Yelizaveta Lavrovskaya Vidéos
artiste lyrique, professeur ou professeure de musique
Commémorations 2025 (Naissance: Yelizaveta Lavrovskaya)
- mezzo-soprano
- Empire russe
Dernière mise à jour
2024-05-14
Actualiser
Tchaikovsky Sergey Taneyev Yelizaveta Lavrovskaya 1810 1860 1866 1875 1876 1891 1892 1940
Tchaikovsky: Six Romances and Songs, Op. 27 (1875) II. Look, Yonder Cloud (Смотри: вон облако) Andante semplice (C minor) Tchaikovsky's Six Romances and Songs (Шесть романсов и песен), Op. 27 (TH 98 ; ČW 232-237), were written in March and April 1875 in Moscow. Instrumentation: Scored for medium voice (Nos. 1, 3, 4, 5, 6) or low voice (No. 2), with piano accompaniment. Movements: II. Look, Yonder Cloud (Смотри: вон облако) Andante semplice (C minor) Look: there is a silvery cloud; Everywhere around him the sky is shining clear, How beautiful your youth is. And the morning brilliance reflects so brightly on it; And so it is light, as if smiling - It looks like you, it looks like you. Look: over there a lonely cloud comes out; It is dark as night, as the sadness of the soul is deep - The radiance of the day will not enlighten her ... Perhaps that is why she is gloomy so formidable, That with a bright cloud a different path was given to her, - She looks like me, she looks like me Nikolay Grekov (1810–1866), from his poem Stanzas (Стансы) (by 1860). Composition: The history of these romances is undocumented. They were probably composed sometime between mid/late March (after the Six Romances, Op. 25) and 7/19 April 1875 (the date they were received by Pyotr Jurgenson, as noted on the manuscript). Performances: The romance Evening (No. 4) was performed, possibly for the first time, by Aleksandra Svyatlovskaya in Moscow on 17/29 December 1876, at the sixth symphony concert of the Russian Musical Society. Publication: The romances were published by Pyotr Jurgenson in May 1875. A new edition, containing the second version of My Spoiled Darling (No. 6), was issued by Jurgenson in August 1892. The set (including both versions of No. 6) was published in volume 44 of Tchaikovsky's Complete Collected Works (1940), edited by Ivan Shishov and Nikolay Shemanin. Arrangements: The romance Do Not Leave Me (No. 3) was orchestrated by Sergey Taneyev in 1891, and this arrangement was published by Pyotr Jurgenson in 1892. Autographs: Tchaikovsky's manuscript scores of all six romances are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 136). The same archive also holds Sergey Taneyev's autograph arrangement of Do Not Leave Me (No. 3) for voice and orchestra, containing annotations by Tchaikovsky (ф. 85, No. 38). Dedication: All the romances are dedicated to Yelizaveta Lavrovskaya.
Pyotr Ilyich Tchaikovsky Yelizaveta Lavrovskaya Nikolai Rubinstein Rubinstein 1840 1869 1870 1893
Subscribe for more 8D Classical Music: (http•••) Immerse yourself in today's classical piece using headphones and experience the live acoustics right at your feet. The music accompaniment is digitally orchestrated. If you like it please subscribe for more content :) You can send your submissions in the comment section and we will try our very best to make your requests come true ASAP! Kindly note, if you use our content without permission prior, you run the risk of your own content being removed and possible action being made by YouTube!/ REMEMBER TO SUBSCRIBE!!!***** Composed by Pyotr Ilich Tchaikovsky +••.••(...)) Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy "None but the Lonely Heart". Tchaikovsky dedicated this piece to Alina Khvostova. The song was premiered by Russian mezzo-soprano Yelizaveta Lavrovskaya in Moscow in 1870, following it with its Saint Petersburg premiere the following year during an all-Tchaikovsky concert hosted by Nikolai Rubinstein; the latter was the first concert devoted entirely to Tchaikovsky's works. Violin played by Nadia W. White Follows us on Facebook: (http•••) Instagram: (http•••) Music Score arrangements using Finale Music Digital Orchestration using FL Studio 20 Audio Editing using Adobe FL Studio 20 Visual Creations using Adobe Photoshop Video Editing using Adobe Premiere Pro Visual Effects using Adobe After Effects #Tchaikovsky #NoneButTheLonelyHeart #8DClassical #Classical8DMusic #Classical8DAudio #Classical8DSongs #Classical8DGuitar #ClassicalMusica8D #Classical8D #8DClassicalMusic #8DClassicalSongs #8DClassicalPiano #8DClassicalGuitar #8DClassicalMusicPiano #8DClassicalMusicYoutube
Pyotr Ilyich Tchaikovsky Wolfgang Amadeus Mozart Yelizaveta Lavrovskaya Nikolić 1892 1893 1941
Tchaikovsky's quartet Night (Ночь) (TH 88 ; ČW 318) was written in March 1893 at Klin, and is an adaptation of music by Mozart. The music is based on the B-flat episode from the Fantasie No. 4 in C minor for piano, K.475, by Wolfgang Amadeus Mozart. Scored for soprano, alto, tenor and bass soloists, with piano accompaniment, there is one movement: Moderato assai (B-flat major, 154 bars), lasting approximately 4 minutes in performance. The idea for a vocal quartet on Mozart's music seems to have occurred to Tchaikovsky in 1892, while he was living at Maydanovo, where Vladimir Nápravník had been playing through many piano works by various authors, including Mozart. On 18/30 May 1892, Vladimir Nápravník wrote to Tchaikovsky: "I remember, dear Pyotr Ilyich, that recently you wanted to arrange some Mozart that you wanted to arrange as a quartet for singers. Did you do this or not?". In fact Tchaikovsky did not carry out his intention until 1893, at the beginning of March—the manuscript is dated "Klin. 3 March 1893". The autograph is subtitled: "Music adapted from Mozart's Fantasia No. 4 and arranged by P. Tchaikovsky". The first performance of Night took place at the Moscow Conservatory by members of Yelizaveta Lavrovskaya's student class on 9 October 1893, in the presence of the author . (Tchaikovsky Research) Please take note that the audio AND sheet music ARE NOT mine. Feel free to change the video quality to a minimum of 480p for the best watching experience. Original audio: Jelena Škorić (soprano), Marija Nikolić (mezzosoprano), Vanja Biserčić (tenor), Ivan Plazačić (baritone), and Milica Prpić (piano) ((http•••) Original sheet music: (http•••) (Muzgiz, 1941)
Tchaikovsky Braid Falcon Dam Malinin Aleksandra Panayeva Yelizaveta Lavrovskaya 1817 1858 1875 1880 1881 1883 1940 1960
Tchaikovsky: Seven Romances, Op. 47 (1880) I. If Only I Had Known (Кабы знала я) Allegro moderato (C minor) Tchaikovsky's Seven Romances (Семь романсов), Op. 47 (TH 103 ; ČW 252-258), were completed in August 1880 at Simaki. Instrumentation: High voice (Nos. 1, 2, 3, 6, 7), medium voice (No. 4) or baritone (No. 5), with piano accompaniment. Movements: A complete performance of all seven romances lasts around 30 minutes. I. If Only I Had Known (Кабы знала я) Allegro moderato (C minor) If only I had known, if I only knew I wouldn't look out the window I am a daring young man As he drove down our street. Having twisted the hat on one side, Like a dashing buckskin horse, Voice, long hair Opposite the windows rose! If only I had known, if I only knew For him I wouldn't dress up Scarlet ribbon with gold border I would not weave a long braid, I wouldn't get up early before light I wouldn't rush through the suburbs, I wouldn't wet my legs in the dew, I wouldn't look down the country lane, Will you pass through that lane, Holding a variegated falcon in your hand? If I only knew, if I only knew! If only I had known, if I only knew I wouldn't sit up late at night Burning on the rubble, At the dam, near the well, waiting, guessing Will you come, my love, Will you come, my love? oh oh! Will you come, my love, Give the horse cold water to drink! If only I had known, if I only knew If only I had known! if you knew. Oh! Aleksey Tolstoy (1817–1875), from an untitled poem (1858). Composition: It is possible that the romance Does the Day Reign? was the first of the Seven Romances to have been composed, in March 1880. According to Fyodor Malinin, Tchaikovsky created it for Aleksandra Panayeva-Kartsova. Following the dress rehearsal of a concert of Tchaikovsky's works, which took place in Saint Petersburg on 25 March/6 April 1880, and in which Panayeva-Kartsova took a principal role, Tchaikovsky was in conversation with Aleksey Apukhtin. Being a fervent admirer of the performer's singing talent, the composer asked the poet if he would dedicate one of his poems to her. In reply. “Apukhtin silently gestured that some notepaper was to be brought to him, upon which he jotted down some short verses in pencil. Tchaikovsky took these pages, and scanned through them before quickly leaving Apukhtin's home without a word; a day or two later he called on his friend again, bringing with him the romance, already composed". Arrangements: Two of the romances were later arranged for voice and orchestra by the composer. In March 1883 Yelizaveta Lavrovskaya asked Tchaikovsky to orchestrate the romance Was I Not a Little Blade of Grass in the Meadow? (No. 7), through Sofya Malozemova. However, Tchaikovsky was occupied at that time with the composition of the cantata Moscow and the Coronation March, and was unable to fulfil her request. In a letter of 21 March/2 April 1883 to Sofya Malozemova, Tchaikovsky wrote: "How could I refuse? I am honoured and proud to oblige her and satisfy you, and as you rightly say that work will not take me very long—but combined with my fatigue through the strain of simultaneously composing the march and the cantata—I swear that I have no energy to take up a third task, even though it is straightforward work. I certainly will do it—but I beg you and Lizaveta Andreyevna not to be angry with me if I cannot orchestrate the romance just yet". Publication: The romances were published for the first time by Pyotr Jurgenson in March 1881, and were included in volume 44 of Tchaikovsky's Complete Collected Works (1940), edited by Ivan Shishov and Nikolay Shemanin. The orchestral version of Was I Not a Little Blade of Grass in the Meadow? (No. 7) was published for the first time in 1960 in volume 27 of the Complete Collected Works, edited by Irina Iordan. Autographs: Tchaikovsky's autograph scores of all seven romances are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 139). The whereabouts of the manuscripts of his later orchestral arrangements of Nos. 6 and 7 are unknown. Dedication: All the romances are dedicated to Aleksandra Panayeva-Kartsova.
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