Jiří Kout Video
direttore d'orchestra
- musica classica
- Repubblica Ceca, Cecoslovacchia
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Adriana Kohútková Bohuslav Martinů Jiří Kout Reynolds Prague Symphony Orchestra 2002 2009
Great slovak soprano ADRIANA KOHÚTKOVÁ sings "Měla jsem, smutná, milého" from cantata *Svatební košile* (The Spectre's Bride) by Bohuslav Martinů Prague Symphony orchestra FOK Conductor: Jiří KOUT Pražské jaro Smetanová síň Obecního domu June 2, 2009 Praha A dear man once had I, for him I'd gladly die. He left for foreign lands Ere we put up the banns. While leaving for foreign lands, he consoled me, wiped my tears. He said: Sow, sow the flax, my dear, keep recalling me every day. In the first year caress the yarn, water the linen in the second one. Embroider the shirts in the third year. Once the shirts sown you have, of rue you tie the bridal wreath. The shirts I had sewn long ago, folded them inside the glory-box. Even my rue slowly fades, My dear still in wide world stays. I haven't heard of him for three years, if he's alive and well, that only Dear God knows. Oh Mary, full of power, Oh, help me at this hour. Bring my beloved home, Lord knows where he does roam. Bring him, I reck not how, or finish my life now. Translation by Susan Reynolds 2002/ Měla jsem, smutná, milého, život bych dala pro něho! do ciziny se obrátil, potud se ještě nevrátil. Do ciziny se ubíral, těšil mě, slzy utíral: „„Zasej, má milá, zasej len, zpomínej na mě každý den, první rok přádla hledívej, druhý rok plátno polívej, třetí košile vyšívej: až ty košile ušiješ, věneček z routy poviješ."" Košile jsem již ušila, již jsem je v truhle složila, již moje routa v odkvětě: a milý ještě ve světě, ve světě šírém, širokém, co kámen v moři hlubokém. Tři léta o něm ani sluch, živ-li a zdráv - zná milý bůh! Maria, panno přemocná! ach budiž ty mi pomocna: vrať mi milého z ciziny, květ blaha mého jediný; milého z ciziny mi vrať - aneb život můj náhle zkrať: u něho život jarý květ - bez něho však mě mrzí svět. Maria, matko milosti! buď pomocnicí v žalosti!"
Anne Sophie Mutter Kurt Masur Susan Graham Jiří Kout Malcolm Martineau Mei Ting Sun Jakub Hrůša Prague Symphony Orchestra Prague Philharmonia 2009
You can select English subtitles in the choice above the button in the right corner of the video frame.// České titulky zvolíte v nabídce nad tlačítkem v pravém dolním rohu přehrávače. /// Internetové Echo Pražského jara X: Jiří Kout s FOK, Susan Graham a Malcolm Martineau. S Hawthorne String Quartet o české hudbě. Mei-Ting Sun s Jakubem Hrůšou a PKF. Anna-Sophie Mutter a Kurt Masur na Pražském jaru 2009. Internet Echo of the Prague Spring X: Jiří Kout with the Prague Symphony Orchestra, Susan Graham and Malcolm Martineau. With Hawthorne String Quartet about Czech music. Mei-Ting Sun about is cooperation with Jakub Hrůša and Prague Philharmonia. Anne-Sophie Mutter and Kurt Masur at the Prague Spring 2009.
Richard Strauss Lior Shambadal Beethoven Karl Klindworth Bruch Franz Strauss Franz Wüllner Liszt Henry Wood Rudolf Kempe Ulf Hoelscher Busoni Bamberg Korngold Pavel Šporcl Kout Gram Jane Glover Boris Belkin Vladimir Ashkenazy Alexander Lazarev Wolfgang Sawallisch Bamberg Symphony Orchestra Munich Philharmonic Prague Symphony Orchestra Israel Chamber Orchestra London Philharmonic Orchestra Berlin Radio Symphony Orchestra Moscow State Symphony Orchestra Bösendorfersaal Proms 1872 1880 1882 1883 1890 1896 1897 1902 1903 1904 1907 1908 1910 1912 1976 1991 1993 1999 2009 2013 2014
00:00 1. Allegro 14:45 2. Lento, ma non troppo 20:33 3. Rondo: Prestissimo Violin: Ingolf Turban Bamberger Symphoniker Conductor: Lior Shambadal ℗ 1993 Claves Records This violin concerto was written during the composer's teenage years while he was still attending his last two years of school, and is less distinctive than many of his later orchestral works. Despite this it contains some bold and inventive solo writing as well as occasional passages that hint at the composer's mature harmonic style. Though written in the romantic tradition of its time, it hints at the young composer's reverence of masters of the preceding classical period, especially Mozart and Beethoven. In 1880 he had first begun to turn to large scale compositions during a tempestuous compositional interval after having decided to devote his life to composition, including a symphony in D minor (TrV 94), which was well received. The following year he began to sketch the Violin Concerto in D minor, among several other compositions. Although it is today rarely performed, it received encouraging reviews, including the following by Karl Klindworth from May 1882, before its premiere: So far as the form of the pieces is concerned there is little to find fault with, but I could wish for content of greater significance before the young composer embarks on a public career. Even so, I like the violin concerto best, and I should be delighted if it turned out to be effective and viable enough to banish Bruch's G minor from our concert halls. The work was dedicated to Benno Walter, the concertmaster of the Munich Court Orchestra, and also Strauss's violin teacher and relative. (Benno Walter was the son of (Johann) Georg Walter, and the first cousin of Richard Strauss's father Franz Strauss, and hence Richard's cousin once removed; Richard called him "cousin", but he is sometimes referred to as his "uncle".) Premieres and performance history: The Violin Concerto was first performed publicly on 5 December 1882, in the Bösendorfersaal of the Herrengasse in Vienna. The soloist was the dedicatee Benno Walter. Strauss himself played his own piano reduction of the orchestral parts. Walter and Strauss played this violin-piano version again in Munich on 8 February 1883. The concerto's debut with violin and orchestra had to wait another seven years. On 4 March 1890, in Cologne, Benno Walter played with an orchestra conducted by Franz Wüllner. The first time Strauss himself conducted the concerto was on 17 February 1896, in the Liszt-Verein in Leipzig. The soloist was the 23-year-old (Gustav) Alfred Krasselt (3 June 1872 - 27 September 1908), concert master of Munich's Kaim Orchestra (later the Munich Philharmonic). Strauss went on to perform the concerto either as piano accompanist (Dresden 27 November 1902, Birmingham (UK) 10 December 1903 (Max Mossel on violin), Munich 24 June 1910 (Alfred Rose on violin)), or conducting with orchestra (Munich 13 January 1897 (Alfred Krasselt), Birmingham UK 2 December 1904 (Max Mossel), Bonn 7 November 1907). The concerto has been performed only once at the London Proms: on 18 September 1912 at the Queens Hall, with Sir Henry Wood conducting The New Queen's Hall Orchestra with violinist Arthur Catterall. The first recording was the 1976 HMV release by Rudolf Kempe and the Staatskapelle Dresden with Ulf Hoelscher on violin, which was remastered and reissued in the Warner Classics 2013 CD. R. Strauss: Complete Orchestral Works (2013) Ulf Hoelscher Rudolf Kempe, Staatskapelle Dresden Warner Classics 4317802 Bruch, Busoni & Strauss: Violin Concertos (1999) Ingolf Turban Lior Shambadal, Bamberg Symphony Orchestra Claves - 509318 Korngold & Strauss - Violin Concertos (2009) Pavel Šporcl Jirí Kout, Prague Symphony Orchestra Supraphon SU39622 R. Strauss: Violin Concerto & Violin Sonata (2013) Thomas Albertus Irnberger Martin Sieghart, Israel Chamber Orchestra. Gramola - GRAM98992 Strauss & Headington: Violin Concertos (1991) Xue-Wei Jane Glover, London Philharmonic Orchestra ASV: CDDCA780 Strauss - The Concertos (1999). Boris Belkin Vladimir Ashkenazy, Berlin Radio Symphony Orchestra Decca - Double Decca - E4602962 Strauss & Bartok: Violin Concertos (2014) Valentin Zhuk Alexander Lazarev, Moscow State Symphony Orchestra Audiophile - APL101519 R. Strauss: Complete Chamber Music (2014) Ernö Sebestyen Wolfgang Sawallisch (piano) Brilliant Classics - 9231 (http•••)
Janacek Rysanek McCauley Kout 1988
A fine example of Leonie in one of her later roles, Kabanicka. She really made this role something special, vile but also subtly cruel. She once said that, coming to Janacek late in her career, she was surprised that the role of enufa didn't appeal to her at all, but she would have loved to portray Katya.
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- cronologia: Direttori d'orchestra (Europa).
- Indici (per ordine alfabetico): K...