Edward Cuddy Video
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2024-06-15
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George Frideric Handel Mercy Chenard Carlsen Cuddy 1685 1759 2015
O praise the Lord with one consent, Chandos Anthem No 9 HWV 254, George Frideric Handel +••.••(...)) 0:03 1. Chorus: O praise the Lord with one consent 5:42 2. Alto Air: Praise Him, all ye that in this house Andrea Graichen, mezzo-soprano 9:30 3. Tenor Air: For this is our truest int'rest Martin Lescault, tenor 12:02 4. Bass Ar: That God is great John D. Adams, bass 14:53 5. Chorus: With cheerful notes let all the earth 18:36 6. Soprano Air: God's tender mercy knows no bounds Erin Chenard, soprano 22:04 7. Chorus: Ye boundless realms of joy 24:58 8. Chorus: Your voices raise Mary Jo Carlsen, baroque violin Evan Cuddy, viola Michael Albert, oboe Kathryn Systma, viola da gamba Timothy Burris, theorbo Bruce Fithian, harpsichord Performed on May 31, 2015 at the Episcopal Church of Saint Mary, Falmouth, Maine
Playford Cuddy Peacock Chappell George Petrie Stokoe Burton Nanny Houlihan 1611 1698 1703 1713 1733 1763 1798 1820 1839 1855 1859 1972 1999
An English country dance tune from Playford's Dancing Master, played on my Mid-Missouri M-0W mandolin. The Fiddler's Companion says: "AKA and see "Cuddle Me, Cuddy," "Cuma Liom," "Here We Go Up, (Up, Up)," "The Peacock Followed/Follows the Hen," "Riding a Mile [1]," "The Virgin Queen," "Yellow Stockings," "Is Cuma Liom" (I Don't Care). English, Air (9/8 time). F# Minor (Chappell): A Minor (Kennedy). Standard tuning. AAB (Chappell): AABB (Kennedy). The title dates at least from 1698 when it was published in Playford's Dancing Master, which may be the earliest printed version of the tune, although R.D. Cannon in his article "English Bagpipe Music" (Folk Music Journal, 1972) suggests the progenitor of this large tune family is the Scots jig "Up with Aley." A comic play, Mad Moll, by Thomas Middleton and Thomas Dekkar, was penned in 1611 and featured the heroine Moll Cutpurse. George Petrie prints an untitled version collected in Ireland in his collection of 1855 (Stanford/Petrie, No. 101, pg. 25). 'Mad Moll' may refer to Mary, Queen of Scots, suggest Stokoe and Bruce, who was subject to periods of mental incapacity. As "The Virgin Queen" the tune appears in Playford's Dancing Master of 1703 and later editions, and as "Yellow Stockings" it is in Wright's North Country Frisks (1713) and in the ballad opera The Boarding School (1733). See Borders and Northumbrian versions under the titles "Cuddle Me Cuddy" and "Peacock Follows the Hen." As "Mad Moll" the tune appears in Burton Leonard, Yorkshire, miller and fiddler Joshua Jackson's +••.••(...)) music manuscript copybook (kept from 1798 until about 1820). Other titles in the tune family include "Brose and Butter," "Hey My Nanny/Nancy," "The Honeymoon, "The Dusty Miller," "The Faraway Wedding," "Follow Her Over the Border," "The Cudgel," "Jerry Houlihan" "The Kitten," and "Drops of Brandy."/ Chappell (Popular Music of the Olden Time), vol. 2, 1859; pg. 74. Kennedy (Fiddler's Tune-Book: Slip Jigs and Waltzes), 1999; No. 42, pg. 10. Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 2)"
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- cronologia: Compositori (Nord America).
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