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Provided to YouTube by Warner Classics Suite Española No. 1, Op. 47: V. Asturias "Leyenda" · Fazil Say Morning Piano - Albéniz: Asturias ℗ A Warner Classics release, ℗ 2023 Fazil Say, under exclusive licence to Parlophone Records Limited Piano: Fazil Say Composer: Isaac Albéniz Auto-generated by YouTube.
Andrea Bocelli Gillian Zammit Joseph Calleja Apo 2017
Con Te Partiro Equipment: Sony A7sII Sigma 150-500 mm APO DG HSM OS for Canon with metabones IV adapter Around 150m distance from stage 20th anniversary concert Joseph Calleja 2017 in Malta Gillian Zammit and Andrea Bocelli
Tchaikovsky Meek Modest Tchaikovsky Usatov 1847 1883 1884 1885 1913 1940
Tchaikovsky: Six Romances, Op. 57 (1884) V. Death (Смерть) Moderato (F major) Tchaikovsky's Six Romances (Шесть романсов), Op. 57 (TH 105 ; ČW 275-280), were mostly written between September and November 1884, except for No. 1 which is from an earlier date. Instrumentation: Scored for high voice (Nos. 1, 5), medium voice (Nos. 3, 4), baritone (No. 2) or low voice (No. 6), with piano accompaniment. Tchaikovsky made minor changes to the texts of the poems used in On the Golden Cornfields (No. 2), Do Not Ask! (No. 3), Sleep! (No. 4), and more significant changes in Only You Alone (No. 6). Movements: V. Death (Смерть) Moderato (F major) If the roses fall silently If the stars fade in the sky The waves crash on the rocks, The ray of dawn on the clouds goes out, It's death, death. This is death, but without a painful struggle; This is death, captivating beauty, Promises a delightful rest, The best gift of all-good nature. She, the teacher of the divine, Learn, people, to die, So that with a meek and solemn smile, So that with a meek and solemn smile, Meekly meet your end. Dmitry Merezhkovsky, from an untitled poem (by 1883). Composition: The earliest of the romances to be written was Tell Me, What in the Shade of the Branches? (No. 1). In a letter to Pyotr Jurgenson of 1/13 December 1884 (see below). the composer expressed his surprise at this discovery of this romance, which it seems he had forgotten about. The exact time and place of its composition are uncertain. On the Golden Cornfields (No. 2) and Do Not Ask (No. 3) were composed at Pleshcheyevo in late September 1884. Before the rough draft of No. 2 in the composer's notebook is the date "Pleshcheyevo, 26 Sept 1884". Do Not Ask (No. 3) was composed next, and its text was probably chosen by Tchaikovsky after he read Goethe's novel The Apprenticeship of Wilhelm Meister("God, how marvellous this is..."), which he found in Nadezhda von Meck's library at Pleshcheyevo [4]. The remaining three romances were written in Paris between 19 November/1 December (the date of his arrival) and 1/13 December 1884, when Tchaikovsky wrote to Pyotr Jurgenson: "I was very surprised to learn that Komissarzhevsky has my romance. Incidentally, I already have another five. Congratulations to you on my new opus". Writing to Modest Tchaikovsky from Paris on 3/15 December 1884, the composer reported: "I cannot say that I am bored from idleness. I managed here to devise the main revisions to Vakula, and to write three new romances, and one church number". Publication: The romances were published by Jurgenson in April 1885, and in 1940 they were included in volume 45 of Tchaikovsky's Complete Collected Works, edited by Ivan Shishov and Nikolay Shemanin. Autographs: Tchaikovsky's manuscript scores of Nos. 2 to 6 are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 143). The autograph of No. 1 is lost. Dedication: Each romance is dedicated to a different person: V. Dmitry Usatov (1847–1913), tenor who premiered the role of Andrey in Mazepa.
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- cronologia: Compositori (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): S...