Alfred Stelzner Video
compositore, costruttore di strumenti musicali
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2024-05-04
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Felix Draeseke Stelzner 1897 2005
The Summit Chamber Players play Draeseke's Quintet in A for Two Violins, Viola, Violotta, and Cello, 'Stelzner-Quintett', WoO 25 (1897):Scherzo, on original Stelzner Instruments. June 2005 in the Andromeda-Saal, Schloss Ehrenburg, Coburg [Germany] (http•••)
Felix Draeseke Sieg Supper Bischoff Adelheid Vogel Vogel Kämpf Franz Liszt Richard Wagner Beethoven Bern Alfred Stelzner Hermann Ritter Ritter Bayreuth 1523 1570 1579 1835 1862 1867 1877 1879 1880 1884 1894 1899 1913
FELIX DRAESEKE: CHRISTUS. Ein Mysterium in einem Vorspiel und drei Oratorien für großen Chor, Solostimmen und Orchester. Excerpt from Oratorio III "Tod und Sieg des Herrn" / 2. Das Heilige Abendmahl („Death and Victory of The Lord" / 2.The Last Supper). Christus: Phillip Langshaw, Solostimmen: Carola Bischoff, Adelheid Vogel, soprano. Elvira Dreßen, alto. Karl Markus, tenor. Bernd Kämpf, bass. Jürgen Sonnenschmidt, organ. Evangelische Jugendkantorei der Pfalz. Die Staatlische Philharmonie Breslau. Conductor: Udo-R. Follert. Felix Draeseke (1835 Coburg - 1913 Dresden) was a composer of the "New German School" admiring Franz Liszt and Richard Wagner. During his career Draeseke divided his efforts almost equally among compositional genres and composed in most of them, including symphonies, concertos, opera, chamber music, and works for solo piano. With his early Piano Sonata in C-sharp minor Sonata quasi Fantasia of 1862--1867 he aroused major interest, winning Liszt's unreserved admiration of it as one of the most important piano sonatas after Beethoven. His operas "Herrat" (1879, originally Dietrich von Bern) and "Gudrun" (1884, after the medieval epic of the same name) met with some success, but were subsequently neglected. Draeseke keenly followed new developments in all facets of music. His chamber music compositions make use of newly developed instruments, among them the violotta, an instrument developed by Alfred Stelzner as an intermediary between viola and cello, which Draeseke used in his A major String Quintet, and also the viola alta, an instrument developed during the 1870s by Hermann Ritter and the prototype of viola expressly endorsed by Richard Wagner for his Bayreuth Orchestra. A heavily contrapuntal composer, Draeseke reveled in writing choral music, achieving major success with his B minor Requiem of 1877--1880. His most contrapuntal work is called Mysterium "Christus", which is composed of a prologue and three separate oratorios and requires three days for a complete performance, a work which occupied him between the years 1894--1899 but whose conception reaches back to the 1860s. The painter of "The Last Supper "(1570) is Juan de Juanes +••.••(...)). Museo del Prado, Madrid.
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