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Gioachino Rossini Silvio Varviso Gherardini 1985
Provided to YouTube by Universal Music Group Rossini: La gazza ladra - Overture · Staatskapelle Dresden · Silvio Varviso Overtures & Intermezzi ℗ 1985 Universal International Music B.V. Released on: 1985-03-12 Composer: Gioachino Rossini Author: Giovanni Gherardini Auto-generated by YouTube.
Johann Sebastian Bach Britten Streicher Johann Gottlieb Goldberg Sitkovetsky Thomas Gould Gould Gherardini Sitkowetski Klug Freund Britten Sinfonia 1685 1741 1750 2015
Johann Sebastian Bach +••.••(...)) Goldberg Variations, Aria with 30 variations (for Strings) BWV988 Goldberg-Variationen, Aria Mit 30 Veränderungen (für Streicher) BWV988 First published in 1741 The Variations are named after Johann Gottlieb Goldberg, who may have been the first performer. 01. Aria 02. Variation 1 03. Variation 2 Canone all’Unisono. 04. Variation 3 05. Variation 4 06. Variation 5 07. Variation 6 Canone alla Seconda 08. Variation 7 al Tempo di Giga 09. Variation 8 10. Variation 9 Canone alla Terza 11. Variation 10 Fughetta 12. Variation 11 13. Variation 12 Canone alla Quarta in moto contrario 14. Variation 13 15. Variation 14 16. Variation 15 Canone alla Quinta. Andante 17. Variation 16 Oüverture 18. Variation 17 19. Variation 18 Canone alla Sesta 20. Variation 19 21. Variation 20 22. Variation 21 Canone alla Settima 23. Variation 22 24. Variation 23 25. Variation 24 Canone all'Ottava 26. Variation 25 Adagio 27. Variation 26 28. Variation 27 Canone alla Nona 29. Variation 28 30. Variation 29 31. Variation 30 Quodlibet 32. Aria Transcribed for string orchestra by Dimtry Sitkovetsky Thomas Gould, dir Britten Sinfonia Orchestra [on period instruments] / Artwork: Annunciation to the Immaculate Virgin by Alessandro Gherardini Unter der Leitung ihres zweiten Kapellmeisters Thomas Gould spielt die Britten Sinfonia die von Dimitri Sitkowetski klangschön und mit feinem Empfinden angefertigte Streicherbearbeitung der Goldberg-Variationen, Bachs berühmtem Klavierwerk. Rezensionen »Eine erstaunliche Darbietung, bei der die ganze feingesponnene kontrapunktische Komplexität des Bachschen Originals erhalten geblieben ist … Eine virtuose Glanzleistung.« THE GUARDIAN, KONZERTKRITIK »Der große Gewinn der sehr klug und sensibel gemachten Bearbeitung ist die Individualität der Stimmverläufe, die im Ensembleklang nun einzeln nachverfolgbar werden. Dieses Zusammenfinden der Klänge ist so ganz anders als im Klang eines Tasteninstrumentes, es eröffnet so viele neue Möglichkeiten des Zu- und Hinhörens. Kein Freund der Goldberg-Variationen sollte sich diese Erfahrung entgehen lassen, zumal hier mit ebensolcher Perfektion wie Energie musiziert wird.« (Audio, Juni 2015)
Gioachino Rossini Gherardini Gianluigi Gelmetti William Matteuzzi Katia Ricciarelli Ferruccio Furlanetto Samuel Ramey Bernadette Manca Nissa Credico Lefebvre Marcello Lippi 1989
Teatro Rossini La gazza ladra - nuova produzione Melodramma di Giovanni Gherardini Musica di Gioachino Rossini Edizione critica Fondazione Rossini/Ricordi, a cura di Alberto Zedda Direttore Gianluigi Gelmetti Regia Michael Hampe Scene e costumi Carlo Diappi Interpreti Fabrizio Roberto Coviello Lucia Luciana D'Intino Giannetto William Matteuzzi Ninetta Katia Ricciarelli Fernando Ferruccio Furlanetto Il Podestà Samuel Ramey Pippo Bernadette Manca di Nissa Isacco Oslavio Di Credico Antonio Pierre Lefebvre Giorgio Francesco Musinu Ernesto Marcello Lippi Il Pretore Enzo Capuano Coro Filarmonico di Praga Maestro del Coro Lubomír Mátl Orchestra Sinfonica della RAI di Torino
Gioachino Rossini Gherardini Aubigny
La gazza ladra (The Thieving Magpie) is an opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on La pie voleuse by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez. The composer Giaochino Rossini usually wrote quickly, and La gazza ladra was no exception. According to legend, before the first performance of the opera, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts, to complete the composition of the opera. As such, The Thieving Magpie is best known for the overture, which is musically notable for its use of snare drums. The unique inspiration in the melodies is extreme, famously used to bizarre and dramatic effect in Stanley Kubrick's "A Clockwork Orange". This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie.
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): G...