James Yannatos Video
compositore, direttore d'orchestra
- violino
- opera
- Stati Uniti d'America
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2024-05-02
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James Yannatos Hildegard Bingen Dickinson Radcliffe Risinger Neruda Tzu William Shakespeare Wordsworth Collegium Musicum Harvard Radcliffe Orchestra Radcliffe Choral Society 2004
Provided to YouTube by NAXOS of America IV. My Duties Walk with My Song: The Family of Mankind · Caprice Corona Yannatos: Symphonies Nos. 2 and 7 ℗ 2004 Albany Released on: 2004-01-01 Composer: Bible - Old Testament Composer: Hadewijch II Composer: Hildegard of Bingen Artist: Caprice Corona Composer: Catherine Regina von Greittenberg Composer: Emily Dickinson Composer: Gabriela Mistral Choir: Harvard Glee Club Orchestra: Harvard-Radcliffe Collegium Musicum Orchestra: Harvard-Radcliffe Orchestra Composer: Helen Keller Composer: I. Kakridis Composer: James Joyce Composer: James Yannatos Conductor: James Yannatos Composer: Marcus Aurelius Artist: Mark Risinger Composer: Mechthild von Magdeburg Composer: Mirza Asadullah Beg Hhan Composer: Nikos Kazantzakis Composer: Pablo Neruda Choir: Radcliffe Choral Society Composer: Tatanka Yotanka Composer: Traditional Composer: Tzu Lau Composer: Walt Whitman Composer: William Shakespeare Composer: William Wordsworth Auto-generated by YouTube.
James Yannatos Hildegard Bingen Dickinson Radcliffe Risinger Neruda Tzu William Shakespeare Wordsworth Collegium Musicum Harvard Radcliffe Orchestra Radcliffe Choral Society 2004
Provided to YouTube by NAXOS of America IV. My Duties Walk with My Song: The Family of Mankind · Caprice Corona Yannatos: Symphonies Nos. 2 and 7 ℗ 2004 Albany Released on: 2004-01-01 Composer: Bible - Old Testament Composer: Hadewijch II Composer: Hildegard of Bingen Artist: Caprice Corona Composer: Catherine Regina von Greittenberg Composer: Emily Dickinson Composer: Gabriela Mistral Choir: Harvard Glee Club Orchestra: Harvard-Radcliffe Collegium Musicum Orchestra: Harvard-Radcliffe Orchestra Composer: Helen Keller Composer: I. Kakridis Composer: James Joyce Composer: James Yannatos Conductor: James Yannatos Composer: Marcus Aurelius Artist: Mark Risinger Composer: Mechthild von Magdeburg Composer: Mirza Asadullah Beg Hhan Composer: Nikos Kazantzakis Composer: Pablo Neruda Choir: Radcliffe Choral Society Composer: Tatanka Yotanka Composer: Traditional Composer: Tzu Lau Composer: Walt Whitman Composer: William Shakespeare Composer: William Wordsworth Auto-generated by YouTube.
Harvard Radcliffe Orchestra Radcliffe James Yannatos 2002
Provided to YouTube by NAXOS of America II. Asia Minor-Asia · Harvard-Radcliffe Orchestra Yannatos: Symphony No. 5 / Wyner: Prologue and Narrative / Fussell: Symphony No. 5 ℗ 2002 Albany Released on: 2002-01-01 Orchestra: Harvard-Radcliffe Orchestra Composer: James Yannatos Conductor: James Yannatos Auto-generated by YouTube.
Walter Piston Radcliffe James Yannatos Koussevitzky Copland Harvard Radcliffe Orchestra Boston Symphony Orchestra 1946 1947 1948
Harvard-Radcliffe Orchestra conducted by James Yannatos I - Andantino: 0:00 II - Allegro: 9:44 III - Adagio: 15:25 IV - Allegro: 26:06 Piston's third symphony was composed between 1946 and 1947, as a comission for Koussevitzky and the Boston Symphony Orchestra, with which he collaborates for several decades. It is written in memory of Natalie Koussevitsky. With this work Piston won his first Pulitzer Prize. It was premiered on January 9, 1948, by the same orchestra and conductor. The work is divided in four movements (an unusual structure for Piston, since most of his symphonies were written in three movements) in a slow-fast-slow-fast scheme. The work is superficially similar to Copland's third symphony, which shares the same structure but they are different in language and personality. Pisto, despite using a formally classical structure, his harmony is modern. The style is somber, with great expressive force. The first movement is based on three themes. Begins with a slow first theme of melancholic character presented by the oboe, supported by the strings. The theme is taken by the orchestra, which developes it until reaching a lyrical climax. The second theme, played by the whole orchestra and derivated from the first one, is anxious and strongly dissonant. The brief third theme, also related with the others, is drammatic but with a strong spirit, which ends the movement with a resolutive chord. The second movement is a short scherzo with a trio. It begins with a dance of wild character featuring jittery urban rhythms, supported by the percussion. The section corresponding to the trio is of a lyrical and bucolic character, with a solo of the flute. Then the scherzo is repeated, ending with decision. The third movement is structured as a theme and a set of slow variations. The strings present a chromatic lyrical theme of pensive character. In the first variation, clarinet and oboe share a dialogue, followed by interventions of various instruments like the harp, horns and winds. The second variation (in the middle of the movement) is an extense and dissonant climax by the whole orchestra. The third variation is lyrical, with new interventions of the woodwinds and a bright violin solo at the end. The fourth variation is mainly derived from the previous one, ending the movement in the calm but pensive mood of the begining. The short last movement is written in sonata form. It begins with a jovial rhythmic theme on the strings, full of a victory feeling, the optimistic spirit that attended the end of World War II. The second theme is more melodic, contrasting with the impulse of the first one. A vigorous fugal section comes as the development, based on the main theme. Then a varied recapitulation of both themes comes. The rhythmic character of the music increases, ending the work with a cheerful and victorious coda. Returning to the comparison with Copland's third symphony. Piston even makes reference to Copland's famous Fanfare for the Common Man, upon which the fourth movement of Copland's symphony is based. But, despite such similarities between the two works, Piston's symphony clearly bears the composer's distinctive stylistic stamp. The first movement is densely contrapuntal and chromatic. While the two scherzos are quite similar in mood, the two slow movements are not; Piston's is dark, tragic, and steeped in sorrow. The finale is comical rather than eloquent and includes a march in triple time. Picture: "Three Artists" (c1940) by the Indian painter S. H. Raza. Sources from: (http•••) (http•••) and (http•••) I personally added some into the description, especially on the first and third movements and part of the fourth.
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- cronologia: Compositori (Nord America). Direttori d'orchestra (Nord America).
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