Debora Beronesi Video
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2024-05-13
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Debora Beronesi Mariella Devia Mazzucato 1996
W.A.Mozart. Nozze di Figaro - Palermo 1996 - Direttore Yoram David - Regista Antonio Calenda - Contessa: Mariella Devia; Susanna: Daniela Mazzucato; Cherubino: Debora Beronesi (http•••) (http•••)
Cigna Debora Beronesi Christian Senn Umberto Benedetti Michelangeli Benedetti Benedetti Michelangeli Patrizia Cigna 2007
Fondazione Radici nel futuro MOZARTFEST 2007 Basilica di San Marco Milano Umberto Benedetti Michelangeli - direttore Carlo Fabiano - Konzertmeister Romano Adami - maestro del coro Patrizia Cigna - soprano Debora Beronesi - mezzosoprano Mirko Guadagnini - tenore Christian Senn - baritono
Vivaldi Karina Gauvin Ann Hallenberg Debora Beronesi Dantone Sardelli Amo Accademia Bizantina
Discover the complete collection here : (http•••) Download/Stream/Buy the album : (http•••) JOIN THE VIVALDI EDITION : (http•••) (http•••) (http•••) (http•••) (http•••) Vivaldi Tito Manlio RV 738 opera in tre atti Nicola Ulivieri (basso-baritono) Tito Karina Gauvin (soprano) Manlio Ann Hallenberg (mezzo-soprano) Servilia Marijana Mijanovic (contralto) Vitellia Debora Beronesi (mezzo-soprano) Lucio Barbara Di Castri (mezzo-soprano) Decio Mark Milhofer (tenor) Geminio Christian Senn (baritono-basso) Lindo “The cast, headed by Karina Gauvin in the heroic castrato role of Manlio, son of Tito Manlio, is very good indeed. Notwithstanding a few cuts, this production is a triumph prefaced, in the absence of an overture, by a scintillating account of the G major Concerto/Sinfonia (RV 146) for ripieno strings - a real cracker of a piece. Bravo!” BBC Music Magazine “Accademia Bizantina play superbly… and Dantone is no less theatrically flamboyant than Sardelli, but sometimes exercises more restraint and elegance. …Dantone's singers are often fantastic - especially Ann Hallenberg, whose coloratura is simply gorgeous in Servilia's 'Liquore ingrato' (dreamy, sensual, immaculately phrased and with remarkable intonation). Karina Gauvin gives a masterclass of the Baroque opera soprano's art: versatile technique, flexible expression, beautiful cantabile and stirring passagework.” Gramophone CD1 01 - Tito Manlio, RV 738-A, Sinfonia (concerto in Sol maggiore RV146): I. Allegro 02 - Tito Manlio, RV 738-A, Sinfonia (concerto in Sol maggiore RV146): II. Anadante 03 - Tito Manlio, RV 738-A, Sinfonia (concerto in Sol maggiore RV146): III. Presto 04 - Tito Manlio, RV 738-A, Act I. Scene I: I. Recitativo 05 - Tito Manlio, RV 738-A, Act I. Scene I: II. Recitativo Accompagnato 06 - Tito Manlio, RV 738-A, Act I. Scene I: III. Recitativo 07 - Tito Manlio, RV 738-A, Act I. Scene I: IV. Recitativo Accompagnato 08 - Tito Manlio, RV 738-A, Act I. Scene I: V. Recitativo 09 - Tito Manlio, RV 738-A, Act I. Scene II: I. Recitativo 10 - Tito Manlio, RV 738-A, Act I. Scene II: II. Aria: Se il cor Guerriero 11 - Tito Manlio, RV 738-A, Act I. Scene III: I. Recitativo 12 - Tito Manlio, RV 738-A, Act I. Scene III: II. Aria Perché t'amo, mia Bella, mia Vita 13 - Tito Manlio, RV 738-A, Act I. Scene IV: I. Recitativo 14 - Tito Manlio, RV 738-A, Act I. Scene IV: II. Aria Liquore Ingrato 15 - Tito Manlio, RV 738-A, Act I. Scene V: I. Recitativo 16 - Tito Manlio, RV 738-A, Act I. Scene V: II. Aria Alla Caccia d'un ben Adorato 17 - Tito Manlio, RV 738-A, Act I. Scene VI: I. Recitativo 18 - Tito Manlio, RV 738-A, Act I. Scene VI: II. Aria e pur Dolce 19 - Tito Manlio, RV 738-A, Act I. Scene VII: Recitativo 20 - Tito Manlio, RV 738-A, Act I. Scene VIII: I. Arioso o Silenzio del moi Labbro 21 - Tito Manlio, RV 738-A, Act I. Scene VIII: II. Recitativo 22 - Tito Manlio, RV 738-A, Act I. Scene VIII: III. Aria Orribile lo Scempio 23 - Tito Manlio, RV 738-A, Act I. Scene IX: Recitativo 24 - Tito Manlio, RV 738-A, Act I. Scene X: I. Recitativo 25 - Tito Manlio, RV 738-A, Act I. Scene X: II. Aria di Verde Ulivo 26 - Tito Manlio, RV 738-A, Act I. Scene XI: I. Aria Bramo Stragi, e son Trafitto 27 - Tito Manlio, RV 738-A, Act I. Scene XI: II. Recitativo 28 - Tito Manlio, RV 738-A, Act I. Scene XII: I. Recitativo 29 - Tito Manlio, RV 738-A, Act I. Scene XII: II. Aria l'Intendo e non l'intendo 30 - Tito Manlio, RV 738-A, Act I. Scene XIII: Recitativo 31 - Tito Manlio, RV 738-A, Act I. Scene XIV: I. Recitativo 32 - Tito Manlio, RV 738-A, Act I. Scene XIV: II. Aria Parto, ma Lascio l'Alma 33 - Tito Manlio, RV 738-A, Act I. Scene XV: I. Recitativo 34 - Tito Manlio, RV 738-A, Act I. Scene XV: II. Aria Sia con Pace CD2 01 - Tito Manlio, RV 738-A, Act II. Scene I: I. Recitativo 02 - Tito Manlio, RV 738-A, Act II. Scene I: II. Aria Non ti Lusinghi la Crudeltade 03 - Tito Manlio, RV 738-A, Act II. Scene II: I. Recitativo 04 - Tito Manlio, RV 738-A, Act II. Scene II: II. Aria d'Improvviso riede il Riso 05 - Tito Manlio, RV 738-A, Act II. Scene III: Recitativo 06 - Tito Manlio, RV 738-A, Act II. Scene IV: Recitativo 07 - Tito Manlio, RV 738-A, Act II. Scene V: I. Recitativo 08 - Tito Manlio, RV 738-A, Act II. Scene V: II. Aria Se non v'Aprite al di 09 - Tito Manlio, RV 738-A, Act II. Scene VI: I. Recitativo 10 - Tito Manlio, RV 738-A, Act II. Scene VI: II. Aria Grida quel Sangue 11 - Tito Manlio, RV 738-A, Act II. Scene VII: I. Recitativo 12 - Tito Manlio, RV 738-A, Act II. Scene VII: II. Aria Rabbia che Accendesi 13 - Tito Manlio, RV 738-A, Act II. Scene VIII: Recitativo 14 - Tito Manlio, RV 738-A, Act II. Scene IX: I. Recitativo 15 - Tito Manlio, RV 738-A, Act II. Scene IX: II. Arietta Dar la Morte a te, mia Vita ...
Antonio Lucio Vivaldi Debora Beronesi Chest Joseph Haydn Kärntnertortheater 1678 1693 1703 1715 1723 1740 1741 2017
Full Title: Tito manlio, Act II: "Non ti lusinghi la crudeltade" by Antonio Vivaldi Vocals: Debora Beronesi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and cleric. Born in Venice, the capital of the Venetian Republic, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi (who had been ordained as a Catholic priest) was employed from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for preferment. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Vivaldi's health was problematic. One of his symptoms, strettezza di petto ("tightness of the chest"), has been interpreted as a form of asthma. This did not prevent him from learning to play the violin, composing, or taking part in musical activities, although it did stop him from playing wind instruments. In 1693, at the age of fifteen, he began studying to become a priest. He was ordained in 1703, aged 25, and was soon nicknamed il Prete Rosso, "The Red Priest". (Rosso is Italian for "red", and would have referred to the color of his hair, a family trait.) Like many composers of the time, Vivaldi faced financial difficulties in his later years. His compositions were no longer held in such high esteem as they once had been in Venice; changing musical tastes quickly made them outmoded. In response, Vivaldi chose to sell off sizeable numbers of his manuscripts at paltry prices to finance his migration to Vienna. The reasons for Vivaldi's departure from Venice are unclear, but it seems likely that, after the success of his meeting with Emperor Charles VI, he wished to take up the position of a composer in the imperial court. On his way to Vienna, Vivaldi may have stopped in Graz to see Anna Girò. It is also likely that Vivaldi went to Vienna to stage operas, especially as he took up residence near the Kärntnertortheater. Shortly after his arrival in Vienna, Charles VI died, which left the composer without any royal protection or a steady source of income. Soon afterwards, Vivaldi became impoverished and died during the night of 27/28 July 1741, aged 63, of "internal infection", in a house owned by the widow of a Viennese saddlemaker. On 28 July, Vivaldi was buried in a simple grave in a burial ground that was owned by the public hospital fund. His funeral took place at St. Stephen's Cathedral. Contrary to popular legend, the young Joseph Haydn had nothing to do with his burial, since no music was performed on that occasion. Copyright naïve 2017
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