Aleksandra Panayeva Video
cantante lirico
- soprano
- Impero russo, Unione Sovietica
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2024-04-27
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Tchaikovsky Braid Falcon Dam Malinin Aleksandra Panayeva Yelizaveta Lavrovskaya 1817 1858 1875 1880 1881 1883 1940 1960
Tchaikovsky: Seven Romances, Op. 47 (1880) I. If Only I Had Known (Кабы знала я) Allegro moderato (C minor) Tchaikovsky's Seven Romances (Семь романсов), Op. 47 (TH 103 ; ČW 252-258), were completed in August 1880 at Simaki. Instrumentation: High voice (Nos. 1, 2, 3, 6, 7), medium voice (No. 4) or baritone (No. 5), with piano accompaniment. Movements: A complete performance of all seven romances lasts around 30 minutes. I. If Only I Had Known (Кабы знала я) Allegro moderato (C minor) If only I had known, if I only knew I wouldn't look out the window I am a daring young man As he drove down our street. Having twisted the hat on one side, Like a dashing buckskin horse, Voice, long hair Opposite the windows rose! If only I had known, if I only knew For him I wouldn't dress up Scarlet ribbon with gold border I would not weave a long braid, I wouldn't get up early before light I wouldn't rush through the suburbs, I wouldn't wet my legs in the dew, I wouldn't look down the country lane, Will you pass through that lane, Holding a variegated falcon in your hand? If I only knew, if I only knew! If only I had known, if I only knew I wouldn't sit up late at night Burning on the rubble, At the dam, near the well, waiting, guessing Will you come, my love, Will you come, my love? oh oh! Will you come, my love, Give the horse cold water to drink! If only I had known, if I only knew If only I had known! if you knew. Oh! Aleksey Tolstoy (1817–1875), from an untitled poem (1858). Composition: It is possible that the romance Does the Day Reign? was the first of the Seven Romances to have been composed, in March 1880. According to Fyodor Malinin, Tchaikovsky created it for Aleksandra Panayeva-Kartsova. Following the dress rehearsal of a concert of Tchaikovsky's works, which took place in Saint Petersburg on 25 March/6 April 1880, and in which Panayeva-Kartsova took a principal role, Tchaikovsky was in conversation with Aleksey Apukhtin. Being a fervent admirer of the performer's singing talent, the composer asked the poet if he would dedicate one of his poems to her. In reply. “Apukhtin silently gestured that some notepaper was to be brought to him, upon which he jotted down some short verses in pencil. Tchaikovsky took these pages, and scanned through them before quickly leaving Apukhtin's home without a word; a day or two later he called on his friend again, bringing with him the romance, already composed". Arrangements: Two of the romances were later arranged for voice and orchestra by the composer. In March 1883 Yelizaveta Lavrovskaya asked Tchaikovsky to orchestrate the romance Was I Not a Little Blade of Grass in the Meadow? (No. 7), through Sofya Malozemova. However, Tchaikovsky was occupied at that time with the composition of the cantata Moscow and the Coronation March, and was unable to fulfil her request. In a letter of 21 March/2 April 1883 to Sofya Malozemova, Tchaikovsky wrote: "How could I refuse? I am honoured and proud to oblige her and satisfy you, and as you rightly say that work will not take me very long—but combined with my fatigue through the strain of simultaneously composing the march and the cantata—I swear that I have no energy to take up a third task, even though it is straightforward work. I certainly will do it—but I beg you and Lizaveta Andreyevna not to be angry with me if I cannot orchestrate the romance just yet". Publication: The romances were published for the first time by Pyotr Jurgenson in March 1881, and were included in volume 44 of Tchaikovsky's Complete Collected Works (1940), edited by Ivan Shishov and Nikolay Shemanin. The orchestral version of Was I Not a Little Blade of Grass in the Meadow? (No. 7) was published for the first time in 1960 in volume 27 of the Complete Collected Works, edited by Irina Iordan. Autographs: Tchaikovsky's autograph scores of all seven romances are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 139). The whereabouts of the manuscripts of his later orchestral arrangements of Nos. 6 and 7 are unknown. Dedication: All the romances are dedicated to Aleksandra Panayeva-Kartsova.
Tchaikovsky Malinin Aleksandra Panayeva Yelizaveta Lavrovskaya 1856 1880 1881 1883 1940 1960
Tchaikovsky: Seven Romances, Op. 47 (1880) V. I Bless You, Forests (Благословляю вас, леса) Andante sostenuto (F major) Tchaikovsky's Seven Romances (Семь романсов), Op. 47 (TH 103 ; ČW 252-258), were completed in August 1880 at Simaki. Instrumentation: High voice (Nos. 1, 2, 3, 6, 7), medium voice (No. 4) or baritone (No. 5), with piano accompaniment. Movements: A complete performance of all seven romances lasts around 30 minutes. V. I Bless You, Forests (Благословляю вас, леса) Andante sostenuto (F major) I bless you forests Valleys, fields, mountains, waters, I bless freedom And blue skies! And I bless my folks And this poor bag And the steppe from edge to edge, And the sun is light, and the night is darkness, And a lonely path Which way, beggar, I go, And in the field every blade of grass, And every star in the sky! Oh, if I could mix my whole life, To merge my whole soul with you, Oh, if you could in my arms I am you, enemies, friends, and brothers, And all nature in all nature Enclose in my arms! Aleksey Tolstoy from his poem John of Damascus (Иоанн Дамаскин) (1856). Composition: It is possible that the romance Does the Day Reign? was the first of the Seven Romances to have been composed, in March 1880. According to Fyodor Malinin, Tchaikovsky created it for Aleksandra Panayeva-Kartsova. Following the dress rehearsal of a concert of Tchaikovsky's works, which took place in Saint Petersburg on 25 March/6 April 1880, and in which Panayeva-Kartsova took a principal role, Tchaikovsky was in conversation with Aleksey Apukhtin. Being a fervent admirer of the performer's singing talent, the composer asked the poet if he would dedicate one of his poems to her. In reply. “Apukhtin silently gestured that some notepaper was to be brought to him, upon which he jotted down some short verses in pencil. Tchaikovsky took these pages, and scanned through them before quickly leaving Apukhtin's home without a word; a day or two later he called on his friend again, bringing with him the romance, already composed". Arrangements: Two of the romances were later arranged for voice and orchestra by the composer. In March 1883 Yelizaveta Lavrovskaya asked Tchaikovsky to orchestrate the romance Was I Not a Little Blade of Grass in the Meadow? (No. 7), through Sofya Malozemova. However, Tchaikovsky was occupied at that time with the composition of the cantata Moscow and the Coronation March, and was unable to fulfil her request. In a letter of 21 March/2 April 1883 to Sofya Malozemova, Tchaikovsky wrote: "How could I refuse? I am honoured and proud to oblige her and satisfy you, and as you rightly say that work will not take me very long—but combined with my fatigue through the strain of simultaneously composing the march and the cantata—I swear that I have no energy to take up a third task, even though it is straightforward work. I certainly will do it—but I beg you and Lizaveta Andreyevna not to be angry with me if I cannot orchestrate the romance just yet". Publication: The romances were published for the first time by Pyotr Jurgenson in March 1881, and were included in volume 44 of Tchaikovsky's Complete Collected Works (1940), edited by Ivan Shishov and Nikolay Shemanin. The orchestral version of Was I Not a Little Blade of Grass in the Meadow? (No. 7) was published for the first time in 1960 in volume 27 of the Complete Collected Works, edited by Irina Iordan. Autographs: Tchaikovsky's autograph scores of all seven romances are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 139). The whereabouts of the manuscripts of his later orchestral arrangements of Nos. 6 and 7 are unknown. Dedication: All the romances are dedicated to Aleksandra Panayeva-Kartsova.
Tchaikovsky Malinin Aleksandra Panayeva Yelizaveta Lavrovskaya 1858 1880 1881 1883 1940 1960
Tchaikovsky: Seven Romances, Op. 47 (1880) II. Softly the Spirt Flew up to Heaven (Горними тихо летела луша небесами) Andante con moto (E major) Tchaikovsky's Seven Romances (Семь романсов), Op. 47 (TH 103 ; ČW 252-258), were completed in August 1880 at Simaki. Instrumentation: High voice (Nos. 1, 2, 3, 6, 7), medium voice (No. 4) or baritone (No. 5), with piano accompaniment. Movements: A complete performance of all seven romances lasts around 30 minutes. II. Softly the Spirt Flew up to Heaven (Горними тихо летела луша небесами) Andante con moto (E major) The soul quietly flew heavenly heavens, Sad down, she lowered her eyelashes, Tears into space from them falling like stars, Light and long, a string hovered behind her. Oncoming luminaries quietly asked her: “What is so sad and what are these tears in your eyes?” She answered them: “I have not forgotten the earth. Much, much suffering Oh, I left a lot of suffering and grief there. Here I will only listen to the faces of bliss and joy, The righteous souls know neither sorrow nor malice, Oh, let me go again, Creator, to the ground, It would be about someone to regret and console someone. Oh, let me go again, Creator, to the ground, There would be someone to regret and console someone! Aleksey Tolstoy, from an untitled poem (1858). Composition: It is possible that the romance Does the Day Reign? was the first of the Seven Romances to have been composed, in March 1880. According to Fyodor Malinin, Tchaikovsky created it for Aleksandra Panayeva-Kartsova. Following the dress rehearsal of a concert of Tchaikovsky's works, which took place in Saint Petersburg on 25 March/6 April 1880, and in which Panayeva-Kartsova took a principal role, Tchaikovsky was in conversation with Aleksey Apukhtin. Being a fervent admirer of the performer's singing talent, the composer asked the poet if he would dedicate one of his poems to her. In reply. “Apukhtin silently gestured that some notepaper was to be brought to him, upon which he jotted down some short verses in pencil. Tchaikovsky took these pages, and scanned through them before quickly leaving Apukhtin's home without a word; a day or two later he called on his friend again, bringing with him the romance, already composed". Arrangements: Two of the romances were later arranged for voice and orchestra by the composer. In March 1883 Yelizaveta Lavrovskaya asked Tchaikovsky to orchestrate the romance Was I Not a Little Blade of Grass in the Meadow? (No. 7), through Sofya Malozemova. However, Tchaikovsky was occupied at that time with the composition of the cantata Moscow and the Coronation March, and was unable to fulfil her request. In a letter of 21 March/2 April 1883 to Sofya Malozemova, Tchaikovsky wrote: "How could I refuse? I am honoured and proud to oblige her and satisfy you, and as you rightly say that work will not take me very long—but combined with my fatigue through the strain of simultaneously composing the march and the cantata—I swear that I have no energy to take up a third task, even though it is straightforward work. I certainly will do it—but I beg you and Lizaveta Andreyevna not to be angry with me if I cannot orchestrate the romance just yet". Publication: The romances were published for the first time by Pyotr Jurgenson in March 1881, and were included in volume 44 of Tchaikovsky's Complete Collected Works (1940), edited by Ivan Shishov and Nikolay Shemanin. The orchestral version of Was I Not a Little Blade of Grass in the Meadow? (No. 7) was published for the first time in 1960 in volume 27 of the Complete Collected Works, edited by Irina Iordan. Autographs: Tchaikovsky's autograph scores of all seven romances are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 139). The whereabouts of the manuscripts of his later orchestral arrangements of Nos. 6 and 7 are unknown. Dedication: All the romances are dedicated to Aleksandra Panayeva-Kartsova.
Ljuba Kazarnovskaya Tchaikovsky Glinka Mussorgsky Rachmaninov Malinin Modest Tchaikovsky Meck Jules Massenet Magdeleine Sergey Taneyev 1840 1880
7 romances (Op. 47): I. Kaby znala ya 00:00 II. Gornimi tikho letela lusha nebesami 05:04 III. Na zemlyu sumrak pal 08:35 IV. Usni, pechal'nyy drug 13:12 V. Blagoslovlyayu vas, lesa 17:35 VI. Den' li tsarit? 21:53 VII. Ya li v pole da ne travushka byla? 25:19 Tchaikovsky, Pyotr Ilyich +••.••(...)) composer Ljuba Kazarnovskaya -soprano Ljuba Orfenova -piano Playlist: The art of Russian song: Glinka, Mussorgsky, Rachmaninov, Tchaikovsky...: (http•••) Score: (http•••)o/files/imglnks/usimg/e/e8/IMSLP19058-PMLP44988-Tchaik_TH103.pdf It is possible that the romance Does the Day Reign? was the first of the Seven Romances to have been composed, in March 1880. According to Fyodor Malinin, Tchaikovsky created it for Aleksandra Panayeva-Kartsova. Following the dress rehearsal of a concert of Tchaikovsky's works, which took place in Saint Petersburg on 25 March/6 April 1880, and in which Panayeva-Kartsova took a principal role, Tchaikovsky was in conversation with Aleksey Apukhtin. Being a fervent admirer of the performer's singing talent, the composer asked the poet if he would dedicate one of his poems to her. In reply. " Apukhtin silently gestured that some notepaper was to be brought to him, upon which he jotted down some short verses in pencil. Tchaikovsky took these pages, and scanned through them before quickly leaving Apukhtin's home without a word; a day or two later he called on his friend again, bringing with him the romance, already composed". On 2/14 June 1880, Tchaikovsky wrote to Aleksandr Zhedrinsky: "I would like to remind you of your promise to send me some of [[Aleksey Apukhtin|Lel [Apukhtin}}]'s poems so I might set them to music... At the moment I feel disposed to write romances, would like to have Lel's verses". The poems were sent to the composer in the middle of June. On 28 June/10 July, Tchaikovsky wrote to Modest Tchaikovsky: "I've lost my notebook with Apukhtin's poems and my sketches, and for the last few days we've been searching here in vain", but on 10/22 July the composer informed Nadezhda von Meck: "I've begun to write something new". On 19/31 July, Tchaikovsky composed the romance Softly the Spirit Flew up to Heaven (No. 2), after becoming acquainted with Jules Massenet's Marie Magdeleine, "by far the most extraordinary thing is the duet between Christ and Magdalene, which in my opinion is a chef d'oeuvre. I was so moved by this deeply heart-felt music—in which Massenet succeeded in capturing the infinite goodness of Jesus—that I shed whole streams of tears... All day today I had this duet in mind while writing a romance to [Aleksey] Tolstoy's words: Softly the Spirit Flew up to Heaven, in which the melody owes something to Massenet". Tchaikovsky wrote to Sergey Taneyev: "Throughout this summer... I've worked very little, that is just some small vocal pieces in the form of romances and duets". On 26 July/7 August the composer wrote to Modest Tchaikovsky: "I have written some romances; one of them gives me immeasurable delight, but to spare my tears I mustn't play it". It appears that composition of the romances was completed in late July/early August 1880 since in a letter to Nadezhda von Meck of 31 July/12 August to 2/14 August he said he had begun the fair copies, together with the Six Duets, Op. 46. In all probability the fair copies of the romances and duets were ready by 24 August/5 September. Tchaikovsky informed Nadezhda von Meck that he had finished the fair copies in a letter of 26 August/7 September to 31 August/12 September. On 30 August/11 September, Anatoly Tchaikovsky took the new compositions to give to Pyotr Jurgenson: " Anatoly is bringing you two new opuses: 1) 6 duets for singers. 2) 7 romances and songs" . Source: (http•••) Buy the CD's here: (http•••) (http•••)
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