Donnie Ray Albert Video
baritono statunitense
- baritono
- Stati Uniti d'America
- cantante lirico
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2024-04-29
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Virginie Verrez Samuel Barber Jakub Hrůša Leo McFall Nicholas Jenkins Jenkins Fletcher Legge Rutherford Emma Bell Edgaras Montvidas Rosalind Plowright Donnie Ray Albert Glyndebourne Opera House London Philharmonic Orchestra 2018
Virginie Verrez performs 'Must the winter come so soon' from Samuel Barber's Vanessa. Recorded live at Glyndebourne Opera House, August 2018. A heartbreaking story of love, loyalty and obsession, this Pulitzer Prize-winning opera is a 20th century masterpiece. Erika’s aria ‘Must the winter come so soon’, with its delicate woodwind solos, is one of Vanessa’s musical highlights – a piece whose gentle loveliness and quiet melancholy catches the spirit of this many-layered character. Creative team Conductor:Jakub Hrůša / Leo McFall (17 and 24 August) Director: Keith Warner Designer: Ashley Martin-Davis Lighting: Designer Mark Jonathan Projection: Designer Alex Uragallo London Philharmonic Orchestra: Leader Kevin Lin The Glyndebourne Chorus: Chorus Master Nicholas Jenkins Assistant Conductor: Leo McFall Music Preparation: Matthew Fletcher, Kate Golla, Anthony Legge Assistant Directors: Neil Robinson, Ian Rutherford Cast includes Vanessa: Emma Bell Erika: Virginie Verrez Anatol: Edgaras Montvidas The Old Baroness: Rosalind Plowright The Old Doctor: Donnie Ray Albert Footman: Romanas Kudriašovas* Nicholas, the Major-Domo: William Thomas*† * Soloist from The Glyndebourne Chorus † Jerwood Young Artist 2018
Owens Donnie Ray Albert Salazar McKay 1925 2012 2017
Baritone Donnie Ray Albert and Pianist Polli Chambers-Salazar perform Composer Robert Owens +••.••(...) songs, Op 41, Song Cycle for Baritone and Piano - words by Claude McKay. 150th Anniversary Emancipation Proclamation Concert co-presented by MusicUNTOLD and Classical KUSC Radio. September 22, 2012, Los Angeles, Ca. For more, visit (http•••)
Donnie Ray Albert Tucker Bates 1938 1940 1997 2000 2017
Donnie Ray Albert, solo baritone Tamara Dworetz, conductor Courtney Regester, flute Nick Brown, clarinet Sean Riley, violin Akshaya Tucker, cello Rick Drewry, percussion Andrew Q Langman, piano Performed March 25, 2017 at Bates Recital Hall at the University of Texas at Austin. ~~~~~~~~~~~ Program Note: "In the year 2000, Israel’s Holocaust remembrance center Yad Vashem posthumously awarded Ho Feng-Shan the title “Righteous Among the Nations,” the nation’s highest civil honor, for saving the lives of more European Jews than any other single individual during the early years of the Holocaust. As China’s Consul General to Vienna from 1938-1940, he issued exit visas to any Jewish person requesting them, allowing them to leave Austria legally and reach safety elsewhere in the world via Shanghai and other Chinese ports. Hundreds queued up outside his consulate doors from morning to night seeking aid; Dr. Ho issued over 4,000 such visas, by conservative estimates, despite orders from his superiors to desist. On one occasion, an armed SS officer held him at gunpoint while he interposed his own body to protect a Jewish family. Ho Feng-Shan never breathed a word of his heroic actions to his wife, children, or friends—they were discovered by his family and Yad Vashem years after his death in 1997. Ho Feng-Shan, like most Holocaust rescuers, started off as a bystander, attempting to maintain a life of normalcy after Germany’s sudden annexation of Austria (Anschluss). However, when confronted with the jagged reality of the unfolding Holocaust—the beginnings of the extermination of Jews on Kristallnacht—he could no longer collude with genocide by refusing to act, becoming complicit every time he averted his eyes from need. In post-war years, after being reassigned to Brooklyn in New York City, Dr. Ho became fascinated with racial prejudice, seared so forcefully into memory by his years in Nazi-occupied Austria. He identified prejudice as the most important social condition in American society, observing and experiencing it in hiring, rent, voting, and education practices as well as tracing its roots through American history—especially slavery and immigration history. I have come to admire Ho Feng-Shan deeply—for his awareness and compassion, humanitarian courage, and unwavering conviction during perhaps the twentieth century’s most horrific time and place. As Dr. Ho himself writes (in a poem quoted in Movement IV), “The convictions of heroes [are] not lightly formed”. Though the above history may seem flattened out into the distant past, Ho Feng-Shan’s character and actions stand robust, real, and three-dimensional, coming alive now for you in music. May we never forget, but remember—and by remembering, learn." See individual movements at Soundcloud for the libretto/texts: (http•••)
Giuseppe Verdi Latonia Moore Moore Donnie Ray Albert 2012
MusicUNTOLD September 22, 2012 150th Emancipation Proclamation concert. Soprano Latonia Moore, Baritone Donnie Ray Albert, Pianist/Composer Richard Thompson perform Aida, Amonasro: "Ciel, mio padre!"/Heaven my father, Giuseppe Verdi For more, visit (http•••)
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- cronologia: Cantanti lirici (Nord America).
- Indici (per ordine alfabetico): R...