Giovanni Lorenzo Lulier Video
compositore, violoncellista e trombonista italiano
- trombone, violoncello
- opera
- Italia
- compositore
streaming
Ultimo aggiornamento
2024-05-04
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Arcangelo Corelli Ferri Giovanni Lorenzo Lulier Aki Takahashi Silverstein Severi Ebe Stignani 1653 1713 2017
Arcangelo Corelli +••.••(...)) Sinfonia per l'Oratorio Santa Beatrice d'Este di Giovanni Lorenzo Lulier Accademia degli Astrusi Direttore Federico Ferri Violini primi Lorenzo Colitto*, Igor Cantarelli, Aki Takahashi, Gabriele Raspanti; Violini secondi Claudio Andriani*, Nicola Bignami, Simone Laghi, Gian Andrea Guerra; Viole Elicia Silverstein*, Valentina Soncini; Violoncelli Sebastiano Severi*, Nicola Brovelli; Violone Alessandro Pivelli; Tiorba Diego Cantalupi; Clavicembalo, organo Daniele Proni * prime parti Emilia-Romagna Festival 2017, Teatro "Ebe Stignani" Imola, 17/10/2017 Video a cura di: Studio Montalti
Giovanni Lorenzo Lulier Werckmeister 1662 1700
Composed by Giovanni Lorenzo Lulier +••.••(...)), also know as Giovannino del violone. I'm playing the double bass over the cembalo accompaniment edited by myself using The Small Italian Harpsichord, by Soni Musicae (Free sf2) . Recorded using Werckmeister III, A4 = 415 Hz. audio only: (http•••) backing track (cembalo) - Werkmeister III A4: 415Hz: (http•••) backing track (cembalo and metronome) - Werkmeister III A4: 415Hz: (http•••) sheet music (complete sonata): (http•••) Here is the link for the cembalo sampler: (http•••) Thanks!
Giovanni Lorenzo Lulier Werckmeister 1662 1700
Composed by Giovanni Lorenzo Lulier +••.••(...)), also know as Giovannino del violone. I'm playing the double bass over the cembalo accompaniment edited by myself using The Small Italian Harpsichord, by Soni Musicae (Free sf2) . Recorded using Werckmeister III, A4 = 415 Hz. audio only: (http•••) backing track (cembalo) - Werkmeister III A4: 415Hz: (http•••) backing track (cembalo and metronome) - Werkmeister III A4: 415Hz: (http•••) sheet music (complete sonata): (http•••) Here is the link for the cembalo sampler: (http•••) Thanks!
Arcangelo Corelli Nicholas McGegan Alessandro Stradella Giovanni Lorenzo Lulier Philharmonia Baroque Orchestra 1653 1675 1690 1711 1712 1713 1714
Arcangelo Corelli (1653~1713) - Concerti Grossi, Op.6 - Concerto Grosso No.1 in Re maggiore (per due Violini e Violoncello, Archi e Basso Continuo) I. Largo - Allegro - Largo - Allegro II. Largo III. Allegro IV. Allegro Philharmonia Baroque Orchestra Nicholas McGegan (conductor) Arcangelo Corelli was at work preparing his Opus Six in 1711 and wrote a dedication for the collection in 1712. However, the twelve "Concert Grossi with a Concertino of two Violins and Violoncello obbligati and two other Violins, Viola and Bass for the Concerto grosso that can be doubled at will" did not appear until 1714, the year after the composer's death, issued by the printer Etienne Roger of Amsterdam. As the title specifies, these works juxtapose the sound of a trio-sonata group (two violins, cello, and continuo) with a string ensemble, also provided with a continuo instrument - a Roman practice that goes back to Alessandro Stradella around 1675. (In the original performances of the concertos, the solo violins were played by Corelli and Matteo Fornari, the solo cello by Giovanni Lorenzo Lulier). The first part of the collection (Concerti I-VIII) consists of concertos corresponding to the church sonata type established in Corelli's previously published Trio sonatas and Sonatas for solo violin: an alternating succession of slow and fast movements, plus an ad libitum Pastorale at the end of Concerto VIII, the celebrated concerto for Christmas Eve (which may have been composed as early as 1690). The "Second Part for Chamber" (Concerti IX-XII) corresponds to the chamber sonata type, "Preludes, Allemandes, Correnti, Gigues, Sarabands, Gavottes, and Minuets".
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): L...