Johann Balthasar Kehl Vídeos
compositor alemán
Conmemoraciones 2025 (Nacimiento: Johann Balthasar Kehl)
- Alemania
- compositor, profesor universitario
Última actualización
2024-05-09
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Johann Balthasar Kehl Kehl Dam Quint 1832
Score available here: (http•••) esterday I realized I still have to finish my series of choral preludes by Johann Balthasar Kehl. Only a few pieces left to go, and then it’s time to round them all up in a new edition. The prelude on “Sei Lob und Ehr, dem höchsten Gut” is ont of the few pieces where Kehl prescribes the use of the pedals. However, the pedals don’t have an independent part. They facilitate playing the piece and are not meant as seperate voice. So I just use a coupler to the manual the left hand is playing and no pedal stops. The recording was done on the sample set of the Van Dam organ (1832) from Tholen by Voxus Organs for Hauptwerk. Registration Man: Praestant 8′, Octaaf 4′, Quint 3′, Octaaf 2′ (LH) RW: Praestant 8′, Octaaf 4′, Nazart 3′ (RH) Man-RW, Ped-Man
Johann Balthasar Kehl Kehl 1725 1764 1778
Score avaiable here: (http•••) Johann Balthasar Kehl’s (1725 – 1778) claim to fame are the chorale preludes he published during his time in Erlangen, in four different volumes (Erste bis Vierte Sammlung einiger variierender Choräle, 1764). Each of these volumes contains 14 chorale preludes and one ‘free’ prelude. The chorale preludes from the second volume (and a few from the other volumes) were previously published anew in modern notation (see (http•••) The ‘free’ prelude however remained unpublished, until now. In this prelude Kehl shows again his ability to create, with minimal means, a piece that sticks to the mind. If he lifed nowadays his slogan should be “Great music for small organs”. The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum.
Score available here: partitura.org/index.php/johann-balthasar-kehl-seelenbrautigam-jesu/ Another fine example of what Kehl was capable of. As is usual with Kehl this piece start with a somewhat unrelated intro. The intro sets the mood, but does not employ a motive from the chorale melody. And as is usual with Kehl, this piece has something not heard in other Kehl pieces before. This time he makes frequent use of repeated notes. Thus he creates a festive introduction (and extro) to the chorale melody. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Registration HW: Prestant 8′, Octaaf 4′, Octaaf 2′, Trompet 8′ bas + discant (choral melody) RW: Holpijp 8′, Octaaf 4′, Quint 3′, Octaaf 2”
Score available here: (http•••) Kehl’s prelude on “Jesu meine Freude” has the melody alternating in the left hand and the right hand. It is a relatively simple piece, but is does not fail to leaf a profound impression. I thought it fitting to use just the Silbermann Principal 8′. One of the most beuatiful singing principals available in Hauptwerk country. The recording was done on the sample set of the Silbermann organ of the Stadtkirche Zöblitz by Prospectum. Registration Man: Principal 8′
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): B...