Ignaz Vitzthumb Video
compositore austriaco
Commemorazioni 2024 (Nascita: Ignaz Vitzthumb)
- violino
- opera
- Austria
- direttore d'orchestra, compositore, violinista
Ultimo aggiornamento
2024-05-04
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Johann Michael Haydn Haydn Sibelius Ignaz Vitzthumb Fétis Burney Théâtre Monnaie
♫ Recovery project of sheet music by Johann Michael Haydn +••.••(...)) and by other neglected composers ♫ Composer: Ferdinand Staes +••.••(...)) Work: Sonate II, Op.4 Software: Sibelius + Instruments samples World Premiere: No Real performance: (http•••) Sheet music (pdf): (http•••) Sheet music (xml): (http•••) Info about sheet music recovering project: (http•••) / Ferdinand(-Philippe-Joseph) Staes (Brussels, bap. 16 December 1748 - Brussels, 23 March 1809) Flemish harpsichordist, organist and composer. The son of Guillaume Staes, an organist at the Brussels royal chapel from 1758, he studied with his father and later with Ignaz Vitzthumb. As a harpsichordist he was accompanist at the Théâtre de la Monnaie, Brussels, by 1767 and the following year was appointed assistant to his father (second court organist at that time); he also took part in concerts de table at court and performed successfully at the concerts of the academy and Concert Bourgeois in 1771. In January 1772 he gained the reversion for his father’s post of principal court organist but (despite Fétis and later sources) he never filled this appointment, for his father was still active when the royal chapel was dissolved in 1794. By 1772 Staes was an organist at the Madeleine church, where Burney heard him and wrote that ‘the organ was played in a masterly manner, by M. Straze [sic], who is esteemed the best performer upon keyed instruments in Brussels’. Staes was a member of the masonic lodge ‘L’heureuse rencontre à l’Orient’, Brussels, by 1786, but does not seem to have written masonic music. His compositions include several keyboard works (mainly sonatas for the harpsichord or piano) with instrumental accompaniment.
Charles Burney Ignaz Vitzthumb Bolton 1748 1809
1) Largo: 00:00 2) Allegro: 2:37 Ferdinand-Philippe-Joseph Staes is not exactly a household name in the musical world these days, but in his time that was quite different. The English musician and traveler Charles Burney, hearing Staes play the organ in Brussels, remarked that Staes was esteemed as the best keyboard player in the city. His father had also been a musician and organist, and Ferdinand studied with Ignaz Vitzthumb, who had an excellent reputation as a pedagogue. Staes’ music for keyboard usually includes parts for the violin and cello as well; this sonata is no exception, although I found that the second and third movements of this charming sonata in B-flat major “work” with only the keyboard part (i.e., omitting the parts for violin and cello). While I am sure that these works would sound best with the other two instruments included, I do hope that even without them, the listener will get a good idea of Staes’ compositional style. – David Bolton, “The Digital Harpsichordist” What’s that you say? You still haven’t seen my books? Please do check them out at Amazon! 1) How to Memorize Music – A Practical Approach for Non-Geniuses (http•••) 2) How to overcome Stage Fright − The ultimate Guide for performing Musicians (http•••) 3) Play it with Feeling! - Expressing Emotion in Musical Performance (http•••) All available at Amazon.com Please subscribe to my channel! P.S. You might want to join my Facebook Group: "The Digital Harpsichordist": (http•••)
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- cronologia: Compositori (Europa). Direttori d'orchestra (Europa). Interpreti (Europa).
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