Edward Shippen Barnes Video
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2024-06-03
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Chadwick Edward Shippen Barnes Barnes Oppo
Original song by :- "Angels We Have Heard on High" is a Christmas carol to the hymn tune "Gloria" from a traditional French song of unknown origin called Les Anges dans nos campagnes, with paraphrased English lyrics by James Chadwick. The song's subject is the birth of Jesus Christ as narrated in the Gospel of Luke, specifically the scene in which shepherds outside Bethlehem encounter a multitude of angels singing and praising the newborn child. Based on : Luke 2:8-15 Melody : "Gloria", arranged by Edward Shippen Barnes Vocals :- Soprano, Alto and Tenor by Irene Joyce Abraham (http•••) Background karaoke music :- #sing2piano Video editing and vocal mixing :- Vita, video collage, shot and recorded on oppo f15 #pandemic_2020_this_too_will_pass #angels_we_have_heard_on_high_traditional_hymn
Edward Shippen Barnes Barnes 1845
The text to "Angels We Have Heard on High" is based on the 1845 French carol, "Les Anges dans nos campagnes." The music is the traditional French hymn tune "Gloria" which was arranged by Edward Shippen Barnes. Text: Angels we have heard on high Sweetly singing o'er the plains And the mountains in reply Echoing their joyous strains Gloria in excelsis Deo! Gloria in excelsis Deo! Shepherds, why this jubilee? Why your joyous strains prolong? What the gladsome tidings be? Which inspire your heavenly songs? Gloria in excelsis Deo! Gloria in excelsis Deo! Come to Bethlehem and see Him whose birth the angels sing; Come, adore on bended knee, Christ the Lord, the newborn King. Gloria in excelsis Deo! Gloria in excelsis Deo!
Louis Victor Jules Vierne Schubert Charles Marie Widor Severe Marcel Dupré Augustin Barié Edward Shippen Barnes Barnes Lili Boulanger Nadia Boulanger André Fleury Fleury Isadore Freed Gaston Litaize Édouard Mignan Schreiner Georges Émile Tanguay Maurice Duruflé Cavaillé Cavaillé Coll Santa María Bönig Saint Sulpice Paris Cathedral Notre Dame Paris 1870 1892 1900 1937
Louis Victor Jules Vierne (8 October 1870 / 2 June 1937) was a French organist and composer.Louis Vierne was born in Poitiers, Vienne, nearly blind due to congenital cataracts, but at an early age was discovered to have an unusual gift for music. (At age two he heard the piano for the first time. The pianist played him a Schubert lullaby and he promptly began to pick out the notes of the lullaby on the piano.) After completing school in the provinces, Louis Vierne entered the Paris Conservatory. From 1892, Vierne served as an assistant to the organist Charles-Marie Widor at the church of Saint-Sulpice in Paris. Vierne subsequently became principal organist at the cathedral of Notre-Dame de Paris, a post he held from 1900 until his death in 1937. Vierne had a life that was physically and emotionally very difficult, with severe spiritual trials that are occasionally reflected in his music. His congenital cataracts did not make him completely blind, but he was what would be called today "legally blind." Early in his career, he composed on outsized manuscript paper, using "a large pencil" as his friend Marcel Dupré described. Later in life, as his limited sight continued to diminish, he resorted to Braille to do most of his work. He was deeply affected by a separation and subsequent divorce from his wife, and he lost both his brother René and his son Jacques to the battlefields of World War I. Though he held one of the most prestigious organ posts in France, the Notre-Dame organ was in a state of disrepair throughout much of his tenure at the instrument. He eventually undertook a concert tour of North America to raise money for its restoration. The tour, which included major recitals on the famous Wanamaker Organ in Philadelphia and its smaller sister instrument, the Wanamaker Auditorium Organ in New York City,[1] was very successful, although the trip physically drained him. A street accident in Paris caused him to badly fracture his leg, and it was briefly thought his leg would need to be amputated. The leg was saved, but his recovery, and the task of completely re-learning his pedal technique, took a full year during one of the busiest times of his life. Despite his difficulties, however, his students uniformly described him as a kind, patient and encouraging teacher. Among his pupils were Augustin Barié, Edward Shippen Barnes, Lili Boulanger, Nadia Boulanger, Marcel Dupré, André Fleury, Isadore Freed, Henri Gagnebin, Gaston Litaize, Édouard Mignan, Alexander Schreiner, and Georges-Émile Tanguay. Vierne suffered either a stroke or a heart attack (eyewitness reports differ) while giving his 1750th organ recital at Notre-Dame de Paris on the evening of 2 June 1937. He had completed the main concert, which members of the audience said showed him at his full powers - "as well as he has ever played." Directly after he had finished playing his "Stele pour un enfant defunt" from his 'Triptyque' Op 58, the closing section was to be two improvisations on submitted themes. He read the first theme in Braille, then selected the stops he would use for the improvisation. He suddenly pitched forward, and fell off the bench as his foot hit the low "E" pedal of the organ. He lost consciousness as the single note echoed throughout the church. He had thus fulfilled his oft-stated lifelong dream - to die at the console of the great organ of Notre-Dame. Maurice Duruflé, another noted French organist of the time was at his side at the time of his death. Organe de Cavaillé-Coll, église de paroisse de la La de Santa María vraie Joueur : Winfried Bönig Azkoitia.
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