Halina Łukomska Video
cantante lirico
- soprano
- Polonia
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2024-04-28
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Halina Łukomska Toti Dal Monte Webern Berg Nono Boulez Szymanowski Lutosławski Augustyn Augustyn Bloch Bloch Aloysia Weber Weber 1787 1788 1929 1954 1968 2016
THE SONGBIRD: Polish soprano Halina Łukomska +••.••(...)) Studied in Warsaw, graduating in 1954, and continued to study privately in Italy, including two years with Toti Dal Monte. Lukomoska sang a few lyric-coloratura operatic roles, but mostly appeared in concert with an emphasis on contemporary works by composers including Webern, Berg, Nono, Boulez, Szymanowski, and Lutosławski. She was married to Polish composer Augustyn Bloch and premiered several of his concert works. THE MUSIC: Mozart's "Don Giovanni" had its premiere in Prague in 1787. Donna Anna is one of three soprano roles. Her second aria "Non mi dir" has a multi-part structure beginning with a challenging accompanied recitative, followed by a gracefully melodic aria and a short florid conclusion. The role is often taken by dramatic voices as the music calls for bursts of outrage, but it was sung by high coloratura soprano Aloysia Weber in the Vienna premiere in 1788 under Mozart's direction.
Halina Łukomska Verdi Gioia Croce Diletti Monteverdi Bach Haendel Mozart Schoenberg Berg Webern Strawinsky Boulez Claudio Abbado Ernest Bour Zubin Mehta Igor Markevitch Augustyn Augustyn Bloch Bloch Hofer 1893 1929
È strano! è strano! in core Scolpiti ho quegli accenti! Sarìa per me sventura un serio amore? Che risolvi, o turbata anima mia? Null'uomo ancora t'accendeva o gioia Ch'io non conobbi, essere amata amando! E sdegnarla poss'io Per l'aride follie del viver mio? Ah, fors'è lui che l'anima/Solinga ne' tumulti Godea sovente pingere/De' suoi colori occulti! Lui che modesto e vigile/All'egre soglie ascese, E nuova febbre accese,/Destandomi all'amor. A quell'amor ch'è palpito/Dell'universo intero, Misterioso, altero,/Croce e delizia al cor. (…) Follie! follie delirio vano è questo!/Povera donna, sola Abbandonata in questo/Popoloso deserto Che appellano Parigi,/Che spero or più? Che far degg'io!/Gioire, Di voluttà nei vortici perire./Sempre libera degg'io Folleggiar di gioia in gioia,/Vo' che scorra il viver mio Pei sentieri del piacer,/Nasca il giorno, o il giorno muoia, Sempre lieta ne' ritrovi/A diletti sempre nuovi Dee volare il mio pensier. *Halina Lukomska was born in 1929. She graduated from the State Higher Schools of Music in Poznan and Warsaw. Then she completed her vocal studies in Italy with Giorgio Favaretto and Toti dal Monte. During her numerous concert tours she won an international reputation of a distinguished singer. Her repertoire includes the works of the early masters (Monteverdi, Bach, Haendel, Mozart) and of the 20th century composers (Schoenberg, Berg, Webern, Strawinsky, Boulez, Szymanowsky). She has been performing them with famous conductors: Claudio Abbado, Ernest Bour, Zubin Mehta, Igor Markevitch and others. She was married to the Polish composer Augustyn Bloch./ painting by Gottfried Hofer-1893
Szymanowski Szczepańska Kopczyński
Karol Szymanowski, "O tej godzinie, w której miasto śpi", pieśń z cyklu Muezina Szalonego Songs of the Infatuated Muezzin, Op.42, Nr. 5 (Jarosław Iwaszkiewicz) Dorota Szczepańska, soprano Website: (http•••) Facebook: (http•••) Instagram: (http•••) Youtube: (http•••) Piotr Kopczyński, piano #classicalmusic #szymanowski #song #soprano #classicalsong #muezzin I mainly perform classical music! However, I'm also interested in other music styles :):):) Recently, I have started to create my own original video clips for the works I selected! I want to show classical music (and not only) in a more original and contemporary way! Stay tuned and feel free to subscribe my channel! (http•••) Szymanowski composed his Pieśni muezina szalonego / Songs of the Infatuated Muezzin Op. 42 - a setting of lyrics by Jarosław Iwaszkiewicz - in late 1918, directly after the Four Songs to Lyrics by Rabindranath Tagore Op. 41. Unlike that previous song cycle, though, the Songs of the Infatuated Muezzin represent a style which Szymanowski had developed a few years earlier and which emphasized sensuous expression and utilized fantastic, Far-Eastern colour ornamentation. The pronounced Oriental touch is achieved by special melodics (derived more often than not from the Arabic-Persian scale) with rich, ornamental melismas. Harmony, in turn, is reduced to carefully selected chords that allow for a maximum expression and colour. Szymanowski's music corresponds with Iwaszkiewicz's poems (incidentally, the poet entitled his cycle Namiętny muezin / The Passionate Muezzin, and it was Szymanowski who gave his composition a different name). The six songs represent calls made from the minaret by a Muslim servant - muezzin - to the prayers held at different times of the day, and at the same time are eulogies for the woman he loves. The words addressed to God alternate with those of rapture and tenderness for his beloved one; the religious ritual is intertwined with amorous passion.1 The first song, Allah, Allah, Akbar..., representing a nocturnal and lyrical mood, abound in a variety of subtle ornaments and melismas. The second song O, ukochana ma... / Oh, my beloved is a confrontation of two elements - love of a woman and love of God - symbolized by the vigorous and the static motifs, respectively. The third song Ledwie blask słońca... / Barely the sun glistens on the tower's roof, a eulogy of the sunrise, delights one with the subtle, shimmering shades of colour of the piano part. So does the fourth song, W południe miasto białe od gorąca... / At noon the city is white from the heat, except that its sounds are saturated with more powerful expression. The fifth song, O tej godzinie, w której miasto śpi... / At the hour when the city sleeps, uses a monotonous bass piano accompaniment to paint a vision of a falling dusk. The last song of the cycle, Odeszłaś w pustynię zachodnią... / You departed into the western desert is a poignant lament of extremely powerful expressiveness and diverse colour. Dedicated by Szymanowski to Lord Alington (Napier George Henry Stuart Alington), Songs of the Infatuated Muezzin were first performed by Stanisława Korwin-Szymanowska and Edward Steinberger in Lvov on 17th January 1922. In 1934 Szymanowski instrumented the work for voice and orchestra. Universal Edition published the original score and the instrumental version in 1922 and 1937, respectively. Both publications appeared in the Polish, French and German languages. One of Szymanowski's most important works, Songs of the Infatuated Muezzin have enjoyed unflagging popularity among musicians, and have been frequently performed and recorde. Of particular note among many of the recordings is the interpretation by Halina Łukomska and Jerzy Sulikowski (done in 1971 and released by Polskie Nagrania, Muza in 1983), Barbara Zagórzanka and the Orchestra of the Grand Theatre in Warsaw under Robert Satanowski (Koch Schwann / Musica Mundi), Ryszard Minkiewicz and the Silesian Philharmonic Orchestra under Karol Stryja (Marco Polo) and Juliana Gondek and Reinild Mees (Channel Classics, 2004). Author: Anna Iwanicka-Nijakowska, September 2007. (http•••)
Halina Łukomska Claude Achille Debussy Monteverdi Bach Haendel Mozart Schoenberg Berg Webern Strawinsky Boulez Claudio Abbado Ernest Bour Zubin Mehta Igor Markevitch Augustyn Augustyn Bloch Bloch 1862 1918 1929
La mort des amants (Cinq poèmes de C.Baudelaire) Claude-Achille Debussy +••.••(...)) Jerzy Godziszewski, piano/ Halina Łukomska was born in 1929. She graduated from the State Higher Schools of Music in Poznan and Warsaw. Then she completed her vocal studies in Italy with Giorgio Favaretto and Toti dal Monte. During her numerous concert tours she won an international reputation of a distinguished singer. Her repertoire includes the works of the early masters (Monteverdi, Bach, Haendel, Mozart) and of the 20th century composers (Schoenberg, Berg, Webern, Strawinsky, Boulez, Szymanowsky). She has been performing them with famous conductors: Claudio Abbado, Ernest Bour, Zubin Mehta, Igor Markevitch and others. She was married to the Polish composer Augustyn Bloch.
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- cronologia: Cantanti lirici (Europa).
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