Residentie Orchestra Video
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2024-04-28
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Zemtsov Kirill Karabits Het Residentie Orkest 2015
B. Bartok Viola Concerto Mikhail Zemtsov, viola- Kirill Karabits, conductor, Het Residentie Orkest (The Hague Philharmonic) Dr. A. Philipszaal, The Hague, 03-2015
Anja Bihlmaier Giuseppe Verdi Een 2022
Onze chef-dirigent Anja Bihlmaier sluit haar eerste seizoen af met een van de grootste werken uit de muziekgeschiedenis: de dodenmis van Giuseppe Verdi. Meesterlijk weet operacomponist Verdi grote koren en solostemmen – van de meest intieme dynamiek tot het grootste drama – samen te voegen. Luister Verdi's Requiem op vrijdag 20 en zondag 22 mei. Kaarten boeken: (http•••) VOLG ONS OP: Instagram: @residentieorkest Twitter: @residorkest Facebook: @residentie.orkest (http•••)
Anrooy Haag Antal Doráti Residentie Orkest 1954 2017
Provided to YouTube by Universal Music Group Anrooy: Piet Hein Rapsodie · Residentie Orkest Den Haag · Antal Doráti Doráti In Holland ℗ 1954 Universal International Music B.V. Released on: 2017-06-01 Composer: Peter van Anrooy Auto-generated by YouTube.
Alexander Voormolen Matthias Bamert Johan Wagenaar Roussel Ravel Casella Delius Florent Schmitt Debussy Een Residentie Orchestra 1748 1895 1915 1916 1919 1920 1923 1924 1925 1927 1928 1931 1938 1947 1955 1957 1980
Alexander Voormolen +••.••(...)) Baron Hop Suite No. 2 : for orchestra (1931) 1. Ouverture Viva Carolina - 00:00 2. Menuet Princesse Royale - 05:54 3. Air Willem V - 11:59 4. Rondo Wolfenbüttel - 17:48 Orchestra: Residentie Orchestra The Hague Conductor: Matthias Bamert dedicated to Henk Spruit Alexander Voormolen was a Dutch composer. He studied composition in Utrecht with Johan Wagenaar and with Willem and Martinus. In 1916, on the recommendation of Rhené Baton (who conducted his overture to Maeterlinck's La mort de Tintagiles at The Hague in 1916), he went to Paris, where he worked with Roussel and became close to Ravel, Casella, Delius and Florent Schmitt. He returned to settle in the Netherlands in 1920, first in Veere and moved to The Hague in 1923. For many years he was music critic for the Nieuwe Rotterdamsche Courant, and then from 1938 to 1955 he was librarian of the Conservatory of The Hague. Voormolen's first works (those from the years 1915--1925) show a chromatic harmonic style influenced by Debussy, Ravel and Delius, and also an early return to Baroque forms. In addition, after 1919 he drew increasingly on Dutch folksong, as in the piano suite Tableaux des Pays-Bas +••.••(...)). In the 1920s Voormolen searched for a more individual, typically Dutch style, one that was permeated with old tunes, the sound of the Dutch carillon, and that evoked the atmosphere and elegance of the Dutch Baroque. This resulted in such popular scores as the Baron Hop suites +••.••(...)), the orchestral variations De drie ruitertjes (1927), the concertos for one or two oboes (1938) and the symphonic poems Een zomerlied (1928), Arethuza (1947) and Eline (1957).