Andrew Tortise Video
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2024-04-28
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Benjamin Britten Peter Pears Andrew Tortise Malcolm Martineau 1939 1967 1976 1980 2011 2012
Benjamin Britten and Peter Pears were together from 1939 until Britten’s death in 1976. Yet during Britten’s lifetime, neither spoke publicly about their relationship or sexuality. In some ways, this is hardly surprising given that homosexuality was illegal until it was partially decriminalised in 1967. Yet even after that date, they remained silent on the matter, although not long before he died Britten had urged Donald Mitchell – who had been planning a biography of the composer – to ‘tell the truth about Peter and me’. After Britten’s death, Pears became more open about the true nature of their relationship, giving interviews for documentaries and to the gay men’s magazine 'The Advocate'. Mitchell co-edited a pictorial biography of Britten in 1980 ('Pictures from a Life'), and Pears remarked that it was not ‘the story of one man. It’s a life of the two of us’. Their shared life is thoroughly documented in touching and vivid detail by the wealth of material the two men left behind. This short film tells the story of their relationship through archival material (such as receipts and hotel bills), home movie footage, correspondence, and some surprisingly bold statements in Britten’s own music. Music credits: ‘Being Beauteous’ from Les Illuminations Peter Pears (tenor), Benjamin Britten (piano) (P) NMC 2012 Website: (http•••) ‘Sonetto XXIV’ from Seven Sonnets of Michelangelo Peter Pears (tenor), Benjamin Britten (piano) (P) NMC 2012 Website: (http•••) ‘Sonetto LV’ from Seven Sonnets of Michelangelo Peter Pears (tenor), Benjamin Britten (piano) (P) NMC 2012 Website: (http•••) Canticle I: My beloved is mine Andrew Tortise (tenor), Malcolm Martineau (piano) (P) Onyx 2011 Website: (http•••)
Lenneke Ruiten Johann Sebastian Bach Meg Bragle Andrew Tortise Dietrich Henschel Henschel Monteverdi John Eliot Gardiner Monteverdi Choir English Baroque Soloists 2013
Provided to YouTube by NAXOS of America Gott fähret auf mit Jauchzen, BWV 43: Part II: Recitative: Es kommt der Helden Held (Bass) · Lenneke Ruiten Bach: Cantatas, Vol. 28 ℗ 2013 SDG Released on: 2013-04-02 Artist: Lenneke Ruiten Artist: Meg Bragle Artist: Andrew Tortise Artist: Dietrich Henschel Choir: Monteverdi Choir Conductor: John Eliot Gardiner Ensemble: English Baroque Soloists Composer: Johann Sebastian Bach Auto-generated by YouTube.
Proms Royal Albert Hall Johann Sebastian Bach Butt Nicholas Mulroy Matthew Brook Sophie Bevan Tim Mead Andrew Tortise Konstantin Wolff Schein Buxtehude Selig Crüger Dunedin Consort 2017
John Butt leads the Dunedin Consort in a performance of Johann Sebastian Bach's sacred oratorio St John Passion. Featuring tenor Nicholas Mulroy as the Evangelist, bass Matthew Brook as Jesus, soprano Sophie Bevan, countertenor Tim Mead, tenor Andrew Tortise, and bass-baritone Konstantin Wolff as soloists. In addition to the ensemble performing on period instruments, further elements of both authenticity and intimacy were added by inserting other music used in the Leipzig Good Friday service that Bach himself would have heard and by inviting the audience to sing the responsory portions of the chorales that bookend the Passion. Recorded live at the Royal Albert Hall on August 20th 2017 as Prom 49. 0:00 Prelude: Da Jesus an dem Kreuze stund (Bach) 1:14 Chorale: Da Jesus an dem Kreuze stund (Schein) 4:16 Preludium in F# Minor (Buxtehude) 5:50 St John Passion - Part One (Bach) 39:42 Prelude: O Lamm Gottes, unschuldig (Bach) 43:02 Chorale: O Lamm Gottes, unschuldig (Bach) 46:30 Prelude: Christus der uns selig macht (Bach) 48:31 St John Passion - Part Two (Bach) 2:07:54 Motet: Ecce quomodo moritur justus (Handl) 2:10:51 Blessing: Der Herr segne dich und behüte dich 2:11:19 Response: Gott sei uns gnadig und barmherzig (Schein) 2:12:31 Prelude: Nun danket alle Gott (Bach) 2:16:56 Chorale: Nun danket alle Gott (Crüger)
Georg Friedrich Haendel Aarón Zapico Ana Quintans Hernández Andrew Tortise Andreas Wolf Cristo 1685 1741 1742 1759 2013
Pedro Ordieres, violín de la OSPA, conversa con el maestro Aarón Zapico al finalizar uno de los ensayos del concierto "Europa canta a la Navidad: El Mesías", organizado por la Fundación Príncipe de Asturias. El maestro Zapico, que se estrena con la OSPA en este tradicional programa navideño, nos da su visión de Haendel, de El Mesías y de la música barroca. El concierto cuenta con el Coro de la Fundación Príncipe de Asturias, además intervendrán como voces solistas la soprano Ana Quintans, el contratenor José Hernández-Pastor, el tenor Andrew Tortise y el barítono Andreas Wolf. El Mesías, monumento de la música sinfónico-coral, se ha convertido en el más célebre de los oratorios de Georg Friedrich Haendel +••.••(...)). Oratorio para soprano, alto, tenor y bajo solistas, coro a cuatro voces y orquesta, esta obra fue compuesta entre el 22 de agosto y el 14 de septiembre de 1741, con libreto de Charles Jennens según el texto bíblico. La primera audición pública de El Mesías se celebró el 10 de abril de 1742, cuatro días antes de su estreno en el Music Hall de William Neal en Dublín. La obra está dividida en tres partes que configuran el año litúrgico, pasando por todas las etapas de la vida y muerte de Cristo. Este vídeo de OSPA TV se grabó en el Auditorio Príncipe Felipe de Oviedo, el 18 de diciembre de 2013.
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- cronologia: Cantanti lirici. Interpreti.
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