Friedrich Hegar Video
direttore d'orchestra, compositore, direttore di coro
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2024-05-11
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Downloadable B-roll of events, participants and facilities at the Dec. 12 depository groundbreaking in Leander. Initial silent footage of signage; displays; gold & silver bars; officials shoveling dirt; & TV interview w/Comptroller Glenn Hegar (no sound). Footage w/sound begins at 2:30 w/remarks by Comptroller Hegar, then operator chairman Matt Ferris (6:55) & bill sponsor Rep. Giovanni Capriglione (13:15).
Julius Klengel Paul Klengel Guilhermina Suggia Emanuel Feuermann Gregor Piatigorsky Alexandre Barjansky Hegar Mendelssohn Wilhelm Furtwängler Adolph Brodsky Hideo Saito Grümmer William Pleeth Gewandhaus Gewandhaus Quartet Leipzig Gewandhaus Orchestra 1859 1881 1901 1933 2000
Julius Klengel (24 September 1859 – 27 October 1933) was a German cellist who is most famous for his études and solo pieces written for the instrument. He was the brother of Paul Klengel. A member of the Gewandhaus Orchestra at fifteen, he toured extensively throughout Europe as cellist and soloist of the Gewandhaus Quartet. His pupils include Guilhermina Suggia, Emanuel Feuermann, Gregor Piatigorsky and Alexandre Barjansky. Please support my channel: (http•••) Cello Concerto No. 4 in B minor, Op. 37 (1901) Dedication: Berthold Kellerman 1. Allegro non troppo (0:00) 2. Allegretto (11:33) 3. Allegro vivace (20:00) Xenia Jankovic, cello and Hannover Radio Philharmonic Orchestra conducted by Bjarte Engeset Klengel was born in Leipzig, and studied with Emil Hegar in his youth. His father was a lawyer and an amateur musician, and was friend of Mendelssohn. Julius Rontgen was his nephew. After his 15th birthday, Klengel joined the Leipzig Gewandhaus Orchestra where Klengel played first cello, and began touring in Europe and Russia. Klengel also became a soloist at that point, frequently giving solo performances. Klengel rose to become principal cellist of the orchestra, aged 22, in 1881. There he remained for over four decades: to celebrate his fifty years of service, Wilhelm Furtwängler conducted a jubilee concert, in which Klengel played the cello part in a double concerto he composed for the occasion. During that time period, Klengel became professor at the Leipzig Conservatory, where he was briefly a member of Adolph Brodsky's string quartet, and began composing. He ultimately composed hundreds of pieces for the cello, including four violoncello concertos, two double cello concertos, cello quartets, a cello sonata, as well as numerous caprices, etudes and other technical pieces. Of his music, the two volumes of etudes ("Technical Studies") for cello remain in the repertory. His students included Guilhermina Suggia, Hideo Saito, Emanuel Feuermann, Paul Grümmer, William Pleeth, and Gregor Piatigorsky. He died in October 1933 in his hometown of Leipzig.
Othmar Schoeck Dietrich Fischer Dieskau Fischer Weber Beethoven Mahler Alban Berg Schwarzkopf Friedrich Hegar Lothar Kempter Max Reger Rasch Samuel Barber David Hertzberg Tonhalle Orchester Zürich 1804 1875 1886 1907 1908 1915 1917 1935 1937 1944 1957 1958 1959 1965 1972
Dietrich Fischer-Dieskau is accompanied by Swiss pianist Margrit Weber in this performance of Peregrina II, by the Swiss composer and conductor Othmar Schoeck +••.••(...)Text by Eduard Mörike, 1804-1875.) From the LP "Lieder Von Othmar Schoeck," recorded in 1958 and released on the Deutsche Grammophon label in 1959. All images used in creation of this video are from the LP label and the LP jacket. / More from Fischer-Dieskau: Othmar Schoeck / Dietrich Fischer-Dieskau, 1959: Das Ende Des Festes (C. F. Meyer) - (http•••) Beethoven / Dietrich Fischer-Dieskau: An Die Ferne Geliebte, Op. 99 - (http•••) Mahler, Des Knaben Wunderhorn - "Wer hat dies Liedlein erdacht? - (http•••) Mahler, Des Knaben Wunderhorn - Der Tamboursg'sell: (http•••) Beethoven - Adelaide, song for voice & piano, Op. 46 - (http•••) Alban Berg, Wozzeck, 1965 Production - (http•••) Mahler, Des Knaben Wunderhorn - Fischer-Dieskau / Schwarzkopf: Der Schildwache Nachtlied - (http•••) Beethoven - La Partenza: (http•••) / Schoeck wurde 1886 in Brunnen (Zentralschweiz) geboren, verbrachte aber sein ganzes Leben in Zürich.Seine musikalische Bildung erwarb er zunächst am Konservatorium Zürich bei Friedrich Hegar und Lothar Kempter. 1907/08 besuchte er die Meisterklasse für Komposition bei Max Reger in Leipzig. Seit 1908 betreute er mehrere Chöre in Zürich und leitete von 1917--1944 die Symphoniekonzerte in St. Gallen. Nach seiner Rückkehr aus Leipzig schuf er sich in der Schweiz mit seinen Liedern und Chorwerken / worunter Trommelschläge, op. 26 (1915) / rasch einen Namen als Komponist. Seine acht Bühnenwerke sowie seine bedeutenden Liederzyklen (u.a. Elegie, op. 36, Lebendig begraben, op. 40, ein Werk, das James Joyce 1935 bei einer Wiedergabe durch das Tonhalle-Orchester Zürich so sehr beeindruckte, dass er eines der Gedichte sogleich ins Englische übersetzte, welches wiederum von Samuel Barber vertont und in Three Songs (1972) aufgenommen wurde, sowie das in letzter Zeit immer häufiger gespielte und aufgenommene Notturno, op. 47) haben ihn von den 1920er Jahren an im gesamten deutschsprachigen Raum und darüber hinaus bekannt gemacht. Отмар Шёк родился в семье художника-пейзажиста Альфреда Шёка в швейцарской деревне Бруннен. Прежде чем посвятить себя музыке будущий композитор также планировал профессионально заниматься живописью и даже некоторое время проучился в художественной школе в Цюрихе. После этого он поступил в Цюрихскую консерваторию, где занимался под руководством Фридриха Хегара, Лотара Кемптера и Карла Аттенхофера. В 1907—1908 годах Отмар Шёк учился Лейпцигской консерватории у Макса Регера. С 1908 года он руководил хорами в Цюрихе, с 1917 по 1944 годы возглавлял симфонический оркестр города Санкт-Галлен. Композитор похоронен на кладбище «Friedhof Manegg» в Цюрихе. После его смерти в Цюрихе было создано общество имене Отмара Шёка. Отмар Шёк был близким другом писателя Германа Гессе, написавшего о нём книгу «Из воспоминаний об Отмаре Шёке» (нем. Erinnerungen an Othmar Schoeck), впервые изданную в 1937 году. Сегодня Шёк известен как один из наиболее значительных швейцарских композиторов XX века. В его творчестве традиции поздненемецкого романтизма сочетаются с широко распространёнными в первой половине XX столетия неоклассическими тенденциями. Считается, что наибольшее влияние на него оказали Хуго Вольф, к чьему творчеству Отмар Шёк относился с восхищением, и Феруччо Бузони, с которым композитор был хорошо знаком лично. "David Hertzberg" Ludwig van Beethoven / Лудвиг ван Бетховен / لودفيج فان بيتهوفن / লুটৱিস ফান বিটহ'ফন / Λούντβιχ βαν Μπετόβεν / لودویگ فان بتهوون / 루트비히 판 베토벤 / Լյուդվիգ վան Բեթհովեն / לודוויג ואן בטהובן / ルートヴィヒ・ヴァン・ベートーヴェン / Лю́двиг ван Бетхо́вен
Hans Huber Huber Jörg Peter Weigle Weigle Brahms Münch Hermann Suter Friedrich Hegar 1852 1870 1877 1889 1894 1918 1921
It is my sincere desire that any and all possible remuneration that may be my due be instead directed to all holders of copyright. Hans Huber +••.••(...)) Serenade for Orchestra No. 1 in E Major, Op. 86, 'Sommernächte' I. Allegro molto moderato 0:00 II. Scherzo: Prestissimo 7:45 III. Notturno: Adagio 10:10 IV. Finale: Allegro vivace 13:48 Stuttgart Philharmonic Orchestra Jörg-Peter Weigle, conductor Hans Huber (1852 – 1921) was a composer from Switzerland who, between 1894 and 1918, composed five operas. His piano concertos are slightly unusual for the form in that they have, like Brahms' second piano concerto in B-flat major, four movements (scherzos are included in addition to the usual fast, slow, and fast tempo movements). He also wrote a set of 24 Preludes and Fugues, Op. 100, for piano four-hands in all the keys. He was born in Eppenberg-Wöschnau (Canton of Solothurn). The son of an amateur musician, Huber became a chorister and showed an early talent for the piano. In 1870 he entered Leipzig Conservatory, where his teachers included Oscar Paul. In 1877 he returned to Basel to teach, but did not obtain a post in the Conservatory there until 1889; seven years later he became director. Among his notable students were Hans Münch and Hermann Suter. In 1889 Huber wrote an A major symphony, which was conducted in December 1889 by Friedrich Hegar, and whose full score survives. He wrote in all nine symphonies, eight acknowledged, and several concertos, two each for violin and cello, four for piano, two of them effectively lost. During his last years he lived in Minusio in Villa Ginia. He died at Locarno.
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- cronologia: Compositori (Europa). Direttori d'orchestra (Europa).
- Indici (per ordine alfabetico): H...