Carl Zulehner Video
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2024-05-04
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Mainzer Adolphe Adam Zulehner Hessen 1803 1838 1843 1844 1856 1944
DEUTSCH - ENGLISH Der "Mainzer Narhalla-Marsch" (Ritzamba) wurde 1838 von Adolphe Adam +••.••(...)) für eine Oper geschrieben. Karl Zulehner, ein österreichischer Regiments-Kapellmeister lebte in Mainz zu dieser Zeit. Er war Gründungsmitglied des Mainer Carneval Vereins MCV im gleichen Jahr. Er entnahm 1843 Teile der Oper und machte daraus den Jocus-Marsch, der 1844 unter seiner Leitung uraufgeführt wurde. Der Name entstand aus einem Wortspiel aus Narr und Walhalla. Die Musik spiele ich während eines live - Autritrittes mit Akkordeon und eingebauter Limex-Technik (Blasmusik-Klang und Schlagzeug). Fotos: Während eines live - Auftrittes einer Karnevals-Veranstaltung in Hessen bei Mainz. (Dieter Lochschmidt) ENGLISH - ENGLISH The Narhalla-Marsch was composed in 1838. The composer Adolphe Adam made it for an opera song. Later the regiment choir master Karl Zulehner took parts of the song and made the Narhalla song out of it and was called that time Jocus-Marsch. First time it was played in 1944 in Mainz. The Mainz CVM carnival organisation was foundet in 1838. The photos are made near Mainz during a carnival event, where I played the music. The music was recorded during a live event. I do play the accordion and also use same time built-in Limex midi sound with brass music sounds and drums. Greetings Dieter Lochschmidt
Mainzer Carl Zulehner 1805 1847 2019
Der "Mainzer Narrhalla-Marsch", gespielt von Stefan Poppe auf der Klais-Orgel der katholischen Kirche St. Bernhard in Frankfurt am Main. Natürlich glauben wir weder an Gott Jokus noch an die Narhalla. Aber wir glauben, dass Gott überall dort ist, wo Menschen friedlich feiern und alle Sorgen für einen Moment vergessen wollen. Kommt mit Gottes Segen wohlbehalten durch die "tollen Tage"! #stbernhardffm #Narhallamarsch #Orgel ~~~ Bleibt mit uns verbunden ~~~~~~~~~~~~~~~~~~~~ Webseite: (http•••) Facebook: (http•••) Instagram: (http•••) Soundcloud: (http•••) ~~~ Der Mainzer Narrhalla-Marsch ~~~~~~~~~~~~~~~~~~~~ Komposition: © Carl Zulehner (1805–1847) Arrangement: © Rolf Discher Video: © 2019 Katholische Kirchengemeinde Dom St. Bartholomäus Gemeinde St. Bernhard
Mozart Anh Vincent Novello Novello Simrock Carl Zulehner Wenzel Müller 1736 1767 1770 1794 1821 1826 1835 1841 1867 1872 1990
Parts Link: (http•••) Alto Choir Practice: "Gloria" from Mozart's "Twelfth Mass", (K. Anh. 232 / C1.04.) The "Gloria" was published in the US in 1867 as part of Mozart's "Twelfth Mass", with English translation and accompaniment by Vincent Novello. It gained popularity throughout the Anglophone world when it was included as part of the "World Peace Jubilee and International Music Festival" held in Boston in 1872. But the story behind the "Twelfth Mass" reads like a mystery novel. Like Mozart's "Requiem", the "Twelfth Mass" is filled with intrigue and mystery which has only added to the popularity of this work. Originally published in 1821 in Bonn Germany by N. Simrock , the "Twelfth Mass" came from a manuscript owned by Carl Zulehner +••.••(...)), who lived in Mainz. In 1826, Zulehner was challenged by music scholars to produce Mozart's autographed manuscript. He refused, so it was believed that Zulehner had actually forged it himself. This was the belief for 165 years, until in 1990, music scholars then theorized that it was the work of an Austrian theater composer named Wenzel Müller +••.••(...)). But soon, the musical mystery deepened with the discovery of another Wenzel Müller +••.••(...)), a violinist, living in Vienna when Mozart did. To cloud the musical research even further, Mozart, needing money, was well known for composing material for others, who would frequently claim it as their own work. The "Mozart Mystery" has continued from 1826 to this day only adding to the power and energy of this piece, with it's moving and inspirational Latin text, 'Gloria in excelsis Deo!'.
Mozart Anh Vincent Novello Novello Simrock Carl Zulehner Wenzel Müller 1736 1767 1770 1794 1821 1826 1835 1841 1867 1872 1990
Parts Link: (http•••) Soprano Choir Practice: "Gloria" from Mozart's "Twelfth Mass", (K. Anh. 232 / C1.04.) The "Gloria" was published in the US in 1867 as part of Mozart's "Twelfth Mass", with English translation and accompaniment by Vincent Novello. It gained popularity throughout the Anglophone world when it was included as part of the "World Peace Jubilee and International Music Festival" held in Boston in 1872. But the story behind the "Twelfth Mass" reads like a mystery novel. Like Mozart's "Requiem", the "Twelfth Mass" is filled with intrigue and mystery which has only added to the popularity of this work. Originally published in 1821 in Bonn Germany by N. Simrock , the "Twelfth Mass" came from a manuscript owned by Carl Zulehner +••.••(...)), who lived in Mainz. In 1826, Zulehner was challenged by music scholars to produce Mozart's autographed manuscript. He refused, so it was believed that Zulehner had actually forged it himself. This was the belief for 165 years, until in 1990, music scholars then theorized that it was the work of an Austrian theater composer named Wenzel Müller +••.••(...)). But soon, the musical mystery deepened with the discovery of another Wenzel Müller +••.••(...)), a violinist, living in Vienna when Mozart did. To cloud the musical research even further, Mozart, needing money, was well known for composing material for others, who would frequently claim it as their own work. The "Mozart Mystery" has continued from 1826 to this day only adding to the power and energy of this piece, with it's moving and inspirational Latin text, 'Gloria in excelsis Deo!'.
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- cronologia: Compositori (Europa).
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