Giovanni Furno Video
compositore italiano
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2024-04-29
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Provided to YouTube by Zebralution GmbH Non ti scordar di me · Arturo Sergi & Großes Streichorchester Jo Plée Arturo Sergi singt italienische und neapolitanische Lieder ℗ 2011 ...and more bears Released on: 2011-08-26 Composer: De Curtis Lyricist: Furnò Music Publisher: n/a Auto-generated by YouTube.
Norie Suzuki Suzuki Manabe Furno 2007
Provided to YouTube by Universal Music Group Non ti scordar di me · Norie Suzuki Soave ℗ 2007 EMI Music Japan Inc. Released on: 2007-09-19 Associated Performer, Recording Arranger, Performer: Tomoyuki Asakawa(Harp) Associated Performer, Viola, Musician: Yu Manabe Associated Performer, Vocals: Norie Suzuki Composer: Ernesto De Curtis Arranger, Work Arranger: Tomoyuki Asakawa(Harp) Author: Domenico Furno Translator: Takashi Otowa Translator: Hiroshi Arakaha Auto-generated by YouTube.
Saverio Mercadante Giovanni Furno Giacomo Tritto Nicola Zingarelli 1808 1820
This piece is a bit of a rarity among Mercadante's obscure to begin with earlier flute concertos. It was probably written, just like the rest of them during a long period of study which Mercadante went through at the Collegio Saint Sebastiano in Naples from 1808 up to 1820 with Giovanni Furno, Giacomo Tritto and Nicola Zingarelli, to quote a more famous name. The theme and variations is a very ambitious work by any standard: a simple, rustic theme is used to create a long, brilliant succession of eleven variations which, in a striking move, are kept compact, lasting, at the longest, just over two minutes. The writing is not, perhaps, as virtuoso as some of Mercadante's other works but it is tremendously demanding of the soloist, nonetheless, requiring both skill and imagination, as such close proximity of all variations is in obvious need of constant changes in coloration. Special mention should be given to variations 3 (4:17; the orchestra receives more presence for the first time, providing flowing lines for the flutes roulandes, reminding one of a small boat racing through the open sea at full speed), 5 (6:54; the flute pipes out the main theme over the delightful plucking of the strings), 8 (the beginning of part two; the orchestral lines support a very bird-like flute line, alternating to charming effect descending and ascending runs) and 11 (4:36; the customary minor section, providing a needed contrast to the brighter sections that form most of the variations; the melody is turned into a truly heart-wrenching lament; the strings' uneasy accompaniment provides a suitably grieving atmosphere). A lovely early work by a composer who would prove to be one of the cornerstones of belcanto. Mario Cabotta, supported by I solisti aquilani, exhibits a most appealing, slightly childlike tone which goes well with the variations. Hope you'll enjoy :).
This small figuration prelude is nothing more than Giovanni Furno's first partimento, transposed to A flat major. I am focusing on dominating the first position of Furno's harmonizations, so I am going through multiple keys and trying out different figurations. This is a great way to really secure the rule of the octave, since it is no longer just a scale up and down, but the bass can leap and step and you have to adapt.
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