Valentina Aleksandrova Vidéos
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Valentina Aleksandrova Hurtado 2015
WTFUniversity - Swing Party - Jim Beam - Студенстски град 05.06.2015
Tchaikovsky Davydova Modest Tchaikovsky Aleksandrova Yelizaveta Lavrovskaya Boulanger 1817 1856 1869 1870 1873 1875 1876 1884 1886 1890
Tchaikovsky: Six Romances Op. 6 (1869) I. Do Not Believe, My Friend (Не верь, мой друг). Moderato assai (C-sharp minor) Aleksey Tolstoy (1817–1875), from an untitled poem (1856). Do not believe, my friend, do not believe when in a fit of grief. I say that I fell out of love with you Do not believe in the ebb of the tide; do not believe the betrayal of the sea, It returns to the earth, loving. Already I yearn, full of former passion, I'll give you my freedom again And the waves are already running with the reverse noise From afar to your favorite shores. Don't believe my friend, don't believe Don't believe my friend, don't believe When in a fit of grief. I say that I fell out of love with you - Do not believe in the ebb of the tide; do not believe the betrayal of the sea, It returns to the earth, loving. Tchaikovsky's Six Romances (Шесть романсов), Op. 6 (TH 93 ; ČW 211-216), were written in Moscow in November 1869. Instrumentation: Scored for high voice (Nos. 1, 2, 3, 5), medium voice (No. 6) or baritone (No. 4), with piano accompaniment. Composition: Until mid/late November 1869, Tchaikovsky was occupied with composition of the overture Romeo and Juliet, amongst his other work. On 15/27 November, he wrote to Aleksandra Davydova: "I have been terribly busy; hurrying to finish my new overture... besides which I have quite a few other jobs to do; as a result my nerves are under considerable strain, and I intend to take some time off, i.e. to do nothing apart from my classes". On 18/30 November 1869 in a letter to Modest Tchaikovsky, he expressed his dismay about the delay in staging of his opera Undina, writing: "While my music is being held up, I've started to write some songs to earn a little money". However, the next week he joked to Ivan Klimenko: "...had dear Dorimedontova not burst in, like some malevolent spirit fulfilling a curse, then one-sixth (of my six romances) would have been completed". In early/mid December the composer wrote: '"My idleness (about which I wrote to you in a previous letter did not last long, and lasted only a short times and last week I wrote six romances, which are going to be printed". Performances: Bitterly and Sweetly (No. 3) was performed by Aleksandra Aleksandrova-Kochetova in Moscow on 14/26 March 1870, at the tenth symphony concert of the Russian Musical Society. None but the Lonely Heart (No. 6) was apparently performed for the first time by Yelizaveta Lavrovskaya on 26 March/7 April 1870 in Moscow. Publication: The romances were first published by Pyotr Jurgenson in March 1870. Subsequently these romances, along with others, were frequently repeated, in their original keys, transpositions and arrangements +••.••(...), etc.). At the end of 1890 they were published by Jurgenson in a collected edition of romances, reviewed by the author. At the time of this reprinting, Tchaikovsky stipulated that all the songs "ought to be in their original keys. Transpositions may also be published, but the proofs must be thoroughly examined... and checked against my texts of the original romances. Arrangements: In 1886 Raïssa Boulanger wrote to Tchaikovsky asking for a copy of the orchestrated version of Was I Not a Little Blade of Grass in the Field? (No. 7 of the Seven Romances, Op. 47), as well as to orchestrate for her the romance Bitterly and Sweetly (Op. 6, No. 3). She evidently intended to perform these romances in public. Tchaikovsky replied to Madame Boulanger on 1/13 December 1886 promising that he would fulfil both her requests. Autographs: Tchaikovsky's manuscript scores of all six romances are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 130). Dedication: Each of the Op. 6 romances has its own dedication: I. Do Not Believe, My Love is dedicated to Aleksandra Menshikova
Tchaikovsky Davydova Modest Tchaikovsky Aleksandrova Yelizaveta Lavrovskaya Boulanger 1858 1869 1870 1873 1876 1884 1886 1890
Tchaikovsky: Six Romances Op. 6 (1869) IV. A Tear Trembles (Слеза дрожит) Moderato assai (G-flat major) Aleksey Tolstoy, from an untitled poem (1858). A tear trembles in your jealous gaze - Oh, don't be sad, you're all dear to me! But I can love only in the open - My love, as wide as the sea, Can't fit, no! The shores cannot contain the life. Oh, do not be sad, my friend, earthly grief blows, Wait a little longer, bondage is short-lived - We will all merge into one love soon, Into one love as wide as the sea What will not fit, no! That earthly shores cannot contain. Tchaikovsky's Six Romances (Шесть романсов), Op. 6 (TH 93 ; ČW 211-216), were written in Moscow in November 1869. Instrumentation: Scored for high voice (Nos. 1, 2, 3, 5), medium voice (No. 6) or baritone (No. 4), with piano accompaniment. Composition: Until mid/late November 1869, Tchaikovsky was occupied with composition of the overture Romeo and Juliet, amongst his other work. On 15/27 November, he wrote to Aleksandra Davydova: "I have been terribly busy; hurrying to finish my new overture... besides which I have quite a few other jobs to do; as a result my nerves are under considerable strain, and I intend to take some time off, i.e. to do nothing apart from my classes". On 18/30 November 1869 in a letter to Modest Tchaikovsky, he expressed his dismay about the delay in staging of his opera Undina, writing: "While my music is being held up, I've started to write some songs to earn a little money". However, the next week he joked to Ivan Klimenko: "...had dear Dorimedontova not burst in, like some malevolent spirit fulfilling a curse, then one-sixth (of my six romances) would have been completed". In early/mid December the composer wrote: '"My idleness (about which I wrote to you in a previous letter did not last long, and lasted only a short times and last week I wrote six romances, which are going to be printed". Performances: Bitterly and Sweetly (No. 3) was performed by Aleksandra Aleksandrova-Kochetova in Moscow on 14/26 March 1870, at the tenth symphony concert of the Russian Musical Society. None but the Lonely Heart (No. 6) was apparently performed for the first time by Yelizaveta Lavrovskaya on 26 March/7 April 1870 in Moscow. Publication: The romances were first published by Pyotr Jurgenson in March 1870. Subsequently these romances, along with others, were frequently repeated, in their original keys, transpositions and arrangements +••.••(...), etc.). At the end of 1890 they were published by Jurgenson in a collected edition of romances, reviewed by the author. At the time of this reprinting, Tchaikovsky stipulated that all the songs "ought to be in their original keys. Transpositions may also be published, but the proofs must be thoroughly examined... and checked against my texts of the original romances. Arrangements: In 1886 Raïssa Boulanger wrote to Tchaikovsky asking for a copy of the orchestrated version of Was I Not a Little Blade of Grass in the Field? (No. 7 of the Seven Romances, Op. 47), as well as to orchestrate for her the romance Bitterly and Sweetly (Op. 6, No. 3). She evidently intended to perform these romances in public. Tchaikovsky replied to Madame Boulanger on 1/13 December 1886 promising that he would fulfil both her requests. Autographs: Tchaikovsky's manuscript scores of all six romances are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 130). Dedication: Each of the Op. 6 romances has its own dedication: IV. A Tear Trembles is dedicated to Pyotr Jurgenson.
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- chronologie: Artistes lyriques (Europe).
- Index (par ordre alphabétique): A...