Bernardino Scaramella Vidéos
compositeur
- Italie
Dernière mise à jour
2024-05-16
Actualiser
Josquin Desprez Loyset Compère Scaramella Ventura Valente Colla Lanza Shield Spada Ensemble Micrologus Micrologus 1490 1976 2007
Fromond guardava divertito il coraggioso soldato di ventura performer: Ensemble Micrologus, Maggio valente [2007] clip: Il soldato di ventura by Pasquale festa Campanile [1976] lyrics italiano/english Scaramella va a la guerra / Scaramella goes to battle colla lanza et la rotella / holding lance and shield aloft la zombero boro borombetta la zombero boro borombò Scaramella fa la gala / Scaramella gets some blisters con la scharpa et la stivala / from his shoes and his boots la zombero boro borombetta la zombero boro borombò Scaramella se inamora sol / Scaramella loves complaining per pianger notte et hora / night and day does nothing else la zombero boro borombetta la zombero boro borombò Scaramella vaie in campo / Scaramella goes to battle com la spada sopra el fianco / sword remaining at hi side la zombero boro borombetta la zombero boro borombò
Leonardo Vinci Hernández Muñoz Salinas Antoine Busnois Guillaume Dufay Heinrich Isaac Milán Johannes Martini Martini Josquin Prez Bartolomeo Tromboncino Francesco Patavino Francesco Spinacino Genet Marco Antonio Cavazzoni Cavazzoni Pesenti Claudin Sermisy Philippe Verdelot 1400 1430 1440 1450 1464 1470 1474 1475 1478 1482 1485 1487 1490 1492 1497 1499 1500 1505 1506 1511 1514 1516 1517 1519 1520 1521 1528 1534 1535 1544 1548 1552 1556 1560 1562 2021
Concierto 8 Sábado, 30 de octubre de 2021 Catedral de Cuenca, 20:30 horas FORTUNA DESPERATA Música en la vida de Leonardo da Vinci. Una idea de David Hernández Muñoz Coro de cámara The Labyrinth of Voices y Laura Salinas Rodríguez (viola da gamba), Alberto Espinosa Díaz (percusión), César Hualde Resano (cuerda pulsada), David Hernández Muñoz (flauta) y Lucie Žáková (órgano). Narrador: Víctor Cruz. Dirección: Miguel Ángel García Cañamero / Programa FORTUNA DESPERATA Música en la vida de Leonardo da Vinci Vinci +••.••(...)) y Florencia +••.••(...)) o Fortuna desperata. ¿Antoine Busnois (c. 1430-1492)/Felice di Giovani. (fl.1469-1478)? ● Kyrie-Christe-Kyrie. Guillaume Dufay (c.1400-1474) ● Palle, palle. Heinrich Isaac (c.1450-1517) ● Calendimaggio. In questo ballo. Anónimo florentino (siglo XV) / Milán +••.••(...)) o Fortuna disperata. Johannes Martini +••.••(...)/8) ● Ave Maria virgo serena. Josquin des Prez +••.••(...)) ● Viva el gran Re Don Fernando. Carlo Verardi +••.••(...)) / Venecia y Mantua +••.••(...)) o Fortuna desperata. Josquin des Prez +••.••(...)) ● Scaramella va alla guerra. Josquin des Prez +••.••(...)) ● Ostinato vo´ seguire. Bartolomeo Tromboncino (c.1470-1535) ● Lirum bililirum. Rossino Mantovano (fl.1505–1511) / Florencia +••.••(...)) o Fortuna Desperata. Johannes de Pinarol (fl. finales del XV) ● Fortuna desperata. Busnois (c.1430-1492)/Felice (fl.1469-1478) ● Sù, sù, leva, alza le ciglia. Bartolomeo Tromboncino (c.1470-1534) ● Un cavalier di Spagna. Francesco Patavino (c.1487-c.1556) ● A la battaglia. Heinrich Isaac (c.1450-1517) / Milán-Florencia-Milán-Florencia +••.••(...)) / Florencia-Roma +••.••(...)) o Fortuna desperata. Intabulatura di lauto. Francesco Spinacino (1485?-1520?) ● Jerusalem, convertere. Elzèar Genet +••.••(...)) ● Recercada de maca in Bologna. Marco Antonio Cavazzoni (c.1490-c.1560) ● Dal lecto me levava. Michele Pesenti (c.1470-1528) ● Fortuna desperata/Sancte Petre. Heinrich Isaac (c.1450-1517) / Francia +••.••(...)) o Fortuna Desperata. Anónimo (1544) ● Tant que vivray. Claudin de Sermisy (c.1490-1562) ● Italia mia. Philippe Verdelot (c.1475-1552) /
Antoine Brumel Alexander Agricola Johannes Ockeghem Josquin Desprez Scaramella Basevi David Munrow Shield 1505 1510
Du tout plongiet / Fors seulement 0:06 Original song for 4 male voices 2:37 Instrumental arrangement for recorders and harp PROGRAM NOTES: This beautifully textured masterpiece by Antoine Brumel (or possibly Alexander Agricola based on the eccentric ornamentation) contains some unusual features for that period. It excludes any soprano or alto parts, and the lowest voice dips to an incredible 2 Cs below middle C or C2). The score would most aptly fit a TBBB quartet. Additionally, it interweaves two different French tunes into one. The "Du tout plongiet" of Antoine Brumel supplies the outer voices (tenor, baritone and low bass) while the cantus (or superius) from "For seulement, l'actente que je meure" by Johannes Ockeghem is transposed down an octave plus a whole tone into the second baritone range. As in other parody pieces, this complex work consists of a straightforward cantus firmus line in the middle voice and 3 other lines with intricately ornamented lines. It is reminiscent of Agricola's 6 part version of "Fortuna desperata" or Josquin Desprez's reworking of "De tous biens pleine" for 4. Although printed in the early decades of the 16th century, the song may have originally been composed in the late 15th century - perhaps before or around the time of Ockeghem's death. Some of the cadential formulas in "Du tout plongiet" were rather "retro" by the 1510s. It also has a rhythm that is highly irregular and unpredictable like older 15th century works and less like contemporary works like Josquin's "Mille regretz" or "Scaramella." "Du tout plongiet" comes to us from two sources: the Chansonnier of Margaret of Austria (a.k.a. Bibliothèque royale de Belgique ms 228) and the Basevi Firenze ms 2439. As was common for books gifted to nobility, the Brussels ms 228 is one of the exquisitely illuminated manuscripts of the Franco-Flemish Renaissance. I have included in this video some samples of the richly drawn figures that adorn the original manuscript pages. The French text for this piece was entered, as previously, using the Vocaloid voice encoding program from Yamaha. In this second version of this video, I changed the voice encoder from the English Cyber Songman to the Spanish Bruno. I also used the generally accepted 16th century variant of the vowel pair "oi" "way" instead of "wa." I added the instrumental arrangement using the iPhone app MusicStudio2. The recorders are playing one octave higher than the voices in order to fit the range of instruments in that period. Contrabass recorders were still more than a century away. French text: Du tout plongiet au lac de desespoir, Trouve me suis sans attente n'espoir D'avoir jamais des biens de Fortune; Mais, se trouver puis scayson oportune, Je me assairay d'en quelque chose avoir. Translation (from David Munrow) Plunged deep in the lake of despair, I can neither expect nor hope ever to enjoy Fortune's gifts. But if I have the opportunity, I shall endeavour to enjoy some. / LIST OF ILLUSTRATIONS: 1. The superius line from "Du tout plongiet", Brumel / Agricola, Brussels ms 228 2. Musicians in the Garden of Pleasure, Roman de la Rose, Anon. Flemish, Harley ms. 4425 3. The initial "A," Brussels ms. 228 4. You or Death, detail from ornamental shield, c1480 5. The initial "T." Brussels ms 228 6. The tenor line from "Du tout plongiet" 7. Coronation of the Virgin, detail of angels with recorders, Master of the Lyversberg Passion, c1460 8. Initial "S" in the form of a dragon, Brussels ms 228 9. Lady receiving love letters, Roman de la Rose, Anon. Flemish, Harley ms. 4425 10. Initial "M," Brussels ms 228 11. Musical instruments from Brumel's time, detail of a viola da braccio, recorder, trumpet, double pipes and vihuela (wood inlay), Palazzo Ducale, 1505 12. Initial "C," Brussels ms 228
ou
- chronologie: Compositeurs (Europe).
- Index (par ordre alphabétique): S...