne. Lento grave (4.42) 4- Hiver. Lento (4.48) PART I : (http•••) Avec Oscar Lindberg, Ture Rangström (formidable compositeur dont on peut écouter sur collectionCB le « Dityramb », 1909, et la « Symphonie n°3 "Chant sous les étoiles"», 1929) et Kurt Atterberg (autre formidable compositeur dont on peut écouter sur collectionCB la « Suite n°3 pour violon, alto et cordes », 1917, et l'« Adagio amoroso pour violon et cordes », 1967), Natanael Berg fonda l'Association pour le Développement de la Musique Suédoise. De ce quatuor de musiciens, Natanael Berg est certainement celui qui a le style le plus léger et le plus élégiaque. Officier responsable des Chevaux de la Couronne doté d'un caractère aristocratique intransigeant sur les questions d'honneur, il apprit la musique au conservatoire de Stockholm sous la houlette de Johan Lindegren. Son œuvre est variée et toujours romantique : trois ballets (« Alvoma », 1914 ; « Sensitiva », 1919 ; « Hertiginnans friare », 1920), un « Concerto pour violon et orchestre » (1918), cinq symphonies écrites entre 1913 et 1924, les poèmes symphoniques « Traumgewalten » (1910), « Varde Ljus » (1914) et « Svit » (1930), une « Sérénade » (1939) et un « Concerto pour piano et orchestre » (1931). Grâce à son influent ami Kurt Atterberg, il put, quoique difficilement, faire jouer ses cinq opéras. La « Symphonie n°2 "Les Saisons" », composée en 1916, décrit l'évolution des saisons dans un style charmant, décoratif, proche de celui de la Light Music anglaise ou américaine, ce qui fait d'elle, sans doute, la première symphonie "légère" de l'histoire de la musique classique. LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3 and IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS : (http•••)
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