Isabella Colbran Video
soprano e compositrice spagnola
Commemorazioni 2025 (Nascita: Isabella Colbran)
- soprano di coloratura
- opera
- Spagna
- cantante lirico, compositore
Ultimo aggiornamento
2024-05-07
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Joyce Didonato Gioachino Rossini Colbran Orchestra Accademia Nazionale Santa Cecilia 2009
Provided to YouTube by Warner Classics Maometto secondo, Act 1: "Giusto ciel, in tal periglio" (Anna, Chorus) · Joyce DiDonato · Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma · Coro dell'Accademia Nazionale di Santa Cecilia · Edoardo Muller Rossini: Colbran, the Muse (opera arias) ℗ 2009 Parlophone Records Limited, a Warner Music Group Company Chorus: Coro dell'Accademia Nazionale di Santa Cecilia Conductor: Edoardo Müller Mezzo-soprano Vocals: Joyce DiDonato Orchestra: Orchestra dell'Accademia Nazionale di Santa Cecilia Composer: Gioachino Rossini Auto-generated by YouTube.
Brigitte Hahn Hahn Rossini Isabella Colbran Beethoven Verdi Puccini Britten Meyerbeer Offenbach Tales Hoffmann 1822 2002
~Vocal Variations~ is a series that highlights interesting theme and variations pieces for soprano. THE MUSIC: A few composers have used the theme and variations format for an aria within an opera, as opposed to a stand-alone concert showpiece. Here is one example at the end of Rossini's "La donna del lago," where the bravura music conveys the plot's happy ending. The role of Elena was written for Isabella Colbran, who Rossini married in 1822. Though Colbran was classified as a soprano, some roles he wrote for her can be sung successfully by lyric mezzos / Frederica von Stade and Joyce Di Donato have both performed Elena. THE SONGBIRD: The surprise singer here is neither a coloratura soprano nor a lyric mezzo, but a dramatic soprano (or perhaps a soprano assoluta?!). Brigitte Hahn is nothing if not versatile, having sung big German roles (Wagner's Brünnhilde and Isolde, Beethoven's Leonore) and big Italian roles (Verdi's Lady MacBeth, Puccini's Turandot), as well as Mozart (all the lead roles including Konstanze) and bel canto (Norma and Lucia), plus a cross section of other composers (Strauss, Britten, Meyerbeer to name a few). In Berlin, Hahn pulled off one of the true signs of a versatile operatic soprano: singing all four heroines in Offenbach's "Tales of Hoffmann." With that background established, it shouldn't be a surprise to hear her deftly manage the filigree of Rossini variations from a live performance in Montpellier in 2002.
Teatro San Carlo Scala Fenice Teatro San Bartolomeo Scarlatti Domenico Sarro Antonio Caldara Vittoria Tesi Peruzzi Angelo Amorevoli Righini Christoph Willibald Gluck Johann Christian Bach Bach Louis Spohr Isabella Colbran Rossini Nozzari Benedetti San Carlo Opera Company 1386 1621 1682 1736 1737 1752 1761 1809 1817 1841
The Teatro Reale di San Carlo (Royal Theatre of Saint Charles), as originally named by the Bourbon monarchy but today known simply as the Teatro di San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice.[1] The opera season runs from late January to May, with the ballet season taking place from April to early June. The house once had a seating capacity of 3,285,[2] but has now been reduced to 1,386 seats.[3] Given its size, structure and antiquity, it was the model for theatres that were later built in Europe. Commissioned by the Bourbon King Charles III of Naples (Carlo III in Italian), Charles wanted to endow Naples with a new and larger theatre to replace the old, dilapidated, and too-small Teatro San Bartolomeo of 1621, which had served the city well, especially after Scarlatti had moved there in 1682 and had begun to create an important opera centre which existed well into the 1700s.[4] Thus, the San Carlo was inaugurated on 4 November 1737, the king's name day, with the performance of the opera Domenico Sarro's Achille in Sciro, which was based on the 1736 libretto by Metastasio which had been set to music that year by Antonio Caldara. As was customary, the role of Achilles was played by a woman, Vittoria Tesi, called "Moretta"; the opera also featured soprano Anna Peruzzi, called "the Parrucchierina" and tenor Angelo Amorevoli. Sarro also conducted the orchestra in two ballets as intermezzi, created by Gaetano Grossatesta, with scenes designed by Pietro Righini.[1] The first seasons highlighted the royal preference for dance numbers, and featured among the performers famous castrati. In the late 18th century, Christoph Willibald Gluck was called to Naples by the impresario Tufarelli to direct his 1752 Clemenza di Tito at the theatre, and Johann Christian Bach in 1761-62 brought two operas, Catone in Utica and Alessandro nell'Indie. 1737: Construction of the Teatro di San Carlo The new opera house was designed by Giovanni Antonio Medrano, a military architect, and Angelo Carasale, the former director of the San Bartolomeo. The horseshoe-shaped auditorium is the oldest in the world. It was built at a cost of 75,000 ducats. The hall was 28.6 meters long and 22.5 meters wide, with 184 boxes, including those of proscenium, arranged in six orders, plus a royal box capable of accommodating ten people, for a total of 1,379 seats. Including standing room, the theatre could hold over 3,000 people. The fastidious composer and violinist Louis Spohr reviewed the size and acoustic properties of this opera house very thoroughly on 15 February 1817 and concluded that: there is no better place for ballet and pantomime. Military movements of infantry and cavalry, battles, and storms at sea can be represented here without falling into the ludicrous. But for opera, itself, the house is too large. Although the singers, Signora Isabella Colbran, [Prima Donna of the Teatro San Carlo opera company and Rossini's future wife], and the Signori Nozzari, Benedetti, etc., have very strong voices, only their highest and most stentorian tones could be heard. Any kind of tender utterance was lost.[5] Much admired for its architecture, its gold decorations, and the sumptuous blue upholstery (blue and gold being the official colours of the Bourbons), the San Carlo was now the biggest opera house in the world.[6] In relation to the power of the existing Bourbon Kingdom of the Two Sicilies, Beauvert notes that the design of the house, with its 184 boxes lacking any curtains was so that "no one could avoid the scrutiny by the sovereign" who had his private access from the Royal Palace.[6] In 1809 Domenico Barbaia was appointed manager of the royal opera houses in Naples and remained in charge until 1841.[7] He soon established a reputation for innovative and dazzling productions, which attracted both the public and leading singers to the opera house.
Gaetano Donizetti Giuseppe Verdi Vincenzo Bellini Gioacchino Rossini Giuseppina Strepponi Giulio Ricordi Giacomo Puccini Giachetti Giulia Grisi Grisi Lupi Marchi Isabella Colbran Giulio Neri Giulietta Simionato Tito Gobbi Nelly Corradi Corradi Gianni Poggi Renata Tebaldi Italo Tajo Benvenuti Lazzari 1954
Roland Alexandre - Gioacchino Rossini Myriam Bru - Luisa Lewis Elisa Cegani - Giuseppina Strepponi Andrea Checchi - Giulio Ricordi Danièle Delorme - Maria Gabriele Ferzetti - Giacomo Puccini Fosco Giachetti - Giuseppe Verdi Renzo Giovampietro - Tito Ricordi Nadia Gray - Giulia Grisi Roldano Lupi - Domenico Barbaja Marcello Mastroianni - Gaetano Donizetti Micheline Presle - Virginia Marchi Maurice Ronet - Vincenzo Bellini Paolo Stoppa - Giovanni Ricordi Märta Torén - Isabella Colbran (as Marta Toren) Singers : Mario Del Monaco,Giulio Neri,Giulietta Simionato,Tito Gobbi,Nelly Corradi,Gianni Poggi,Renata Tebaldi,Italo Tajo Directed by Carmine Gallone Produced by Franco Riganti Written by Leonardo Benvenuti Luigi Filippo D'Amico Carmine Gallone Starring Roland Alexandre Cinematography Marco Scarpelli Editing by Niccolò Lazzari Release date(s) 1 December 1954 Running time 110 minutes Country Italy Language Italian
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- cronologia: Compositori (Europa). Cantanti lirici (Europa).
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