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Rochester Orchestra Howard Hanson Barber Piston McCauley Bergsma 2017
Provided to YouTube by Believe SAS Three Pieces for Orchestra: No. 1, Promenade · Eastman-Rochester Orchestra, Howard Hanson, Francis Tursi, James Austin Barber: Capricorn Concerto - Piston: The Incredible Flutist - Griffes: Poem for Flute and Orchestra - Kennan: Three Pieces for Orchestra - McCauley: Five Miniatures for Flute and Strings - Bergsma: Gold and the Senor Commandante ℗ Mangora Classical Released on: 2017-04-02 Composer: Kent Kennan Auto-generated by YouTube.
Rochester Orchestra Howard Hanson Samuel Barber 2011
Provided to YouTube by The state51 Conspiracy Capricorn Concerto, Op. 21: I. Allegro ma non troppo · Eastman-Rochester Orchestra · Howard Hanson Barber: Medea, Ballet Suite Op. 23 / Capricorn Concerto, Op. 21 ℗ 2011 Harrison James Music Released on: 2011-10-03 Composer: SAMUEL BARBER Auto-generated by YouTube.
Rochester Orchestra Howard Hanson Samuel Barber Piston McCauley Bergsma 2017
Provided to YouTube by Believe SAS Capricorn Concerto, Op. 21: I. Allegro ma non troppo · Eastman-Rochester Orchestra, Howard Hanson, Joseph Mariano, Robert Sprenkle, Sidney Mear Barber: Capricorn Concerto - Piston: The Incredible Flutist - Griffes: Poem for Flute and Orchestra - Kennan: Three Pieces for Orchestra - McCauley: Five Miniatures for Flute and Strings - Bergsma: Gold and the Senor Commandante ℗ Mangora Classical Released on: 2017-04-02 Composer: Samuel Barber Auto-generated by YouTube.
William Bergsma Howard Hanson Bret Garrison Friar Sedgwick Rochester Orchestra 1840 1921 1940 1942 1957 1994
William Bergsma +••.••(...)) Gold and the Señor Commandante (Ballet Suite) +••.••(...)) 00:00 - Siesta 01:48 - Parade 02:54 - Elegant Dance 03:34 - Furious Dance of the Bearded Russians 06:10 - Sinister Dance 07:58 - Chinese Dance 08:54 - Tender Dance 09:56 - Chase Music 11:46 - Happy Dance Performed by Howard Hanson and the Eastman-Rochester Orchestra. Recorded by Mercury in 1957. "Bergsma's second ballet, Gold and the Señor Commandante, written in 1940-41, was first produced at the Eastman School in 1942. It is, in the words of the composer, 'a cheerful and inaccurate recollection of my California homeland during my first year of study in the East. The plot was distantly based on Bret Harte's story, The Right Eye of the Commander; but what story line there was served merely to illustrate the commingling of nationalities and traditions which was present in Spanish California in 1840, and is still there, to a certain extent. 'The Suite opens with a tranquil 'Siesta,' interrupted by the maladroit 'Parade' of the Spanish garrison (three soldiers strong). They march before the Commandante, his lovely daughter, the Digger Indians enjoying a siesta, and several attractive señoritas. A group of travelers arrives: an improbable assortment of bearded Russians (from Fort Ross), a Chinese, a Yankee sea captain, and a Friar. They are formally greeted by an 'Elegant Dance' of the señors and señoritas, rudely cut short by the 'Furious Dance of the Bearded Russians,' who pre-empt the delighted señoritas. (The garrison tries to restore order at one point, but is glared down.) This dance attains such unprecedented frenzy as to waken the Digger Indians for a 'Sinister Dance'; when the commotion subsides they go right back to sleep and wake up again only for the finale. 'The Friar, searching for a convert, is himself beguiled by the 'Chinese Dance'; the Commandante's daughter performs a 'Tender Dance' with the best-looking Russian; the Yankee sea captain threatens the placidity of the Commandante's world by discovering gold. There follows the 'Chase Music'; the good are triumphant and the troublemakers are sent packing. There is a general 'Happy Dance,' at the end of which all the characters fall asleep, barely in time for the final curtain.'" - Sedgwick Clark